All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Kajanus Conducts Sibelius, Vol. 3
Mark Obert-Thorn, producer and audio restoration engineer This is the last of three volumes containing the complete Sibelius recordings conducted by Robert Kajanus in performances which carry the composer’s imprimatur. Sibelius said of Kajanus that “there are none who have gone deeper and given [my symphonies] more feeling and beauty”. The volatility and extended climaxes of Symphony No. 3 are perfectly shaped. Symphony No. 5 also takes flight majestically, not least in the ‘swan theme’ of the finale. | 
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| |  | Paavo Berglund conducts SibeliusSymphonies recorded live at Southbank Centre’s Royal Festival Hall, London on 31 May 2003 (Symphony No. 5) and 6 December 2003 (Symphony No. 6). The Swan of Tuonela recorded live at Southbank Centre’s Queen Elizabeth Hall, London on 22 September 2006.
Finnish conductor Paavo Berglund, who passed away in January 2012, was one of the last remaining conductors with a direct personal connection to Sibelius. With the Second and Seventh Symphonies already released on the LPO Label, Berglund’s Sibelius legacy is further cemented in these live concert recordings with the London Philharmonic Orchestra, in which he vividly captures the natural flight of the Fifth Symphony and the freefall journey of the Sixth. The affinity Berglund felt with the music of Jean Sibelius went beyond shared nationality and personal acquaintance. Berglund revealed a rare physicality in Sibelius’s scores. It was there in his three recorded symphony cycles, but in these late London performances it emerged in a different, darker light. Berglund wasn’t as meticulous about observing marked tempi as some of his younger compatriots are. Instead he was impulsive, rugged and heartfelt. But his instincts always seemed to serve the musical architecture, the curious symphonic meta-flow unique to Sibelius. His death in January 2012 was talked of as a goodbye to one of the last conductors of the ‘old school’. “Both interpretations have impressive strengths, with Berglund's familiar and admirable no-nonsense directness everywhere in evidence, and with much fine and vividly focused orchestral playing to match...The special experience here is Berglund's unlingering, atmospheric way with The Swan of Tuonela, whose cor anglais solo - flowingly and beautifully phrased, and flawlessly in tune - is as spellbinding as you'll ever hear.” BBC Music Magazine, February 2013 *** “Berglund's earlier recordings are undoubtedly the more consistent and enduring readings but this new disc casts a different light on his views of these great works. Nicely remastered” Gramophone Magazine, November 2012 | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Jukka-Pekka Saraste conducts Sibelius & LutosławskiRecorded live at Southbank Centre’s Royal Festival Hall, London, on 20 February 2008 (Lutosławski) and 15 October 2008 (Sibelius)
At first glance, Sibelius and Lutosławski may seem odd bedfellows on disc, but not in this instance. This disc couples the two works for which these composers are probably best remembered. Sibelius’ Symphony No.5 and Lutosławski’s Concerto for Orchestra. Interestingly, Lutosławski, in admiration of Sibelius, travelled to Finland in May 1955 to meet the venerable composer at his own Sibelius Festival. ‘Sibelius’s music is characterised by constant switches of tempo but Saraste, conducting from memory, negotiated the gear changes with idiomatic empathy, steering his players confidently through the turbulent shoals of the start of the finale to the culminating oceanic currents.’ Barry Millington, Evening Standard, 16 October 2008. Since 2010 Jukka-Pekka Saraste has been Chief Conductor of the WDR Symphony Orchestra Cologne. He has also been Music Director of the Oslo Philharmonic since 2006. His discography includes the complete symphonies of Sibelius and Nielsen with the Finnish Radio Orchestra, as well as works by Bartók, Dutilleux, Mussorgsky and Prokofiev with the Toronto Symphony Orchestra. His most recent recordings are Mahler Symphony No. 6 and DVD releases of Sibelius Symphonies Nos. 1 and 5 with the Oslo Philharmonic, as well as Mahler Symphony No. 9 with the WDR Symphony Orchestra. “Both Sibelius works come across very strongly here...Saraste sees these works whole. Always the right thing seems to happen at the right time. The sense of growth from a simple but potent musical seed in the Symphony is as fine as I've ever experienced it...The Lutoslawski