All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Dowland in Dublin
Michael Slattery (tenor), Sylvain Bergeron & Seán Dagher (direction & arrangements) La Nef Dowland dedicated his song From Silent Night “To my loving countryman, Mr. John Forster the younger, merchant of Dublin, in Ireland”, revealing his possible Irish origins. Working closely with the American tenor Michael Slattery, La Nef gives Dowland’s Ayres a simple celtic flavour. “…a talented and serious artist.” Gramophone. “La Nef has pared down Dowland's complex accompaniments, aiming for a Celtic, folky feel. Dowland-lite it may be, but the recital is beautifully performed.” BBC Music Magazine, July 2012 **** | | | (also available to download from $10.75) | In stock - usually despatched within 1 working day. |
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| |  | The Three ElizabethsA Musical Celebration of Britain through the Centuries
Byrd: | Fair Britain isle | Coates, E: | The Three Elizabeths Suite Dam Busters March | Dowland: | The First Booke of Songes: His golden locks time hath to silver turned | Farnon: | Derby Day State Occasion | Farrant, R: | Ah, alas you salt sea gods | Gibbons, O: | The Silver Swan | Parry: | I was glad | Parsons, R: | De la Court | Robinson, T: | The Queenes Goodnight | Tallis: | A Solfinge Song | Vaughan Williams: | The England of Elizabeth: Poet | Walton: | Spitfire Prelude & Fugue Coronation Te Deum Orb and Sceptre | Wilbye: | Weep, weep, mine eyes | Wood, Haydn: | London Cameos: A State Ball at Buckingham Palace | Wood, Henry: | Fantasia on British Sea Songs |
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| |  | The Queen: Music for Elizabeth I
The Toronto Consort: Michele DeBoer (soprano), David Fallis (tenor), Ben Grossman (cittern), Katherine Hill (soprano, viola da gamba), Paul Jenkins (tenor, harpsichord), Terry McKenna (lute, bandora), Alison Melville (recorder, renaissance flute), John Pepper (bass), Laura Pudwell (mezzo-soprano), with Lucas Harris (lute, bandore) & Christopher Verrette (violin) ‘The Queen’ is a new CD by the Toronto Consort – numbering some of Canada’s leading early music specialists – which recreates musical life at the court of Elizabeth I. Many of these songs were written for or about this remarkable monarch, while others are songs that would have been performed at her court. The Toronto Consort is Canada’s foremost chamber ensemble specialising in the music of the Middle Ages, Renaissance, and early Baroque periods. The consort members include both singers and instrumentalists (lute, recorder, guitar, flute, early keyboards and percussion).They have previously produced a recording for Marquis titled “Praetorius Christmas Vespers” (774718133526), as well as several CDs for the American label Dorian. Queen Elizabeth the First was an accomplished musician so it is likely that she played many of the songs featured on this album. Elizabeth was also, famously, a lover of dancing and dance music. Even as she lay dying, Elizabeth is said to have asked for music so that she might die as gaily as she lived. She heard music until her last breath. | | | Usually despatched in 4 - 5 working days. |
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| |  | Remembrance of Things PastLute Songs and Solo by John Dowland & Peter Croton
Peter Croton (lute), Theresia Bothe (soprano), Derek Lee Ragin (countertenor) Guild is pleased to present music by John Dowland combined with world premiere recordings of 5 new lute songs by Peter Croton, lute teacher at the renowned Schola Cantorum Basiliensis. An additional feature of this recording is the inclusion of new lute solos arranged by Croton based on Dowland songs. In CONCERTO Magazine: “The manner in which the Bothe/Croton duo, with intelligent emotionality and natural passion, was able to uncover new aspects of lute songs by Dowland totally enchanted the audience, which exploded in thunderous applause”. In the GERMAN LUTE SOCIETY newsletter: “The few attempts to extend the lute repertory into the 20th and 21st centuries have not attracted the attention of the listening public. All the more welcome, therefore, is the opportunity to report here songs which in my opinion have the potential to become a permanent part of the lute song repertory… the audience is treated to music both challenging and refined. Bothe’s voice is a feast for the ears, Croton’s playing is lively and impeccable”. Special guest Derek Lee Ragin is regarded as one of the foremost vocal artists of our day and is also known to a wide international audience from the soundtrack to the film "Farinelli”. “Croton is a fine lutenist, with an acute ear for colour, and he possesses a strong technique...What gives this project even greater resonance is the chosen singer, Theresia Bothe. Her voice...embodies elements of classical purity in places but also has a decided folk influence...So this is a somewhat out of the way disc, pursuing a very individual slant on Dowland” MusicWeb International, 30th July 2010 “Theresia Bothe’s voice is very individual. Her expressiveness comes from the emphasis and colouring of certain words and the breaking of phrases, rather than ornamenting or varying the music...Hearing all this new material created by Croton is like discovering new works by Dowland, such is his sense of style and his ability to emulate Dowland’s melodic gift.” Lute News, April 2010 | | | Usually despatched in 8 - 10 working days. |
