Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Liszt: Piano Works
Liszt: | Nuages gris, S199 Jean-Rodolphe Kars (piano) Piano Piece in A flat major (No. 2 from Fünf Klavierstücke), S192/2 (1865) Jean-Rodolphe Kars (piano) La Lugubre Gondola I, S200 No. 1 Jean-Rodolphe Kars (piano) Legende S.175 No. 2, St. Francis of Paola walking on the waves Jean-Rodolphe Kars (piano) Transcendental Study, S139 No. 8 'Wilde Jagd' Jean-Rodolphe Kars (piano) Piano Sonata in B minor, S178 Pascal Rogé (piano) Transcendental Study, S139 No. 4 'Mazeppa' Pascal Rogé (piano) Vallée d'Obermann (Années de pèlerinage I, S. 160 No. 6) Pascal Rogé (piano) Liebestraum, S541 No. 3 (Nocturne in A flat major) Pascal Rogé (piano) Années de pèlerinage, 2ème année, Italie (7 pieces), S. 161 Pascal Rogé (piano) |
Two pupils of the great Julius Katchen are featured in the piano music of Liszt on this 2CD set. Pascal Rogé was eighteen years old when he recorded the Liszt Piano Sonata, Mazeppa, Vallée d’Obermann and the third Liebestraum in London in December, 1969. It was during the 1967 International Competition Georges Enesco that Rogé was first discovered. He was sixteen, the only Frenchman to reach the finals, and he won a prize even though he was the youngest competitor. In Paris, where he was unanimously awarded First Prize for the Piano at the Conservatoire (in Lucette Descaves’s class) when he gave his first recital, Le Figaro wrote: ‘… Here is an exceptional personality and already much more than a hope: a gold mine’. The International Herald Tribune praised him with these words: ‘… his remarkable technical prowess, but also style and ability to draw his audience into his line of focus and hold it there. Such a quality is the sign of a true artist.’ Twelve years later, in 1980, he made another Liszt recording for Decca, this time of the Italian volume of Années de Pèlerinage. Both recordings are issued as part of this 2CD set, completed with Liszt recordings of both flamboyant pieces – the transcendental study Wilde Jagd, the second Legend ‘St. Francis of Paul walking on the waves’ – as well as the intimate, almost experimental late works. Born in Calcutta, India, of Viennese-Jewish parents, raised in considerable poverty, Jean-Rodolphe Kars was much admired in pianistic circles. Although his upbringing had been that of a secular Jew, he converted, in 1976, to Catholicism and was baptised in 1977. Mysteriously, in 1981, he put an end to his career as a pianist, entering the priesthood in 1986. All these recordings appear internationally on Decca CD for the first time. “the compelling centre of this feast is the playing of the 18-year-old Pascal Roge. Mature, lyrical, symphonic and pianistically profound, his Sonata is a marvel.” BBC Music Magazine, July 2012 ***** “There are so many super-pianists about nowadays that no boy or girl is likely to make the grade without being able to rattle off Liszt's B minor Sonata faultlessly at the age of 18. The point is how well? Pascal Rogé was 18 when he made this record last December: he can not only play this transcendentally difficult sonata, he gives it one of the most intelligent and Sensitive interpretations anybody could hope to hear.” Gramophone Magazine “He attains a remarkably sustained intensity with some pages [of the ‘Dante’ Sonata] and the whole is extremely well integrated” Gramophone Magazine (Années de Pèlerinage) “instead of storming classical heights with jejune interpretations, [this recital disc] is content to offer evidence of pianistic virtuosity, musical sensitivity and an interest in music going beyond the reachme-downs of the standard repertoire … The pieces and playing make the record very desirable” Gramophone Magazine (Kars) | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Roman Zaslavsky: Ingenious OppositesRecorded at Studio Halle, Halle, October 2011
