This page lists all recordings of Da geh' ich zu Maxim (from Die Lustige Witwe), by Franz Lehár (1870-1948) on CD. Generally, more recent releases are listed first, but with priority given to those that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | The Very Best of Thomas Hampson
Bizet: | Au fond du temple saint (from Les Pêcheurs de Perles) | Cadman: | At Dawning ('I love you') | Foster, S: | I Dream of Jeanie with the Light Brown Hair Beautiful Dreamer | Gounod: | O sainte médaille... Avant de quitter (from Faust) | Grieg: | Seks Sange, Op. 48 No. 1 'Gruss' | Griffes: | An Old Song Re-sung (Masefield) | Kalman: | Komm, Zigány! [Countess Mariza] | Korngold: | Mein Sehnen (from Die tote Stadt) | Lehár: | Da geh' ich zu Maxim (from Die Lustige Witwe) | Mahler: | Blicke mir nicht in die Lieder! (Rückert-Lieder) Ich atmet' einen linden Duft (Rückert-Lieder) Ich bin der Welt abhanden gekommen (Rückert-Lieder) Von der Schönheit (Das Lied von der Erde) | Massenet: | Vision fugitive (from Hérodiade) | Mendelssohn: | Venetianisches Gondellied | Meyerbeer: | Komm du schönes Fischermädchen Der Garten des Herzens | Rossini: | Largo al factotum (from Il barbiere di Siviglia) Le Lazzarone L'ultimo ricordo | Schumann: | Dichterliebe, Op. 48 | Strauss, J, II: | Als flotter Geist (from Der Zigeunerbaron) | Thomas, Ambroise: | Comme une pale fleur (from Hamlet) | Verdi: | Dieu, tu semas dans nos âmes (from Don Carlos) Per me giunto è il di (from Don Carlo) sung in French as 'C'est mon jour suprême' Deserto sulla terra (from Il trovatore) sung in French as 'Tout est désert' Ove son io?....Vada in flamme (from Macbeth) Perfidi!…Pietà, rispetto, amore (from Macbeth) Di provenza il mar (from La Traviata) É sogno, o realta? (from Falstaff) | Wagner: | Wie Todesahnung...O du, mein holder Abendstern (from Tannhäuser) | Weber: | Wo berg ich mich? (from Euryanthe) |
A singer of exceptional intelligence and style, the American Thomas Hampson has developed an operatic career that has taken him from Mozart, Rossini and the French composers of the 19th century to the grand roles of Verdi. In the field of song, he has explored a wide repertoire, ranging in this collection from Schubert, Schumann and Mahler to Grieg, Meyerbeer and the Americans Foster and Griffes. | | | In stock - usually despatched within 1 working day. |
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| |  | The Very Best of Placido Domingo
Boito: | Dai campi, dai prati (Mefistofele) Vergini muse ... Quando al soave anelito (from Nerone) | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) | Handel: | Svegliatevi nel core (from Giulio Cesare) | Lehár: | Gern hab' ich die Frau'n geküßt (from Paganini) Da geh' ich zu Maxim (from Die Lustige Witwe) Dein ist mein ganzes Herz (from Das Land des Lächelns) | Massenet: | Ah! Tout est bien fini... O souverain (from Le Cid) | Meyerbeer: | Pays merveilleux... Ô paradis (from L'Africaine) | Mozart: | Il mio tesoro intanto (from Don Giovanni) Un'aura amorosa del nostro tesoro (from Così fan tutte) Dies Bildnis ist bezaubernd schön (from Die Zauberflöte) La ci darem la mano (from Don Giovanni) Susan Graham (Zerlina) | Puccini: | Donna non vidi mai (from Manon Lescaut) Ah, Manon mi tradisce (from Manon Lescaut) Recondita armonia (from Tosca) E lucevan le stelle (from Tosca) Ch'ella mi creda libero e lontano (from La Fanciulla del West) | Rodrigo: | En Aranjuez con tu amor | Strauss, J, II: | Ach, wie so herrlich zu schau'n (from Die Fledermaus) | Tchaikovsky: | None but the lonely heart, Op. 6 No. 6 Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) | Verdi: | Se quel guerrier io fossi!…Celeste Aida (from Aida) Di' tu se fedele (from Un ballo in maschera) Ma se m'è forza perderti (from Un ballo in maschera) O tu che in seno agli angeli (from La Forza del Destino) Io la vidi e al suo sorriso (from Don Carlo) Niun mi tema (from Otello) | Wagner: | O sink hernieder, Nacht der Liebe (from Tristan und Isolde) Violeta Urmana (Isolde) Hoho! Hoho! Hohei! Schmiede, mein Hammer, ein hartes Schwert! (from Siegfried) David Cangelosi (Mime) | Zeller: | Schenkt man sich Rosen in Tirol (from Der Vogelhändler) |
and zarzuela arias from Los Gavilanes, La Rosa Del Azafrán, La Tabernera del Puerto, Coplas De Ronda, Copillas de Belen, Coplas del Pasto, Jealousy Tango, La Golondrina
“Mozart to zarzuela, Handel to Wagner - this generous collection confirms that our greatest tenor is also our most versatile and musically rewarding whatever style.” BBC Music Magazine, November 2011 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Dein ist mein ganzes Herz
| | | In stock - usually despatched within 1 working day. |
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| |  | Nicolai Gedda & Tatiana Gedda Viennese Delights
