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See Terms & Conditions for p&p rates. | |  | Rarities of Piano Music at the Husum Festival 2008
Castelnuovo-Tedesco: | Cipressi Marc-André Hamelin (piano) | Fauré: | Les berceaux, Op. 23 No. 1 Koji Attwood (piano) | Friedman, I: | Prelude, Op. 96, No. 3 Peter Froundjian (piano) Masque galante, Op. 81, No. 2 Roland Pöntinen (piano) Arlequinade, Op. 81, No. 3 Roland Pöntinen (piano) | Infante: | Sevillana Daniel Berman (piano) | Korngold: | Piano Sonata No. 2 in E major, Op. 2: Largo Peter Froundjian (piano) | Liszt: | Toccata, S197a (C1875-81) Denis Pascal (piano) | Lully: | Sarabande in E minor arr. Leopold Godowsky Daniel Berman (piano) | Marx: | Albumblatt Denis Pascal (piano) | Rakov: | Russian Song arr. Grigory Ginzburg Daniel Berman (piano) | Rota: | Improvisations on themes from Fellini's 'Amarcord' arr. Pöntinen Roland Pöntinen (piano) | Szymanowski: | Mazurka, Op. 50 No. 2 Peter Jablonski (piano) Mazurka, Op. 50 No. 3 Peter Jablonski (piano) | Tárrega: | Recuerdos de la Alhambra arr. Attwood Koji Attwood (piano) | Trenet: | En avril, à Paris arr. Alexis Weissenberg Marc-André Hamelin (piano) Chanson “Coin de rue” arr. Alexis Weissenberg Marc-André Hamelin (piano) Boum! arr. Alexis Weissenberg Marc-André Hamelin (piano) | Wiener: | Java Denis Pascal (piano) | Wiklund: | Från mitt fönster No.6 – I tankar Peter Jablonski (piano) | Zemlinsky: | Liebe, Op. 9, No. 3 Peter Froundjian (piano) |
The annual Piano Festival in the German town of Husum is a major event for all piano music lovers. Recorded live during concerts featuring the very finest pianists of today and features many world premiere recordings. Marc-André Hamelin contributes over 16 minutes of glorious music and this release should be a must for his large fan base. “Another enticing collection of piano rarities from this north German festival. …Marc-André Hamelin's entrancing verve and insinuation in three Charles Trenet/Weissenberg transcriptions (try "En avril" where "birds sing in the Luxembourg Gardens and lovers kiss on a bench"). Koji Attwood makes a haunting case for his transcription of Fauré's "Les berceaux". Roland Pöntinen has a field day with his fantasy on Fellini's Amarcord, mischievously relishing every opportunity for histrionics and a near irresistible sentimentality. Finally Peter Froundjian plays Zemlinsky, Friedman and Korngold as to the manner born...” Gramophone Magazine, February 2010 | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Joseph Marx - Piano Works
Australian pianist Tonya Lemoh has been the recipient of numerous international prizes and awards including first prize in the International Competition of Young Performers, Denmark 2003, and a Diplom d’Honneur at the 2002 International Grieg Piano Competition, Norway. She has been described as “a pianist of virtuosity and sensitivity” (Danish Music Journal) and Classical Music on the Web wrote of her commercial debut, “Lemoh is totally in command, and the music flows with great natural force. Very impressive.” She makes her debut on Chandos with the solo piano works of Austrian composer Joseph Marx. Joseph Marx can be described as a ‘romantic impressionist’, and the compositions performed here clearly demonstrate this late romantic style, reminiscent of Richard Strauss, Korngold and Reger. A formidable figure in Austrian classical music, Marx influenced the development of Austrian music through his compositions, teaching and musical criticism. He enjoyed great success throughout his life, but has since been unjustly neglected in part due to the radical compositional style of his peers, Webern and Berg. Of the works performed here, four of the pieces (Herbst-Legende, Carneval, Canzone and Die Flur der Engel) have never before been published or commercially recorded. Of the other six pieces, to date only one recording has been made, and is no longer commercially available, thus making the disc quite a rarity. “Tonya Lemoh plays all the music with poetic sensitivity, and those who appreciate the rhapsodic piano works of Ireland and Bax will find much to savour here.” BBC Music Magazine, December 2008 **** “This intriguing recital shows Marx as a defiantly throwback composer often struggling to find his individual voice in a particularly turbulent musical period. Brahms's B minor and E flat Rhapsodies are surely the seeds allowed to germinate in the opening Rhapsody, the first of the Six Pieces (though it is more complex and demanding than either), and the fugue from the Prelude and Fugue is Reger-like, massive, daunting and strenuous. On the other hand, there is something oddly English about the love of fourths in the Albumblatt – almost as if John Ireland had strayed into Vienna – and the Ballade, too, suggests a refugee from English pastoralism. There is something of York Bowen here (the Second Ballade?) though with a sprawling and improvisatory argument and an attempt to accommodate many (too many?) ideas. The Humoreske presents a gnomic though grandly expansive dance.
Just when your ear is longing for less cloyingly rich textures, for greater simplicity and transparency, it is rewarded with four world-premiere recordings where Marx becomes less ambitious and more persuasive and confiding.
Sample the 1916 Rhapsody and 'The Angel's Meadow', music lost in its own archaic world and sidestepping any easy or predictable resolutions.
The performances of this very demanding programme by Tonya Lemoh are as powerful and eloquent as you could wish and she has been admirably recorded.” Gramophone Classical Music Guide, 2010 “This intriguing recital shows Joseph Marx, (1882-1964) as a defiantly throwback composer often struggling to find his individual voice in a particularly turbulent musical period. The performances of this very demanding programme by Tonya Lemoh are as powerful and eloquent as you could wish and she has been admirably recorded.” Gramophone Magazine, September 2008 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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