too is full of good things and again it builds thrillingly towards the end.” BBC Music Magazine, February 2012 ***** “This has to be one of the best recordings around of Sibelius's Fifth. And Lutoslawki's Concerto can never have been more brilliantly played.” Classic FM Magazine, December 2011 **** “It is not just concert attendees who will be pleased to have this spectacularly deft and rigorous account of Lutoslawski's Concerto for Orchestra on disc...Saraste is in his element here, clarifying the composer's bejewelled textural mosaics while driving forwards and generally inspiring the players to give of their very best.” Gramophone Magazine, December 2011 “Pohjola’s Daughter is very well served here. Jukka-Pekka Saraste’s 2008 RFH performance is electric – fast and exciting where it needs to be, with the darkest, most sinister of openings...Lutosławski’s Concerto for Orchestra makes an unusual coupling. Saraste’s reading is sleazier, grimier than I’ve heard it, moving with a menacing swagger.” The Arts Desk, 19th November 2011 | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| | | |  | Sibelius: Symphonies Nos. 5 & 7
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| |  | Sibelius: Symphonies Nos. 2 & 5
BIS present a new recording of Jean Sibelius’s Symphonies 2 and 5 from the Minnesota Orchestra and their Finnish conductor Osmo Vänskä. Beginning in the early 1990s, seminal recordings with Vänskä and the Lahti Symphony Orchestra of tone poems and the seven symphonies stood at the forefront of a new interpretative approach to the composer’s music. Vänskä’s recordings of Sibelius over the past 20 years form the backbone of the label’s newly completed Sibelius Edition. This disc with the Minnesota Orchestra follows an acclaimed cycle of Beethoven’s symphonies, and most recently a recording of Bruckner’s Fourth (‘Romantic’) Symphony. The Sibelius expert Robert Layton presents the Second Symphony as ‘the symphony by which many music lovers find their way to Sibelius’, and quotes the composer in a comment about symphonic form: ‘a river with innumerable tributaries feeding it before it broadens majestically and flows into the sea’. “[the Minnesota's] sound is huge and polished with rich strings, flaring brass and mellow winds, clearly recorded in first-rate SACD surround sound...[the Fifth] is fairly speedy, but well-paced and imaginatively phrased. The first movement's hollowed-out string passages beneath upfront woodwind make for typically atmospheric Vanska, while the concluding accelerations are obvious but impressive.” BBC Music Magazine, April 2012 **** “The sheer polish of the Minnesotans is a source of pleasure, but it was the voyage-of-discovery energy and temperament that made Vänskä’s work in Lahti so distinctive, defining a new age of Sibelius interpretation. Vänskä is now older: his Sibelius has become smoother and, yes, more conventional.” Financial Times, 18th February 2012 *** “So how do Nos 2 & 5 compare with their Lahti equivalents? They are every bit as compelling and intelligently realised...Vanska handles the opening movement's compound structure even better than before and the finale is just right, with irresistable forward momentum...Thore Brinkmann's superb sound reproduces with exceptional clarity every nuance of a finely balanced orchestral picture” Gramophone Magazine, April 2012 “Under Vänskä's leadership, the Minnesota Orchestra has moved into the top echelon of US bands. But these symphonies need a leaner, less self-regarding sound, while Vänskä's performances seem to have broadened and coarsened, too. There are some striking passages” The Guardian, 22nd March 2012 *** | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Sibelius: Symphonies Nos. 2 & 5 (transcribed for solo piano)World Première Recordings
Henri Sigfridsson (piano) This CD release features the popular Symphonies Nos. 2 and 5 by Jean Sibelius as piano transcriptions, performed by Henri Sigfridsson on piano. Ever since its triumphant premiere, the Second Symphony has been one of Sibelius’s most frequently performed works; of his symphonies, only the Fifth comes close in popularity. The works’ grandiose Romanticism is brought into sharp highlight in these transcriptions for piano solo. Finnish pianist Henri Sigfridsson has used the Sibelius-sanctioned arrangement of the Fifth Symphony by Karl Ekman as a basis for his own adaptation of the Second Symphony. Following in the tradition of Liszt’s Beethoven transcriptions, these arrangements are faithful to the original yet exploit the potential of the