Nicolai Gedda (tenor), Tatiana Gedda (soprano) Stockholm Philharmonic Palm Court Orchestra, Lars Almgren | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | My Heart AloneFavorite Operetta Arias and Duets
My Heart Alone is the new recording from Austrian mezzo-soprano Angelika Kirchschlager and British baritone Simon Keenlyside, and proves that Operetta is still alive. Both singers are highly respected in the fields of opera and Lieder recital, and have appeared several times as a partnership, notably in the title roles in Pelléas et Mélisande at the Salzburg Easter Festival and at Covent Garden, where they have been feted as the dream couple of the opera world. This is the duo’s first Operetta recording, following in the great tradition of famous opera singers like Elisabeth Schwarzkopf, Fritz Wunderlich and Hermann Prey, whose careers blossomed beyond the opera stage. The choice of repertoire for this programme ranges widely from the golden age to the silver age, and includes gems from Die Fledermaus and Die Tänzerin Fanny Elssler by the father of Viennese operetta and waltz king Johann Strauss, as well as titles from popular works such as Franz von Suppé's masterwork Boccaccio and Franz Léhar's Merry Widow. The duet Nur die Liebe macht uns jung from Franz Léhar's Zigeunerliebe however, is an absolute rarity. “What impresses is not only the natural brilliance of the singers' vocal production but also the way in which pure display is subordinated to expression of true feeling.” Gramophone Magazine, September 2008 “Kirchschlager tries too hard as the dissolute Orlofsky ( Die Fledermaus ) but makes amends with a tenderly phrased "Vilja" and a sinuous, seductive "Meine Lippen, die küssen so heiss" from Lehár's Giuditta. Simon Keenlyside, in glorious voice, is by turns dulcet and virile, even if he doesn't quite muster the insouciant charm of a Nicolai Gedda for Danilo's "Da geh' ich zu Maxim". Drawbacks include some distinctly schmaltzy accompaniments and a booklet long on pretentious waffle but criminally short on texts and translations.” The Telegraph, 2nd August 2008 “Keenlyside sings operetta like a student, learning the ropes, too quick to pitch volume and intensity at a level fit for Verdi, but not the sweetmeats of Vienna...Best to concentrate on Kirchschlager, who is frequently marvellous. As an Austrian, the operetta lilt lives in Kirchschlager’s blood; she’s a natural at pausing and easing the speeds, and she sings with that indefinable glow.” The Times, 4th July 2008 *** | | | Usually despatched in 3 - 4 working days. |
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| |  | Freunde, Das Leben ist LebenswertRene Kollo conducts Lehar
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| |  | Treasures of Operetta
Eysler: | It's not a sin to kiss from Bruder Straubinger | Fraser-Simson: | A Paradise for two from The Maid of the Mountains | Ganne: | It is love from Les saltimbanques | German: | The Yeomen of England (from Merrie England) | Herbert, V: | Tramp! Tramp! Tramp! from Naughty Marietta Romany Life from The Fortune Teller | Jacobi, V: | The Colonel of the Crimson Hussars from Sybil | Jones, Sidney: | Star of my soul from The Geisha | Kalman: | Let me dance and let me sing from Die Csárdásfürstin | Lehár: | Lippen schweigen (from Die Lustige Witwe) Sung in English as 'Love unspoken' Da geh' ich zu Maxim (from Die Lustige Witwe) Meine Lippen sie Kussen so heiss (from Giuditta) Sung in English as 'On my lips every kiss is like wine' Viljalied (from Die lustige Witwe) Gern hab' ich die Frau'n geküßt (from Paganini) Dance while you may from The Land of Smiles Why did you kiss my heart awake from Friederike | Messager: | Trot here and there from Véronique Lightly, lightly, from Monsieur Beaucaire Philomel from Monsieur Beaucaire | Millöcker: | The Doleful Prima Donna from Der arme Jonathan | Monckton: | Charming Weather from The Arcadian A Bad Boy and a Good Girl from The Quaker Girl | Posford: | At the Balalaika from Balalaika | Stolz, R: | My Song of Love from White Horse Inn | Straus, O: | My Hero from The Chocolate Soldier Waltz of my dreams from A Waltz Dream | Strauss, J, II: | O Queen of my delight' from Casanova Nun's Chorus & Laura's Song from Casanova | Stuart: | Tell me, pretty maiden from Floradora | Tauber: | My Heart and I (from Old Chelsea) You are the world to me from Der singende Traum | Zeller: | Don't be cross from Der Obersteiger | Ziehrer: | Do re me fa sol la si (The Scale Song) from Der Schätzmeister O let me hold your tiny little hand from Der Schätzmeister Military Life! from Der Fremdenführer Thin, thin is my dear Gwendolin (from Die drei Wünsche) |
Marilyn Hill Smith (soprano) & Peter Morrison (baritone) Ambrosian Singers, Chandos Singers, Chandos Concert Orchestra, Barry Knight | | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Tom & Evelyn: On the Lighter Side
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