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| |  | Julian Bream plays Dowland and Bach
Bach, J S: | Partita for solo violin No. 2 in D minor, BWV1004: Chaconne Prelude for Lute in C minor, BWV999 played in D minor Lute Suite No. 1 in E minor, BWV996: Sarabande Lute Suite No. 1 in E minor, BWV996: Bourrée Prelude from Lute Suite No. 2 in C minor, BWV997 played in A minor Fugue from Lute Suite No. 2 in C minor, BWV997 played in A minor Prelude, Fugue & Allegro for Lute in E flat major, BWV998 played in D major | Dowland: | The most sacred Queene Elizabeth her Galliard Lachrimae Antiquae Mrs White's Nothing, P. 56 Mrs Vaux's Jig, P. 57 A Fancy Orlando Sleepeth Fantasia P72 The King of Denmark, His Galliard Melancholy Galliard Lady Hunsdon's Puffe Semper Dowland Semper Dolens Almain Sir Henry Umpton's Funeral Forlorn Hope Fancy (Fantasie No. 2) Ayres for 4 voices Humour say what mak’st thou here Can she excuse my wrongs? (First Booke of Songes, 1597) The First Booke of Songes: His golden locks time hath to silver turned Stay time awhile thy flying The lowest trees have tops Unquiet thoughts Praise blindness, eyes, for seeing is deceit My heart and tongue were twins |
Julian Bream (lute & guitar), Edith Steinbauer (treble viol), Beatrice Reichert (alto & tenor viol), Frieda Litschauer (tenor viol), Ernst Knava (bass viol) & Elizabeth Osborn (soprano) The Golden Age Singers, Margaret Field-Hyde The set comprises Bream’s solo Dowland LP (1954) – which was his debüt solo recording, played on lute - and his solo Bach LP (1956), both originally recorded on the Westminster label and justly celebrated at the time. Here they are brought together with a wide selection of Dowland ayres, sung by The Golden Age Singers with Bream’s lute accompaniment. The CD booklet has a newly commissioned note by Tully Potter, a personal friend of Julian Bream, and includes reproductions of the original LP covers, LP labels and photos of the artists. “…Bream's genius transcends all. Whether it's in the astonishing intensity of Dowland's Melancholy Galliard and Forlorn Hope Fancy or in the finely proportioned sense of pace and drama in Bach's Chaconne, the impression is ultimately of a meeting of equals.” Gramophone Magazine, October 2008 | | (Sorry, download not available in your country) | |
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| |  | Grace Davidson: A PortraitSacred Arias & Songs
A new recording by the ascending British star of the early music and baroque scene. Grace Davidson’s distinctive and ethereal voice can be heard in ensemble with such groups as The Sixteen, Tenebrae, the Monteverdi Choir, the English Concert, the Gabrieli Consort, Ensemble Plus Ultra and Ex Cathedra. This is the first album devoted entirely to her own voice and features her in a range of early music repertoire from Hildegard to Mozart and is accompanied by the original instrument orchestra Fiori Musicali. Grace Davidson takes as her canvas for this vocal portrait music ranging over 700 years of musical history, displaying a wonderful variety of musical textures and colours. From the subtle, suggestive monody of Hildegard of Bingen (the 12th-century visionary) through to the distinctive music of the Neapolitan baroque and the vivid tones of Mozart’s Exsultate, jubilate this is a musical journey portraying an outstandingly beautiful new voice. The music performed includes rarities such as Mancini, Koželuch and Leo as well as well known works by John Dowland, Bach and Mozart. | | | Usually despatched in 4 - 5 working days. |
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| |  | Dowland: Lute Songs and Ayres
Ben Cohen (lute), Kristine Hurst (soprano) | |
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| |  | Honey From The HiveSongs by John Dowland
“The intimacy of the lute song suits Kirkby's musical personality perfectly, giving her the freedom to embellish the melodic line and colour the text with subtle nuances. Anthony Rooley proves a sensitive and discrete accompanist…” BBC Music Magazine, April 2006 **** “…the melancholy strain is never far from view in this latest selection of John Dowland's songs impeccably performed by Emma Kirkby and Anthony Rooley. Some of Dowland's most poignant songs are here, including Flow my teares, which uses the famous 'Lachrimae' tune. The performances are no less poignant.” Gramophone Magazine, April 2006 | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Faire, Sweet & CruellElizabethan Songs
| | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Dowland: Flow My Tears and other Lute Songs
Dorothy Linell (lute), Steven Rickards (counter-tenor) | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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