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See Terms & Conditions for p&p rates. | |  | The Art of Segovia
Albéniz: | Asturias (from Suite espanola, Op. 47) Zambra Granadina | Bach, J S: | Prelude in D (after Prelude from Cello Suite No. 1 in G BWV1007) Partita for solo violin No. 1 in B minor, BWV1002: Bourrée Cello Suite No. 3 in C major, BWV1009: Courante Gavotte (Rondeau) from Partita No. 3 in E major BWV1006 | Castelnuovo-Tedesco: | Capriccio diabolico (Homage to Paganini) Tonadilla on the name of Andrés Segovia, Op. 170, No. 5 | Chopin: | Prelude Op. 28 No. 7 in A major | Debussy: | Préludes - Book 1: No. 8, La fille aux cheveux de lin | Dowland: | If my complaints could passions move Frog Galliard | Falla: | Homenaje a Debussy | Franck, C: | L'Organiste: Quasi lento (Preludio) L'Organiste: Andantino poco allegretto | Frescobaldi: | Aria e Corrente | Grieg: | Lyric Pieces Op. 47: No. 3 - Melody | Handel: | Sarabande from Suite in D minor, HWV437 | Mendelssohn: | String Quartet No. 1 in E flat major, Op. 12: Canzonetta | Mussorgsky: | Pictures at an Exhibition: The Old Castle | Paganini: | Andantino variato | Pedrell, C: | Guitarreo | Ponce, M: | Theme Varie et Finale | Rameau: | Minuet in G major | Rodrigo: | Zarabanda lejana Fantasia para un Gentilhombre: Danza de las hachas Symphony of the Air, Enrique Jordá | Roussel: | Segovia for guitar, Op. 29 | Scarlatti, D: | Keyboard Sonata K11 in C minor | Scriabin: | Prelude, Op. 16 No. 4 in E flat minor | Segovia: | Estudio sin luz | Sor: | Introduction and Variations on a Theme by Mozart, Op. 9 | Tárrega: | Recuerdos de la Alhambra Capricho árabe Marieta (Mazurka) | Torroba: | Romanza de los piños Madroños Serenata burlesca | trad.: | Mexican Folksong | Turina: | Sevillana, Op. 29 | Villa-Lobos: | Prelude No. 1 in E minor Prelude No. 3 in A minor |
(All transcriptions by Andrés Segovia)
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| |  | Segovia - 1950s American Recordings Volume 6
In this sixth and last volume of André Segovia’s 1950s American recordings, the great guitarist is heard in a number of his transcriptions from eminent nineteenth century composers as well as in original guitar solos composed by his Spanish and South American contemporaries. The considerable diversity of the music is presented in Segovia’s inimitable manner, every nuance of sound and colour being uniquely exploited in delicately refined interpretations. Of particular note is Segovia’s interpretation of Falla’s Homenaje ‘Le Tombeau de Claude Debussy’, now regarded as one of the most emotionally charged solo guitar works. In his preface to Villa-Lobos’s Douze Etudes, that the composer had dedicated to him, Segovia writes: ‘Villa- Lobos has made a gift to the guitar’s history of the fruits of his talents as vigorous and as wise as that of Scarlatti and Chopin’. “Expected composers like Villa-Lobos, de Falla and Torroba are joined by Grieg, Schumann, Brahms, Franck and Scriabin in transcriptions which, under Segovia's hands, sounds entirely natural and convincing.” BBC Music Magazine, September 2008 **** “…there have been…few to rival the variety and beauty of the sounds [Segovia] produced…he was certainly the guitar's most powerful advocate, the ultimate 'effective guitarist' who opened doors for all those who followed” Gramophone Magazine | | | (also available to download from $9.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Andres Segovia - The American Decca Recordings
