Gagneux: Triptyque pour violoncelle et orchestre |
This page lists all recordings of Triptyque pour violoncelle et orchestre, by Renaud Gagneux (b.1947) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
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See Terms & Conditions for p&p rates. | |  | Mstislav Rostropovich plays Cello Concertos
| | Music for Cello & Organ by Frescobaldi, Marcello, J.S.Bach, Handel, Caix d’Herelois, Rheinberger & Saints-Saën | Bach, C P E: | Cello Concerto No. 2 in B flat major, Wq 171 The Saint Paul Chamber Orchestra, Hugh Wolff | Dvorak: | Cello Concerto in B minor, Op. 104 Boston Symphony Orchestra, Seiji Ozawa | Gagneux: | Triptyque pour violoncelle et orchestre Seiji Ozawa | Halffter, R: | Cello Concerto No. 2 Orchestre National de France, Crist¢bal Halffter | Hoddinott: | Noctis Equi, Scena for cello and orchestra London Symphony Orchestra, Kent Nagano | Honegger: | Cello Concerto London Symphony Orchestra, Kent Nagano | Jolivet: | Cello Concerto No. 2 (1966) André Jolivet | Knaifel: | Chapter Eight (live recording) | Milhaud: | Concerto for Cello and Orchestra No. 1 Op. 136 London Symphony Orchestra, Kent Nagano | Moret: | Cello Concerto Collegium Musicum de Zurich, Paul Sacher | Penderecki: | Cello Concerto No. 2 London Symphony Orchestra, Kent Nagano | Prokofiev: | Cello Concerto in E minor, Op. 58 Boston Symphony Orchestra, Seiji Ozawa | Shchedrin: | Cello Concerto "sotto voce concerto" (1994) Seiji Ozawa | Shostakovich: | Cello Concerto No. 1 in E flat major, Op. 107 London Symphony Orchestra, Seiji Ozawa | Tartini: | Cello Concerto in D major The Saint Paul Chamber Orchestra, Hugh Wolff | Tchaikovsky: | Variations on a Rococo Theme in A, Op. 33 Boston Symphony Orchestra, Seiji Ozawa | Vivaldi: | Concerto for cello, strings & continuo in D minor RV 406 The Saint Paul Chamber Orchestra, Hugh Wolff |
Mstislav Rostropovich (cello) ‘Rostropovich, however, does have the true measure of these works and plays to an appropriate scale with a
beauty of tone unimaginable from a period instrument. His eloquence has a style of its own, beyond the usual
constraints of period and convention. The lyrical slow movements are imbued with a wistfulness and intimacy reflecting a well-known side of his musical personality; the brooding rhetorical quality of the C.P.E. Bach Adagio is especially compelling’ Gramophone on Vivaldi & CPE Bach | 
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