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See Terms & Conditions for p&p rates. | |  | Un Frisson Français - A century of French song
Undoubtedly ONYX’s highlight of the year is the first recital disc for 5 years by the great American mezzo Susan Graham. Beloved by audiences the world over, this outstanding recording is sure to be much in demand worldwide. The unique programme provides a celebration of French song in an unusual way – instead of groups of songs by several composers Susan has opted for a single song by 22 different composers from Bizet to Poulenc. This is the programme she and Malcolm Martineau her regular accompanist took on tour in the USA and Europe in 2007/2008. Reviews were unanimous “confirms Susan Graham as the ideal package she is” (Music Web) “resistance is futile” (New York Times); superb, exquisite (Chicago Tribune) Susan Graham is particularly at home in French repertoire, one of the few non-French singers recognised by the French themselves when they made her a Commandeur dans L’Ordre des Arts et des Lettres. Susan refutes the idea that all French vocal music sounds the same: "This programme has everything: loud, soft, high, low, fast, slow, romantic, acidic." Includes some surprises- Saint-Saëns’ Danse Macabre for example, known by everyone as a orchestral showpiece but in fact first written as a song, but hardly ever performed as such; and some favourites such as Hahn’s À Chloris and Canteloube’s Brezairola, but far more discoveries such as the gorgeous Psyché by Paladilhe and Bachelet’s ecstatic Chère Nuit. “With Susan Graham in radiant form and Malcolm Martineau not just an accompanist but an active partner in the project, "Un frisson français" offers a unique survey of French mélodie from the mid-19th century to the mid-20th: 22 songs… one composer. A rich collection in excellent sound: no one is likely to be disappointed.” Gramophone Magazine, November 2008 “The familiar here appears in unusual contexts and alongside a scattering of rarities. The performers are at one in their fluency, delicate rubato and avoidance of Anglo-Saxon archness, within an acoustic that combines intimacy and atmosphere.” BBC Music Magazine, November 2008 ***** “With Susan Graham in radiant form and Malcolm Martineau not just an accompanist but an active partner in the project, 'Un frisson français' offers a unique survey of French mélodie from the mid–19th century to the mid–20th: 22 songs…one per composer.
Martineau describes the plan as a 'tasting menu', starting with Gounod, to whom he ascribes the launching of the genre of French mélodie. Even Ravel said that Gounod was 'the true founder of the mélodie in France' and his song 'Au rossignol' ('To the Nightingale') is included in the first of five sections – 'founding fathers', including Bizet, Franck, Lalo and Saint–Saëns. It is fascinating to hear the original version with piano of 'Danse macabre', Graham marvellously biting.
Martineau describes the sequence as 'loosely chronological', and one beauty of the scheme is that rare and forgotten composers are included, such as Paladilhe and Bachelet who are represented in late–Romantic mélodies with night and nature dominating themes. The third group – including Ravel and Debussy – takes us into the 20th century. Especially fascinating is André Caplet's setting of 'Le corbeau et le renard' ('The Crow and the Fox') with elaborate piano accompaniment.
Only rare songs are chosen for each composer and perhaps Martineau chose some of them for the colourful accompaniments, as in Chausson's fluttering accompaniment for his picture of the butterfly in 'Le papillon'. The fourth section has childhood as a common theme and the climactic section has only one song, much the longest, Poulenc's 'La dame de Monte-Carlo', to words by Jean Cocteau. It is like an encapsulated version of the operatic monodrama La voix humaine with the singer on the verge of a breakdown.
A rich collection in excellent sound: no one is likely to be disappointed.” Gramophone Classical Music Guide, 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Susan Graham - French SongsRecorded at Verbier Festival, July 2009
This series of TV programmes presents the very best of the 16th Verbier Festival with worldwide renowned artists such as Susan Graham, Martha Argerich, Yuri Temirkanov, Stephen Kovacevich, and Philippe Jaroussky. Together with Malcolm Martineau on the piano, the Grammy Award-winning mezzo-soprano Susan Graham features a fascinating compilation of well-known French composers. Both have also toured with the program - comprising nearly two dozen songs by as many composers - to great acclaim. The recital Graham and Martineau gave this past summer at the Verbier Festival in French-speaking Switzerland brought down the house. Being Musical America’s 2004 Vocalist of the year, Graham is well-known as an expert in French melodies. The genre is known as a very tricky one, but she presents the songs with a fascinating jewel-like clarity and gleaming tone. Martineau is the perfect counter-part who adds some finely judged French seasoning. Picture format DVD: NTSC 16:9 Sounds formats DVD: PCM Stereo, DD 5.1, DTS 5.1 Region code: 0 Booklet notes: English, German, French Running time: 60 min FSK: 0 “An hour of pure delight...Graham is utterly at home in this repertoire an performs it with élan...Martineau is the perfect partner throughout, perfectly jusging depth of tone, moving as one with Graham and displaying the same level of control...with a gentle smile, Hahn's sublime 'À Chloris' surpasses all that has come before.” BBC Music Magazine, Christmas 2010 *****  BBC Music Magazine
DVD Choice - December 2010 |
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| |  | Dame Felicity Lott & Graham JohnsonFallen Women and Virtuous Wives
| | I know where I'm going arranged Hughes Sweet Polly Oliver arranged Britten | Bliss: | The return from town | Brahms: | Mädchenlied, Op. 107 No. 5 | Britten: | O Waly, Waly | Coward, N: | Spinning Song Alice is at it again A bar on the piccolo marina | Duparc: | Au pays ou se fait la guerre | Fauré: | Une Sainte en son aurèole | Grand: | What's a lady like me | Hahn, R: | O mon bel inconnu: 'C'est tres vilain d'etre infidele' | Haydn: | Die zu späte Ankunft der Mutter | Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball | Mozart: | Die Alte K517 | Poulenc: | La Dame de Monte Carlo | Roussel: | Réponse d'une épouse sage, Op. 35 No. 2 | Schumann: | Lied der Braut II, Op. 25 No. 12 | Straus, O: | Warum soll eine Frau kein Verhältnis haben | Strauss, R: | Drei Lieder der Ophelia Op. 67 | Walton: | Wapping Old | Weill, K: | Nanna's lied (Text: Bertolt Brecht) Und was bekam des Soldaten Weib | Wolf, H: | Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch) |
"Her purity of
tone and sureness of stage presence, at the most
touching of moments, reassert her reputation as
one of the great Straussians of our time"
The Observer “Flott-lovers should flock to lay their hands on this very live recital, focusing on Flott as chanteuse. …Hahn and Poulenc are exquisitely eloquent, and her risqué Walton and Coward - from 'Wapping Old Stairs' to 'The Bar in the Piccola Marina' are tours de force of stylish enunciation and comic timing,” BBC Music Magazine, September 2005 **** “…it shows the soprano in full enjoyment, and we catch the audience's pleasure in a murmur of general good humour.” Gramophone Magazine, December 2005 | | | Usually despatched in 3 - 4 working days. |
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BBC Music Magazine Awards 2009