Britten: Chamber Music V

This page lists all recordings of Chamber Music V, by Benjamin Britten (1913-76) on CD.

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Britten: Complete Songs Volume 2

Britten: Complete Songs Volume 2


Britten:

Seven Sonnets of Michelangelo, Op. 22

Allan Clayton (tenor)

A Charm of Lullabies for mezzo-soprano and pianoforte, Op. 41 (1947)

Jennifer Johnston (mezzo)

Who are these children?, Op. 84

Nicky Spence (tenor)

The Red Cockatoo (Waley)

Benjamin Hulett (tenor)

Songs and Proverbs of William Blake, Op. 74

Benedict Nelson (baritone)

On this Island, Op. 11

Elizabeth Atherton (soprano)

Dans le Bois

world premiere recording

Elizabeth Atherton (soprano)

Gloriana: 2nd Lute Song

Allan Clayton (tenor)

Chamber Music V

Allan Clayton (tenor)

The birds

Jennifer Johnston (mezzo)

If it's ever Spring again (Hardy)

Robin Tritschler (tenor)

The Children and Sir Nameless (Hardy)

Robin Tritschler (tenor)

Dawtie’s Devotion

Nicky Spence (tenor)

The Gully

Nicky Spence (tenor)

Tradition

Nicky Spence (tenor)

Of all the airts the wind can blow

world premiere recording

Nicky Spence (tenor)

Oh why did e’er my thoughts

world premiere recording

Benedict Nelson (baritone)

The sun shines down (No. 3 from Fish in the unruffled lakes)

Benjamin Hulett (tenor)

What's in your mind? (No. 5 from Fish in the unruffled lakes)

Benjamin Hulett (tenor)

Fish in the Unruffled Lakes (No. 4 from Fish in the Unruffled Lakes)

Robin Tritschler (tenor)

Underneath the abject willow (No. 6 from Fish in the Unruffled Lakes)

Robin Tritschler (tenor)


The second volume in the highly praised survey of all Britten’s songs for voice and piano. As before, the great song cycles rub shoulders with individual songs, and early works. There are world premier recordings here as well.

Malcolm Martineau has gather together the cream of young British singers, and this second volume will be as eagerly awaited and successful as the first (ONYX4071).

Philip Reid’s excellent booklet notes provide an incisive insight to Britten’s song writing – a form of composition that occupied the composer from his earliest compositions through to his last year.

‘This series promises to be a major addition to the Britten discography.’ Gramophone

“Listening to this music leaves one in no doubt that Britten ranks among the very greatest song composers, blessed with an unerring instinct for matching word to note and the creation of poetic atmosphere, as well as producing some gloriously singable melodic lines.” The Telegraph, 3rd November 2011

“All the singers are supported by Malcolm Martineau's wonderfully characterised accompaniments...Allan Clayton and Elizabeth Atherton give superb accounts of the declamatory Michelangelo Sonnets and the settings of Auden's On This Island respectively, but Nicky Spence seems slightly self-conscious in the Scots dialect of the Soutar songs, and Benedict Nelson doesn't always summon sufficient weight of tone for the Blake cycle.” The Guardian, 24th November 2011 ***

“it is fortuitous that such a range of talented young tenors is on hand...Whoever he is accompanying, pianist Malcolm Martineau is an expert guide. Though other individual recordings may be preferable, this second volume of Britten songs is again greater than the sum of its parts.” Gramophone Magazine, January 2012

“It's good to hear four quite different tenors responding to the song-cycles written for Peter Pears, and recreating each one in a totally distinctive way. Allan Clayton's feisty tenor takes on the Seven Sonnets of Michelangelo, his voice both heroic and intimate. Nicky Spence's 'Who are these Children?' is the outstanding performance of this volume: he really sells these wonderful settings of the pacificist poet William Soutar, characterising their compassion.” BBC Music Magazine, January 2012 ****

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Songs of Innocence

Songs of Innocence


Barber, S:

Sure on this shining night, Op. 13 No. 3

Berkeley, M:

Cradle Song

Boyce:

Tell, me lovely shepherd

arr. Elizabeth Poston

Britten:

Diaphenia

The Owl

Witches' Song

Chamber Music V

The Rainbow

The Oxen

Little Sir William

Ca’ the yowes

Dibdin:

Tom Bowling

realised by Britten

Handel:

Silent Worship (based on an aria from Tolomeo)

arr. Maurice Jacobson

Ives, C:

Slow March

Jeffries:

Matthew, Mark, Luke and John

Niles:

I wonder as I wander

arr. Benjamin Britten

Quilter:

Summer Sunset

Swann, D:

The Slow Train

arr. Andrew Plant

trad.:

In the mornin'

spiritual, arr. Ives

Caleno custure me

arr. Andrew Plant

Vaughan Williams:

Dirge for Fidele

Warlock:

The bayley berith the bell away

Williamson:

My bed is a boat

Sweet and low

Wood, C:

Who is Silvia?


Andrew Swait (treble), James Bowman (counter tenor) & Andrew Plant (piano)

"I was particularly keen to make this CD as I wanted a newer record of my treble voice: it has changed significantly since my previous recordings as a chorister. I also wished to promote items which are not normally associated with the standard treble repertoire. Through my association with Andrew Plant, The Britten-Pears Foundation generously supported the creation of the recording and allowed me the immense privilege of recording unpublished works by Britten, therefore greatly increasing the documental importance of this CD... Mr Bowman's voice had been one of the first I had heard in recordings and live concerts. Later, as a chorister, I was lucky enough to sing with him when he was a soloist in performances of Messiah and the St John Passion.The chance to work with him made the prospect of the disc better than I could have imagined." Andrew Swait

“The voice of experience meets the voice of youth in this album contrasting the voices of Bowman, a countertenor, and Swait, a boy chorister. Swait's voice is clear, bright and tuned with innate precision, ringing with carefree but studious childhood. Appealingly, he focuses on the mechanics of his singing, maintaining a childish ignorance of the full tragedy of Britten's Little Sir William. Bowman is the uncle, worldly and artistic, duetting with restraint and phrasing with a characteristic elegance and expressivity that Swait duly and sensibly mimics. The pianist Andrew Plant accompanies with sensitivity.” The Times, 12th July 2008 ***

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