Aguirre: | Cancion | Albéniz: | Granada (from Suite española No. 1, Op. 47) Piezas Características, Op. 92: Torre Bermeja Sevilla (from Suite Española, Op. 47) Asturias (from Suite espanola, Op. 47) | anon.: | Canzone e Saltarello | Bach, C P E: | Siciliana in F sharp minor | Bach, J S: | Cello Suite No. 1 in G Major, BWV1007: Prelude Gavottes 1 & 2 (from Cello Suite No. 6) BWV1012 Partita for solo violin No. 1 in B minor, BWV1002: Bourrée Cello Suite No. 3 in C major, BWV1009: Courante Violin Sonata No. 1 in G minor, BWV 1001: Sicilienne Lute Suite No. 1 in E minor, BWV996: Bourrée | Brahms: | Waltz, Op. 39 No. 8 in B flat major | Castelnuovo-Tedesco: | Capriccio diabolico (Homage to Paganini) | Chopin: | Prelude Op. 28 No. 7 in A major | Couperin, L: | Passacaille in G minor | Falla: | Homenaje a Debussy | Frescobaldi: | Air & Variations Corrente | Giuliani: | Sonata in C major, Op. 15 (Allegro spiritoso) | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits | Granados: | Tonadillas: No. 7, La maja de Goya Danza española, Op. 37 No. 10 'Melancólica' Danza española, Op. 37 No. 5 'Andaluza' | Grieg: | Lyric Pieces Op. 47: No. 3 - Melody | Handel: | Suite in G minor, HWV 453: Allegretto grazioso Gavotte in G major, HWV 491 (transposed to A major) Sarabande from Suite in D minor, HWV437 Minuet in G major, HWV 531 (transposed to D major) | Haydn: | Minuet and Trio in D | Llobet: | El Noi de la Mare (The Mother's Son) El Testament d'Amelia (Amelia's Testament) | Malats: | Serenata espanola | Mendelssohn: | Song without Words, Op. 19b No. 6 in A minor 'Venetianisches Gondellied' | Milán: | Pavanes VI & IV Fantasia XVI Pavana | Mudarra: | Romanesca o Guardame las vacas | Pedrell, C: | Guitarreo | Ponce, M: | Prelude / Ballet and Gigue (originally attributed to S.L. Weiss) Andantino variato on a theme by Paganini Prelude No. 7 in A major Prelude No. 2 in A minor Prelude No. 9 in E major Prelude No. 8 in F sharp major Prelude No. 13 in F sharp major Prelude No. 11 in B major Mexican Folksong No. 3 La Valentina Theme Varie et Finale | Rameau: | Minuet in G major | Sanz: | Pavane | Schubert: | Piano Sonata No. 18 in G major, D894: Menuetto | Schumann: | Frühlingsgruss Op. 79/4 | Sor: | Grande Sonate, Op. 25, "Guitar Sonata No. 2": Allegro non troppo Introduction and Variations on a Theme by Mozart, Op. 9 | Tansman: | Cavatina | Tárrega: | Danza Mora Minuet | Torroba: | Burgalesa Albada (from: Piezas características) Arada Sonatina in A major for solo guitar Madroños Nocturno Serenata burlesca | Villa-Lobos: | Etude for Guitar, W 235 No. 7 in E major Prelude No. 1 in E minor | Visée: | Entrada Giga Bourree Minuet Suite in D minor |
For the first time, this budget priced 6 CD collection re-presents Segovia’s highly-prized recordings made for American Decca in the 1940s and 1950s, when he was arguably at the height of his powers. Here are the first six albums released by the label in that now legendary series, presented for the first time in original LP couplings and with their striking original-sleeve artwork: Andrés Segovia Guitar Solos; An Andrés Segovia Recital; An Andrés Segovia Concert; An Andrés Segovia Program; An Evening with Andrés Segovia; Andrés Segovia Plays… Many of these 80+ tracks are appearing on Deutsche Grammophon for the first time. The set has been newly remastered, with a minimum of intervention, from original tapes or tape copies of original glass masters. Like the best whisky, Segovia’s art is unfiltered on these CDs. The results reveal a new intimacy and delicacy in these six classic recitals that are wholly captivating. The package: Mini-LP sleeves (front and back), CD booklet (in the style of the The Martha Argerich Collection) has new liner notes by Segovia expert Graham Wade comprising introduction and annotations on each of the albums, with colour minis. Arrangements & transcriptions by Andres Segovia “This is Segovia absolutely in his prime, tackling everything from Frescobaldi, Handel and Haydn through Mendelssohn and Franck to Falla, Villa-Lobos and Tansman with his inimitable combination of childlike innocence and arch sophistication. Sensitively remastered and with excellent notes by Segovia expert Graham Wade...” Gramophone Magazine, September 2009 | | | In stock - usually despatched within 1 working day. |
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