Cage: Three songs (1933) for Voice and Piano

This page lists our only recording of Three songs (1933) for Voice and Piano, by John Cage (1912-92) on CD.

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Cage: Music for Piano Volume 2

Catalogue No:

8850

Discs:

3

Release date:

26th May 2008

Barcode:

5029365885027

Medium:

CD

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Cage: Music for Piano Volume 2


Cage:

Four Walls

The Seasons

Three songs (1933) for Voice and Piano

Five songs (1938) for Voice and Piano (e.e.cummings)

Forever and Sunsmell (1942) for voice and percussion (*) (e.e.cummings)

The Wonderful Widow of Eighteen Springs

Four Dances (1942-1943) for piano,voice and percussion

She is Asleep (complete)

A Flower for voice and piano

Nowth upon Nacht (1984)

Nocturne

Six Melodies

Two4

Two6


Lorna Windsor (voice), Ars Ludi (Percussion Ensemble), David Simonacci (violin), Giancarlo Simonacci (piano /prepared piano / struck piano)

CD - 3 discs

Normally: $13.25

Special: $9.93

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John Cage may still be known as avant-garde, a musical rebel, who greatly influenced music all over the world. But not all his music was written for prepared piano or consisted of electronic sounds. He also wrote several pieces for the ‘traditional’ combination of violin and piano. One CD of this album is devoted to this complete part of Cage’s output. He developed a keen interest in percussion, hence his prepared piano compositions. This lead to a number of unusual works, including one for voice and percussion. Such as the four dances for piano, voice and percussion. All of Cage’s songs are present here as well, with Three songs and Five songs on texts by E.E. Cummings and James Joyce. Cage was stimulated in his work by other disciplines of art.

Remarkable in this respect was his collaboration with choreographer Merce Cunningham. The composer travelled extensively with the Cunningham Dance Company. This lead to a couple of pieces of ballet music for a single piano (with one item for voice). Both Four walls and The Seasons are recorded here.

Click on any of the works listed above for alternative recordings.

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