Bassano, J: Fantasia No. 1

This page lists all recordings of Fantasia No. 1, by Jeronimo Bassano (1559-1635) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock.

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Chamber Choice
August 2008
Editor's Choice
September 2008

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Birds on Fire

Birds on Fire

17th century Jewish Music for Viols


Bassano, A:

Pavan and Gailiard

No. 1

Bassano, J:

Fantasia No. 1

Duarte:

Two Sinfonias in 5 parts (No. 5 & No. 6)

Octave toni (sopra Sol mi fa la sol)

Gough, O:

Birds on Fire

Kellim:

Terza Desperada

Pavin & Gallyard of Albarti

Lupo, J:

Pavana a 5

Lupo, T:

Fantasia in 6 parts No.1

Pavan in 3 parts No. 26

Fantasia [Air] in 4 parts No. 5

Fantasia in 6 parts No. 9

Fantasia in 6 parts Nos. 4 & 11

Rossi, S:

Hashkivénu

Pieces from the Lumley Part Books - Desperada, Pavana, Gallyard & Seconda Desperada

Shir hamma'alót [Psalm 128]

Wilder, P:

Fantasia con pause e senza pause


Jeremy Avis (cantor)

Fretwork

Although the unconverted Jews had been banished from the Kingdom since 1290, England's musical life between 1550 and 1650 was virtually monopolised by the crypto-Jewish dynasties of the Bassano and Lupo families of composers and performers.Adding a contemporary echo, the programme includes the first recording of Birds on Fire by Orlando Gough (born 1953). One of UK's most important composers for ballet, dance and theatre projects, here Gough found his inspiration in the work of klezmer musicians and in part based his piece on traditional tunes known as 'Kandel's Hora' and 'Odessa Bulgarish'. Performing on Renaissance and Elizabethan instruments, the members of Fretwork are joined by cantor Jeremy Avis for a pair of Hebrew liturgical settings penned by Salvatore Rossi (d. 1630). Orlando Gough (b.1953) was a founder member of the bands The Lost Jockey and Man Jumping. He writes music mostly for the theatre - operas, plays, dance pieces, music-theatre and directs The Shout, an extraordinary choir of diverse soloists.

“Always the unusual from the viol consort Fretwork. Not content with assembling a programme featuring covertly Jewish composers at the Tudor and Stuart courts, they thread through the tracks 24 klezmer-influenced minutes by the contemporary composer Orlando Gough. They’re pleasant, but for music with real meat you need the six selections by Thomas Lupo – sophisticated consort pieces teased out by Fretwork’s agile fingers.” The Times, 27th June 2008 ****

“compelling and convincing, it's to the credit of Fretwork that they chose to bring this previously lost bit of 16th-century music history into the light. Fretwork is particularly adept at this sort of thing, leaving us towonder and eagerly await their next project.” Classics Today 10/10

“Birds on Fire… is by Orlando Gough (b1953), a British composer… The music is hauntingly coloured by reference to klezmer tunes, while the second movement grows over a hypnotic ostinato. A memorable disc.” BBC Music Magazine, Proms 2008 *****

“Orlando Gough, best known for his theatre music, composed Birds on Fire in 1997. This is demanding, wonderfully offbeat music inspired by Ashkenazi Klezmers… which Fretwork brings off with a panache that astonishes and delights.” Gramophone Magazine, September 2008

GGramophone Magazine

Editor's Choice - September 2008

BBC Music Magazine

Chamber Choice - August 2008

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Harmonia Mundi - HMU907478

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