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See Terms & Conditions for p&p rates. | |  | Purcell - Songs of Welcome and Farewell
Purcell: | Welcome, vicegerent of the mighty king, Z340 O dive custos Auriacae domus, Z504 Welcome to all the pleasures (from Ode for St Cecilia's Day 1683), Z339 O let me ever, ever weep (from The Fairy Queen, Z629) Incassum Lesbia, incassum rogas ('The Queen's Epicedium'), Z383 Young Thirsis' fate, Z473 Why, why are all the Muses mute?, Z343 |
“Splendidly characterful voices. Excellent.” BBC Music Magazine, June 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Purcell - Love Songs
Purcell: | Curtain Tune from Timon of Athens Z632 The Chair Dance (from Prophetess or The History of Dioclesian, Z627) If music be the food of love, Z379 For love ev'ry creature is formed by his nature (from King Arthur, Z628) Hornpipe I love and I must ('Bell Barr'), Z382 Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585) Timon of Athens, Z632: Overture Hark how the songsters of the grove (from Timon of Athens, Z632) Love in their little veins inspires (from Timon of Athens, Z632) But ah! how much are our delights (from Timon of Athens, Z632) Come all to me (from Timon of Athens, Z632) First Music (From The Fairy Queen) Entrance of night (from The Fairy Queen, Z629) One charming night (from The Fairy Queen, Z629) Hush, no more, be silent all (from The Fairy Queen, Z629) Chaconne Ye gentle spirits of the air (from The Fairy Queen, Z629) Prelude Since from my dear Astrea's sight (from Prophetess or The History of Dioclesian, Z627) O let me ever, ever weep (from The Fairy Queen, Z629) If love's a sweet passion (from The Fairy Queen, Z628) The cares of lovers (from Timon of Athens, Z632) Let us dance (from Prophetess or The History of Dioclesian, Z627) Boree Butterfly dance (from Prophetess or The History of Dioclesian, Z627) Man is for the woman made (from The Mock Marriage, Z605) Hark! The Echoing Air (from The Fairy Queen, Z629) Chaconne |
Dorothee Mields has specialized in 17th and 18th century music from early on in her career and performs with the Collegium Vocale Ghent and the Bach Collegium Japan. Her artistic work and her repertoire extend from Monteverdi and Bach to Grisey and Furrer. The Lautten Compagney Berlin is one of the most renowned German baroque ensembles. “It's heartening to hear a German ensemble perform Purcell...with such conviction. Dorothee Mields is a fine soprano who is as confident in the melismas of "Sweeter than roses" as she is heartfelt in the broken phrases of 'O let me weep"; and, on the whole, her English is excellent.” Gramophone Magazine, October 2010 “Mields has barely a hint of an accent, and is marvellously expressive throughout, suggesting more than a passing familiarity with the English language...The instrumental playing...also has much to recommend it.” International Record Review, September 2010 | | | Usually despatched in 2 - 3 working days. |
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