Schumann: Wer sich der Einsamkeit ergibt, Op. 98a No. 6

“In his notes Graham Johnson says that what we have always lacked is a convincing way of performing late Schumann songs, often spare in texture and elusive in style. Well, he and Keenlyside seem to have found one here in their wholly admirable versions of the very different Opp 98a and 117. The Op 98a settings of the Harper's outpourings from Wilhelm Meister have always stood in the shade of those by Schubert and Wolf. This pair show incontrovertibly that there's much to be said for Schumann's versions, capturing the essence of the old man's sad musings, as set by the composer in an imaginative, free way, alert to every nuance in the texts.
The extroverted Lenau Husarenlieder could hardly be more different. Keenlyside identifies in turn with the bravado of the first, the cynicism of the second, and the eerie, death-dominated mood of the fourth. The pair enter into the openhearted mood called for by the Knabenhorn settings, most of all in the irresistible 'Der Hidalgo'.
Keenlyside is just as forthright in Die Löwenbraut and in those of Op 35, the well-known Kerner settings, and he brings impressive control to the Eusebius ones, not least the all-enveloping 'Stille Tränen'. The interpretation of this quasi-cycle is convincing and unerringly paced. The recording and Johnson's persuasive playing are superb.” Gramophone Classical Music Guide, 2010

“most impressive when considered in detail against other versions of these much-recorded works. Eschenbach's accompaniments are superb, consistently imaginative.” Penguin Guide, 2010 edition ***