Russian-Israeli pianist ROMAN ZASLAVSKY is a master of piano technique that espouses nuance without resorting to arbitrary mannerisms. He first gained recognition by taking 1st prize—the Primer Gran Premio—at the José Iturbi International Music Competition in Valencia, Spain and concert tours brought him around the globe with rave reviews after performances in Israel, Germany, Netherlands, France, Japan, Canada and Latin America. REVOLUTIONARY SOUND QUALITY: This is the one of the first HD Audio productions in line produced without compromise using the Direct A/A (analog to digital) technique which delivers the culmination of sound clarity realized by the use of the state-of-the-art digital microphone system that transfers the direct signal with a dynamic range of up to 130dB by eliminating all sound shaping and dynamic loss creating stages in the signal path such as cables, non optimal preamps, AD converters or limiters. The result is the highest achievable and unmatched signal to noise ratio. True-Peak EBU R128 Mastering guarantees uncompressed fully natural dynamics from total silence to ultimate peak level without any noise or distortion. ALSO AVAILABLE IN 24/96 lossless HD Multichannel PCM. In presenting the historic and artistic connections of “Ingenious Opposites,” he gives the listener the chance to experience these masterpieces in a whole new light. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Roman Zaslavsky: Ingenious OppositesRecorded at Studio Halle, Halle, October 2011
Blu-ray AUDIO with Bonus CD Russian-Israeli pianist ROMAN ZASLAVSKY is a master of piano technique that espouses nuance without resorting to arbitrary mannerisms. He first gained recognition by taking 1st prize—the Primer Gran Premio—at the José Iturbi International Music Competition in Valencia, Spain and concert tours brought him around the globe with rave reviews after performances in Israel, Germany, Netherlands, France, Japan, Canada and Latin America. REVOLUTIONARY SOUND QUALITY: This is the one of the first HD Audio productions in line produced without compromise using the Direct A/A (analog to digital) technique which delivers the culmination of sound clarity realized by the use of the state-of-the-art digital microphone system that transfers the direct signal with a dynamic range of up to 130dB by eliminating all sound shaping and dynamic loss creating stages in the signal path such as cables, non optimal preamps, AD converters or limiters. The result is the highest achievable and unmatched signal to noise ratio. True-Peak EBU R128 Mastering guarantees uncompressed fully natural dynamics from total silence to ultimate peak level without any noise or distortion. ALSO AVAILABLE IN 24/96 lossless HD Multichannel PCM. In presenting the historic and artistic connections of “Ingenious Opposites,” he gives the listener the chance to experience these masterpieces in a whole new light. Blu-ray Audio (with Bonus CD) – no Video! Sound format: lossless 24 Bit / 96 kHz PCM To be selected via the BD-Player remote, Colour Button in Brackets: a) Multichannel LPCM 24/96 – 5.1 surround (RED) b) Stereo PCM 24/96 - mix A (GREEN) c) Stereo PCM 24/96 - mix B (YELLOW) Region code: All; Booklet notes: English, German Running time: 69:29 mins; German FSK: - only audio | | | Usually despatched in 2 - 3 working days. |
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| |  | Liszt Recital (Piano Works)
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Liszt - Wild and Crazy