piano in many ways. Henri Sigfridsson has emerged as one of the major musical talents from Finland since he won, in 2005, the Beethoven International Piano Competition in Bonn. This is his first solo album for Ondine. “Not only Sibelius enthusiasts but any lover of piano music will be stimulated by these fascinating transcriptions, their Lisztian virtuosic demands prodigiously met by Sigfridsson...intense imagination is at work here. The combined first movement and scherzo of No 5 builds up a shattering power — it is like a gigantic single thought. No 2 is ravishing.” Sunday Times, 21st August 2011 **** | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Sibelius: Symphonies Nos. 4 & 5
On this second volume of Sibelius Symphonies (Nos. 1 and 3 are available on Naxos 8572305), the acclaimed young Finnish conductor Pietari Inkinen interprets two of his compatriot’s most contrasting symphonies. Symphony No. 4 is a work of ominous brooding and bleak desolation, reflecting Sibelius’s psychological state at the time of its composition. Sibelius commented of his much-revised and expansively heroic Symphony No. 5 ‘It is as if God the Father had thrown down mosaic pieces from heaven’s floor and asked me to put them back as they were.’ “Naxos really seems to have struck gold with the young Finnish conductor Pietari Inkinen...In many ways, Inkinen is an uncompromisingly direct Sibelius interpreter, willing to trust the composer's wonderful sense of musical architecture and orchestral colour” The Guardian, 6th January 2011 **** “[In No. 4] the NZSO musters rare tension and foreboding. Inkinen isn’t afraid to let the music’s silences breathe, and he finds a steely clarity – notably in the hand-stopped horns and vibrato-less clarinet – that’s perfect for this eerie musical line-drawing.” Andrew Mellor, bbc.co.uk, 24th January 2011 “The whole series is powerfully played and directed.” Sunday Telegraph, 30th January 2011 **** “Inkinen proves a relatively cool, self-effacing guide, eschewing originality for its own sake in the pursuit of sweet-tempered naturalness...it is the restraint that impresses most...Inkinen makes the music sounds as though it's playing itself.” Gramophone Magazine, March 2011 “The Fourth has rare tension and foreboding - Inkinen isn't afraid to let the silences breathe and the textures have a steely clarity...The Fifth is structurally impressive; the first movement pivots on the initial 'flight' theme heard on legato trumpets (there's great tension before it and huge release after it) while the moment of ascent in the finale comes off very well.” Classic FM Magazine, March 2011 **** “these turn out to be impressively personal accounts that move away from the mainstream...It's not that the symphonies are underplayed. In part because of Inkinen's handling of long-range dynamics, there's a gripping sense of expectation in the last movement of the Fourth; and the closing pages of the Fifth ring out with bold authority...The orchestra plays magnificently.” International Record Review, March 2011 | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Jascha Horenstein
Alexandra Browning (soprano) & Colin Wheatley (baritone) BBC Northern Symphony Orchestra, Jascha Horenstein Jascha Horenstein had a very extensive discography but he never recorded these two Scandinavian symphonies which makes them rare and important additions for all collectors. Between 1969 and 1972 Horenstein performed, recorded and broadcast Nielsen’s 3rd, 5th and 6th Symphonies, the tone poem ‘Saga-Drom’, the Clarinet Concerto (with Gervase de Peyer), and the opera ‘Saul & David’ as well as appearing prominently in the Robert Simpson/Barrie Gavin BBC Documentary ‘Espansiva’ in 1970. This performance of Nielsen’s Symphony No.3 ‘Sinfonia Espansiva’ was a concert given in Manchester’s Town Hall as part of a midday prom. BBC Legends already has a very well reviewed recording released of Horenstein conducting Nielsen’s Symphony No.5 (BBCL41912). The live performance and broadcast of Sibelius’ Symphony No.5 appears to be the ONLY occasion that Horenstein conducted it, according to his long time colleague, Joel Lazar. This makes it’s inclusion on this CD exceptionally important. Horenstein conducted Sibelius Symphony No.2 quite frequently, along with the Violin Concerto. As a bonus, Robert Simpson, the composer and friend of the conductor, gives a moving tribute following Horenstein’s death in 1973. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Sibelius: Symphonies Nos. 4 & 5
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