Halffter, R: Cello Concerto No. 2 |
This page lists all recordings of Cello Concerto No. 2, by Rodolfo Halffter (1900-87) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | Mstislav Rostropovich plays Cello Concertos
| | Music for Cello & Organ by Frescobaldi, Marcello, J.S.Bach, Handel, Caix d’Herelois, Rheinberger & Saints-Saën | Bach, C P E: | Cello Concerto No. 2 in B flat major, Wq 171 The Saint Paul Chamber Orchestra, Hugh Wolff | Dvorak: | Cello Concerto in B minor, Op. 104 Boston Symphony Orchestra, Seiji Ozawa | Gagneux: | Triptyque pour violoncelle et orchestre Seiji Ozawa | Halffter, R: | Cello Concerto No. 2 Orchestre National de France, Crist¢bal Halffter | Hoddinott: | Noctis Equi, Scena for cello and orchestra London Symphony Orchestra, Kent Nagano | Honegger: | Cello Concerto London Symphony Orchestra, Kent Nagano | Jolivet: | Cello Concerto No. 2 (1966) André Jolivet | Knaifel: | Chapter Eight (live recording) | Milhaud: | Concerto for Cello and Orchestra No. 1 Op. 136 London Symphony Orchestra, Kent Nagano | Moret: | Cello Concerto Collegium Musicum de Zurich, Paul Sacher | Penderecki: | Cello Concerto No. 2 London Symphony Orchestra, Kent Nagano | Prokofiev: | Cello Concerto in E minor, Op. 58 Boston Symphony Orchestra, Seiji Ozawa | Shchedrin: | Cello Concerto "sotto voce concerto" (1994) Seiji Ozawa | Shostakovich: | Cello Concerto No. 1 in E flat major, Op. 107 London Symphony Orchestra, Seiji Ozawa | Tartini: | Cello Concerto in D major The Saint Paul Chamber Orchestra, Hugh Wolff | Tchaikovsky: | Variations on a Rococo Theme in A, Op. 33 Boston Symphony Orchestra, Seiji Ozawa | Vivaldi: | Concerto for cello, strings & continuo in D minor RV 406 The Saint Paul Chamber Orchestra, Hugh Wolff |
Mstislav Rostropovich (cello) ‘Rostropovich, however, does have the true measure of these works and plays to an appropriate scale with a
beauty of tone unimaginable from a period instrument. His eloquence has a style of its own, beyond the usual
constraints of period and convention. The lyrical slow movements are imbued with a wistfulness and intimacy reflecting a well-known side of his musical personality; the brooding rhetorical quality of the C.P.E. Bach Adagio is especially compelling’ Gramophone on Vivaldi & CPE Bach | | | Usually despatched in 3 - 4 working days. |
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