Liszt: | Mephisto Waltz No. 1 Vladimir Ashkenazy (piano) Liebestraum, S541 No. 3 (Nocturne in A flat major) Daniel Barenboim (piano) Hungarian Rhapsody, S244 No. 2 in C sharp minor arr. Vladimir Horowitz Lang Lang (piano) Il penseroso (Années de pèlerinage II, S. 161 No. 2) Wilhelm Kempff (piano) Hungarian Rhapsody, S244 No. 6 in D flat major Martha Argerich (piano) Funérailles (Harmonies poétiques et religieuses, S. 173 No. 7) Mikhail Pletnev (piano) Soirées de Vienne: valse-caprice No. 6 (after Schubert), D427 No. 6 Vladimir Horowitz (piano) Totentanz, S126 for piano & orchestra Jorge Bolet (piano) London Symphony Orchestra, Iván Fischer A Midsummer Night’s Dream: Wedding March & Dance of the Fairies (after Mendelssohn), S410 Egon Petri (piano) Fantasy on Hungarian Folk-tunes, S123 Shura Cherkassky (piano) Berliner Philharmoniker, Herbert von Karajan Widmung S566 after Schumann (Liebeslied) Yundi Li (piano) Grande Étude de Paganini, S. 141 No. 3 'La Campanella' Yundi Li (piano) Concert Paraphrase on Rigoletto, S.434 after Verdi's opera Daniel Barenboim (piano) Waldesrauschen, S145 No. 1 Géza Anda (piano) Gnomenreigen, S145 No. 2 Mikhail Pletnev (piano) Transcendental Study, S139 No. 5 'Feux Follets' Sviatoslav Richter (piano) Les jeux d'eaux à la Villa d'Este (Années de pèlerinage III, S. 163 No. 4) Zoltán Kocsis (piano) Transcendental Study, S139 No. 8 'Wilde Jagd' Alice Sara Ott (piano) Nuages gris, S199 Jean-Rodolphe Kars (piano) La Lugubre Gondola I, S200 No. 1 Jean-Rodolphe Kars (piano) Fantasy on Themes from Mozart's Marriage of Figaro and Don Giovanni, S697 Egon Petri (piano) Consolation, S. 172 No. 1 Daniel Barenboim (piano) |
First off is a revelatory compilation of Liszt’s most daring and virtuosic piano music, a special celebration of his wild and crazy side from an array of great pianists – dazzling virtuosity, extreme harmonies and textures – a helter-skelter ride through his piano oeuvre, with just the occasional moment of relaxation. From the first strumming chords of the First Mephisto Waltz to the spooky harmonies of La lugubre gondola and the obsessive threnody of Totentanz, a master of the instrument stands before us in all his glory. Featured are such names as Géza Anda, Martha Argerich, Vladimir Ashkenazy, Daniel Barenboim, Jorge Bolet, Shura Cherkassky, Vladimir Horowitz, Zoltán Kocsis, Lang Lang, Alice Sara Ott, Mikhail Pletnev, Sviatoslav Richter and Yundi Li. Rarities include four first releases on CD by Jean-Rodolfe Kars and Egon Petri – the latter aMasters of the Old School, with two incomparable performances of transcriptions (of Mozart’s Figaro and Mendelssohn’s A Midsummer Night’s Dream) , guaranteed to bring the house down. | | | Usually despatched in 2 - 3 working days. |
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| |  | Jean-Yves Thibaudet plays Liszt
These recordings were originally recorded for Denon and are now available on CD for the first time in nearly 20 years. “Faust and Rigoletto paraphrases, delivered with crystalline roguishness, are a delight” BBC Music Magazine, August 2011 *** “he plays the virtuoso to the hilt and it is hardly surprising that his performance of the "Faust" Waltz caught the ear of Horowitz...From the opening clarion call to attention to the central glittering cascades, Thibaudet gives us all his dry-ice sparkle and the sort of ear-tingling brilliance that quickly made him the envy of so many of his colleagues.” Gramophone Magazine, August 2011 | | | Usually despatched in 8 - 10 working days. |
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| |  | Van Cliburn Competition Vol. 6 (1989)
Barber, S: | Piano Sonata, Op. 26: 4 - Fuga José Carlos Cocarelli (piano) | Brahms: | Piano Sonata No. 3 in F minor, Op. 5: excerpts José Carlos Cocarelli (piano) | Chopin: | Scherzo No. 2 in B flat minor, Op. 31 Alexi Sultanov (piano) | Haydn: | Piano Sonata No. 59 in E flat major, Hob.XVI:49: 1st movement Alexi Sultanov (piano) | Liszt: | Transcendental Study, S139 No. 8 'Wilde Jagd' Benedetto Lupo (piano) | Mozart: | Piano Sonata No. 10 in C major, K330: 2 - Andante cantabile Alexi Sultanov (piano) Piano Sonata No. 10 in C major, K330: 3 - Allegretto Alexi Sultanov (piano) | Schumann: | Piano Sonata No. 2 in G minor, Op. 22 Benedetto Lupo (piano) |
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