Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Lorraine Hunt Lieberson - Recital at Ravinia
Brahms: | Unbewegte laue Luft (No. 8 from Acht Lieder und Gesänge, Op. 57) Ruhe, Süßliebchen (No. 9 from Deutsche Volkslieder, WoO 33) Von ewiger Liebe, Op. 43 No. 1 | Burleigh, H T: | Deep River | Debussy: | Trois chansons de Bilitis | Handel: | La Lucrezia "O Numi eterni", Cantata HWV 145 Son nata a lagrimar (from Giulio Cesare) with Drew Minter | Mozart: | Dans un bois solitaire, K308 Als Luise die Briefe, K520 Abendempfindung an Laura, K523 Die ihr des unermeßlichen Weltfalls - Kantate, K619 | Telson: | Calling You |
Two years before she died, Lorraine Hunt Lieberson gave this recital focusing on the theme of ‘love’ at the Ravinia Festival in Illinois. In this live recording, she displays her own very special sense of drama in a programme ranging over several centuries and covering every facet of this universal emotion, accompanied by an eminent partner, the pianist Peter Serkin. “Peter Serkin brings special qualities to the Brahms group… while his delicacy in Debussy's Trois Chansons de Bilitis is magical. Lorraine Hunt Lieberson equals him in her musical insight and in her complete security of approach to her own instrument. Her huge potential range of dynamics allows her to shape each song individually, while her poised understating of Pierre Louÿ's Debussyan texts makes them infinitely suggestive.” BBC Music Magazine, March 2009 **** “Recorded at the Ravinia Festival two years before her death, this recital of ecstatic, grave and elegant love songs is a testament to the late Lorraine Hunt Lieberson’s interpretive intelligence...Hunt Lieberson’s intoxicating mezzo slides through several centuries of musical styles…” The Independent on Sunday, 22nd February 2009 “She truly was one of the great singers of our time… what we hear now reaffirms it. The performance of the Lucretia cantata alone would be sufficient. …Hunt Lieberson brings nobility to the full range of emotions and … an extraordinary sense of identifications with the suffering woman. The voice itself was a noble instrument: warm, full-bodied and seamless in its passage over the vocal registers.” Gramophone Magazine, July 2009 “This heart-rending recording commemorates one of the few truly great singers of
our time – the American mezzo-soprano Lorraine Hunt Lieberson who died from breast cancer in 2006 at the age of 52. Like Kathleen Ferrier, whose fate she shared, Hunt Lieberson's voice has a distinctive
viola-ish timbre which made it peculiarly suited to the expression of deep and melancholy emotion. In this overwhelmingly intense live recital, sensitively accompanied by Peter Serkin, she sings Brahms and
Mozart lieder, Handel's dramatic cantata Lucrezia, Debussy's Chansons de Bilitis, and an almost unbearably moving account of the spiritual Deep River. It's hard to listen without weeping.” The Telegraph, 7th April 2009 ***** “The American mezzo-soprano Lorraine Hunt Lieberson gave this recital two years before she died in 2006. It shows this revered artist at her ardent and emotional best. She always prized the spontaneity of live performance above all and this CD captures her vitality and warmth, and her audible rapport with an audience.” The Observer, 5th April 2009 | | | In stock - usually despatched within 1 working day. |
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| |  | Frauenliebe und Leben
Brahms: | Dein blaues Auge, (No. 8 from Acht Lieder und Gesänge, Op. 59) Wir wandelten, wir zwei zusammen Op. 96/2 Verzagen, Op. 72 No. 4 Es träumte mir (No. 3 from Acht Lieder und Gesänge, Op. 57) Der Jäger (No. 4 from Sieben Lieder, Op. 95) Das Mädchen spricht, Op. 107 No. 3 Vergebliches Ständchen, Op. 84 No. 4 Geheimnis, Op. 71 No. 3 Muss es eine Trennung (No. 12 from Deutsche Volkslieder, WoO 33) Ruhe, Süßliebchen (No. 9 from Deutsche Volkslieder, WoO 33) Wie Melodien zieht es mir, Op. 105 No. 1 Meine Liebe ist grün, Op. 63 No. 5 | Schumann: | Frauenliebe und -leben, Op. 42 | Schumann, Clara: | Ich stand in dunkeln Träumen Mein Stern Was weinst du Liebst du um Schönheit, Op. 12 No. 4 (text: Friedrich Rückert) Die gute Nacht, die ich dir sage (text: Friedrich Rückert) |
Susan Platts (mezzo-soprano), Rena Sharon (piano) | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Kathleen Ferrier and Friends
Bach, J S: | Vergiss mein nicht, BWV505 Millicent Silver (harpsichord) Ach, dass nicht die letze Stunde BWV439 | Berkeley, L: | Four poems of St. Teresa of Avila, Op. 27 strings of the Hallé Orchestra, Sir John Barbirolli | Brahms: | Quartette (4), Op. 64 Irmgard Seefried (soprano), Julius Patzak (tenor), Horst Günther (baritone) & Hans Gal (piano) Ruhe, Süßliebchen (No. 9 from Deutsche Volkslieder, WoO 33) Auf dem See (No. 2 from Acht Lieder und Gesänge, Op. 59) Es schauen die Blumen, Op. 96 No. 3 Der Jäger (No. 4 from Sieben Lieder, Op. 95) | Handel: | Frondi tenere e belle ... Ombra mai fù (from Serse) London Symphony Orchestra, Sir Malcolm Sargent | Mahler: | Der Trunkene im Frühling (Das Lied von der Erde) (incomplete) solo by Peter Pears Der Abschied (Das Lied von der Erde) (incomplete) Vienna Philharmonic Orchestra, Bruno Walter | Mendelssohn: | Elijah: O rest in the Lord Boyd Neel Orchestra | Telemann: | Kleine Kantate von Wald und Au John Francis (flute), George Roth (cello) & Millicent Silver (harpsichord) |
Recorded New York 1949 or 1950 “Particularly important is the performance by its dedicatee of the Berkeley cycle, Ferrier's first surviving recorded collaboration with Barbirolli. Her singing is as balm to the ear, as is her attention to the meaning of the texts of these lovely settings. From a quite different tradition come the three quartets by Brahms. Ferrier's solo contributions are more marked but it is the euphony of the four voices and the ardour in which they project Brahms's settings that is most enjoyable.” Gramophone Magazine, February 2006 | | | Usually despatched in 3 - 4 working days. |
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| |  | Songs of Brahms and Copland
Brahms: | Wir wandelten, wir zwei zusammen Op. 96/2 Feldeinsamkeit, Op. 86 No. 2 Auf dem Kirchhofe, Op. 105 No. 4 Tambourliedchen (No. 5 from Neun Gesänge, Op. 69) Ruhe, Süßliebchen (No. 9 from Deutsche Volkslieder, WoO 33) Alte Liebe, Op. 72 No. 1 An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty) Wie bist du, meine Königin Op. 32 No. 9 | Copland: | Old American Songs, Set 1 The Little Horses Ching-a-ring Chaw At the River |
William Huckaby (piano), William Parker (baritone) | |
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