Cabanilles: Tiento XVII de 'Pange lingua' punt alt |
This page lists all recordings of Tiento XVII de 'Pange lingua' punt alt, by Juan Bautista José Cabanilles (1644-1712) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Corpus Christi in Toledo, 1751
Sphera AntiQva & Memoria de los Sentidos, Carlos Martinez Gil Corpus Christi is one of the high points in the liturgical calendar and Toledo in the Baroque era took on the status of feast day par excellence celebrating with minstrels, bells and processions. This feast is enjoying a renaissance and the music of Jaume Casellas, (one of the legendary maestros de capilla) once again fills the air of the Cathedral’s naves. | 
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| |  | Trumpet Masque
Jonathan Freeman-Attwood (trumpet), Daniel-Ben Pienaar (piano) “Trumpet Masque” sees renowned trumpeter Jonathan Freeman-Attwood explore his passion for expanding the instrument’s limited chamber repertoire by imaginatively arranging Baroque works previously scored for alternative forces.
In “Trumpet Masque”, Jonathan Freeman-Attwood and Daniel-Ben Pienaar take a radical new look at the 17th century with a compelling vision of repertoire historically far-removed from the traditional contexts of both trumpet and piano.
Through wonderfully vibrant programming and arrangements, this invigorating and warm-hearted chamber duo present music from Dowland to Purcell in an energetic, innovative and 21st century fashion.
The aim of this recording is to open our ears to a period of unequalled variety, colour, regional diversity and expressive freedom: the Venetian world of Gabrieli, the great pre-Bach North German lineage of Buxtehude, Jacobean dances and songs and the great G major sonata from Muffat’s ‘Armonico Tributo’ with its virtuoso and valedictory passacaglia, which appropriately ends the disc. “Jonathan Freeman-Attwood's playing is notable for the beauty and freedom of line of his lyrical phrasing, while the bravura is exhilarating. Daniel-Ben Pienaar's accompaniments are boldly supportive and well in the picture.” Gramophone Magazine, July 2008 | | | Usually despatched in 4 - 5 working days. |
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