Bach, J S: Chorale Prelude BWV1099 'Aus tiefer Not schrei ich zu dir'

“These 38 chorale preludes come from a collection of 83 pieces compiled in the 18th century by Johann Gottfried Neumeister that eventually made its way to Yale University, where it was discovered by the Bach scholar Christoph Wolff. Bach's preludes are early works, and as Wolff so aptly wrote: 'Already there is innovation. There's a degree of originality and sophistication that is really quite remarkable.' Herrick gives clear, attractive performances with rhythmic articulation and lively ornamentation. Some listeners may find his playing too calculated and self-conscious, but these are sprightly readings, free of excessive mannerism. The most enjoyable aspect of the CD is the way Herrick gives each chorale prelude its own distinct sound world, despite having only a nine-stop, one-manual Metzler organ.
This instrument is one of the most beautiful organs imaginable, and Herrick achieves a pleasing variety of colour. Some may find the organ a little too closely miked.” Gramophone Classical Music Guide, 2010

“This disc includes the best-known of all Bach's organ pieces – although some would dispute that it's an organ piece or even that Bach wrote it; Bowyer's account of the Toccata and Fugue in D minor is invigorating, exciting and very fast. It sets the scene for a CD of virtuoso performances and sound musicianship. The whole is a well-chosen, self-contained programme which also includes an indisputably 'great' organ work, a Trio Sonata, a transcription Bach made of an effervescent concerto by Ernst, a youthful chorale prelude as well as one from a collection only discovered in 1985 and one real oddity. Much thought has gone into the choice of organ and this instrument serves its purpose admirably; roaring magnificently in the Fantasia and emulating the tranquil sounds so characteristic of the Pastorale.” Gramophone Classical Music Guide, 2010

“[Kevin Bowye] is supported by a recording of absolutely top-class quality, not forgetting Wilfrid Mellers's extensive and intriguing notes. He has the intellectual and technical wherewithal, as well as remarkable gifts for communication from the organ console, to produce performances of great authority ... a hugely enjoyable disc” Gramophone Magazine