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See Terms & Conditions for p&p rates. | |  | Victoria de los Ángeles: Songs to Remember
anon.: | La Rossignoll Geoffrey Parsons (piano) El Mariner Geoffrey Parsons (piano) | Berlioz: | Absence (from Les nuits d'été, Op. 7) Boston Symphony Orchestra, Charles Munch | Dvorak: | Als die alte Mutter (No. 4 from Zigeunermelodien, op. 55) Sinfonia of London, Rafael Frühbeck de Burgos | Halffter, E: | Ai que linda moça Geoffrey Parsons (piano) | Mendelssohn: | Auf Flügeln des Gesanges, Op. 34 No. 2 Sinfonia of London, Rafael Frühbeck de Burgos | Mompou: | Damunt de tu, nomes les flors Gonzalo Soriano (piano) | Montsalvatge: | Canto Negra Orchestre de la Société des Concerts du Conservatoire, Rafael Frühbeck de Burgos Madrigal sobre un tema popular (‘El cant dels ocells') Lluis Claret (cello) Orquesta Ciutat de Barcelona, Luis A. Garcia Navarro | Ovalle: | Azulao Sinfonia of London, Rafael Frühbeck de Burgos | Paladilhe: | Psyché Geoffrey Parsons (piano) | Ravel: | La Flûte enchantée (Shéhérazade No. 2) Orquesta Sinfónica Nacional, Pedro de Freitas Branco | Respighi: | Stornellatrice Orquesta Sinfónica Nacional, Pedro de Freitas Branco | Schubert: | An die Musik D547 Manuel Garcia Morante (piano) Ständchen 'Leise flehen meine Lieder', D957 No. 4 Manuel Garcia Morante (piano) | Strauss, R: | Ständchen, Op. 17 No. 2 Orquesta Sinfónica Nacional, Pedro de Freitas Branco | Toldrá: | Cançó incerta Patronato Orquesta Ciudad de Barcelona, Antoni Ros-Marbà Maig, Quatro Canciones No. 3 Patronato Orquesta Ciudad de Barcelona, Antoni Ros-Marbà | trad.: | Sometimes I feel like a Motherless Child Geoffrey Parsons (piano) | Yradier: | La Paloma Sinfonia of London, Rafael Frühbeck de Burgos |
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| |  | L'Invitation au VoyageSongs from the 19th & 20th Centuries
Annette Celine (soprano), Christopher Gould (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Annette Celine
Annette Celine (soprano), Christopher Gould (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Victoria De Los Angeles Live Recital
Fauré: | Clair de Lune, Op. 46 No. 2 Tristesse, Op. 6 No. 2 L'aurore Au bord de l'eau, Op. 8 No. 1 (Prudhomme) | Giménez: | La tempránica: Zapateado 'La tarántula é un bicho mú malo' | Handel: | Vanne, sorelle ingrata (from Radamisto) | Lorca: | Canciónes (13) españolas antiguas: Los cuatro muleros Canciónes (13) españolas antiguas: Las tres hojas Canciónes (13) españolas antiguas: Sevillanas del Siglo XVIII Canciónes (13) españolas antiguas: El café de Chinitas Canciónes (13) españolas antiguas: Nana de Sevilla Canciónes (13) españolas antiguas: Zorongo Canciónes (13) españolas antiguas: Los reyes de la baraja Canciónes (13) españolas antiguas: La Tarara | Montsalvatge: | Canción negra No. 4, Cancion de cuna para dormir a un negrito | Ovalle: | Azulao | Pergolesi: | Stizzoso, mio stizzoso (from La Serva Padrona) | Rodrigo: | Cuatro madrigales amatorios: De los álamos vengo, madre | Scarlatti, A: | Le violette Sone Unite - Il Pirro e Demetrio | Schubert: | Wohin? (No. 2 from Die schöne Müllerin, D795) Der Tod und das Mädchen, D531 Heidenröslein, D257 Erlkönig, D328 | Schumann: | Widmung, Op. 25 No. 1 Der Nussbaum, Op. 25 No. 3 Aus den hebräischen Gesängen, Op. 25 No. 15 | Valverde: | Clavelitos |
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| |  | Arleen Auger, American Soprano
Bach, J S: | Bist du bei mir, BWV508 | Bridge: | Love went a-riding | Cimara: | Stornello | Copland: | Pastorale | Coward, N: | I'll Follow My Secret Heart | Donaudy: | O del mio amato ben | Foster, S: | Why No One To Love? | Gounod: | Sérénade | Handel: | Messiah: Rejoice Greatly, O Daughter of Zion Piangerò la sorte mia (from Giulio Cesare) Care selve (from Atalanta) Samson: Let the bright seraphim Lascia ch'io pianga (from Rinaldo) | Lippé: | How Do I Love Thee? | Loewe, F: | Camelot: Before I Gaze at You Again | Mahler: | Liebst Du um Schönheit (Rückert-Lieder) | Marx: | Selige Nacht | Obradors: | Del cabello más sutil | Ovalle: | Azulao | Poulenc: | Fleurs | Quilter: | Music, when soft voices die, Op. 25 No. 5 (Shelley) Love's Philosophy, Op. 3 No. 1 (Shelley) | Schubert: | Liebe schwarmt auf allen Wegen, D239 No. 6 (Goethe) | Schumann: | Widmung, Op. 25 No. 1 Du bist wie eine Blume, Op. 25 No. 24 | Straus, O: | Je t’aime | Strauss, R: | Ständchen, Op. 17 No. 2 Das Rosenband, Op. 36 No. 1 | Turina: | Poema en forma de canciones, Op. 19: No. 3, 'Cantares' | Villa-Lobos: | Bachianas Brasileiras No. 5: Aria and Dança (Martelo) |
| | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Gérard Souzay - Songs of Many Lands
plus other traditional folksongs arranged by Dørumsgaard, Vuillermoz & Hughes
Recorded 1959-83 | | | Usually despatched in 4 - 5 working days. |
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| |  | The Art of Gerard Souzay, Vol.2Gerard Souzay (baritone)
Arne: | Where the Bee Sucks CBC Vancouver telecast of 9th February, 1967 Dalton Baldwin (piano) | Debussy: | Beau Soir Radio-Canada telecast of 18th October, 1960 Dalton Baldwin (piano) Fantoches Radio-Canada telecast of 18th October, 1960 Dalton Baldwin (piano) | Duparc: | Chanson triste Radio-Canada telecast of 9th February, 1956 Orchestre de Radio-Canada, Jean Deslauriers Le Manoir de Rosemonde Radio-Canada telecast of 18th October, 1960 Dalton Baldwin (piano) Phidylé Radio-Canada telecast of 18th October, 1960 Dalton Baldwin (piano) Chanson triste CBC Vancouver telecast of 9th February, 1967 Dalton Baldwin (piano) | Fauré: | Chanson du pêcheur Op. 4 No. 1 Radio-Canada telecast of 9th February, 1956 Orchestre de Radio-Canada, Jean Deslauriers Mandoline, Op. 58 No. 1 (Verlaine) Radio-Canada telecast of 9th February, 1956 Orchestre de Radio-Canada, Jean Deslauriers Toujours!, Op. 21 No. 2 CBC Vancouver telecast of 9th February, 1967 Dalton Baldwin (piano) Mai Op. 1 No. 2 Radio-Canada telecast of 18th October, 1960 Dalton Baldwin (piano) Aurore, Op. 39 No. 1 Radio-Canada telecast of 18th October, 1960 Dalton Baldwin (piano) Chanson du pêcheur Op. 4 No. 1 Radio-Canada telecast of 18th October, 1960 Dalton Baldwin (piano) Toujours!, Op. 21 No. 2 CBC Vancouver telecast of 9th February, 1967 Dalton Baldwin (piano) | Lully: | Bois épais (from Amadis) CBC Vancouver telecast of 9th February, 1967 Dalton Baldwin (piano) | Obradors: | Coplas de curro dulce CBC Vancouver telecast of 9th February, 1967 Dalton Baldwin (piano) | Ovalle: | Azulao CBC Vancouver telecast of 9th February, 1967 Dalton Baldwin (piano) | Schubert: | Der Schiffer, D536 (Mayrhofer) CBC Vancouver telecast of 9th February, 1967 Dalton Baldwin (piano) Der Doppelgänger D957 No. 13 CBC Vancouver telecast of 9th February, 1967 Dalton Baldwin (piano) | Strauss, R: | Ständchen, Op. 17 No. 2 Radio-Canada telecast of 18th October, 1960 Dalton Baldwin (piano) Heimkehr, Op. 15 No. 5 Radio-Canada telecast of 18th October, 1960 Dalton Baldwin (piano) |
“The Frenchman Gérard Souzay (1918-2004) was undoubtedly one of the greatest baritones of the post-war period… Souzay's voice was… rich and smoothly produced, with an integral legato, always favouring the flow of the vocal lines… a style perfect for the predominantly French songs in these recitals. For TV recordings of this vintage the quality is excellent, making this recommendable to anyone who loves fine singing.” BBC Music Magazine, March 2007 ***** | | | Usually despatched in 4 - 5 working days. |
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| |  | Victoria de los Ángeles: The Voice of an Angel
Bach, J C: | Ah! lamenta, oh bella Irene | Barbieri, F: | Canción de Paloma (from El Barberillo de Lavapiés) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Barrera Saavedra: | Adiós Granada (from Emigrantes) arr. de los Angeles Victoria de los Angeles (guitar) | Beethoven: | Oh! would I were but that sweet linnet, WoO. 154 No. 9 Eduard Drolc (violin), Irmgard Poppen (cello) He promised me at parting, WoO. 154 No. 12 They bid me slight my Dermot dear, WoO. 152 No. 8 Eduard Drolc (violin), Irmgard Poppen (cello), Gerald Moore (piano) | Bizet: | Carmen (highlights) Nicolai Gedda (Don Jose), Denise Monteil (Micaela), Marcelle Croisier (Frasquita), Monique Linval (Mercédès) Chœurs et Orchestre National da la Radiodiffusion Française, Sir Thomas Beecham | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) Dein blaues Auge, (No. 8 from Acht Lieder und Gesänge, Op. 59) Vergebliches Ständchen, Op. 84 No. 4 Gerald Moore (piano) Sapphische Ode, Op. 94 No. 4 Gerald Moore (piano) | Caballero: | Romanza de Pilar (from Gigantes y cabezudos) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Canteloube: | Songs of the Auvergne Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat | Catalani: | Ebben? Ne andrò lontana (from La Wally) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli | Chapí: | Canción de Pastora (from La patria chica) Rafael Frühbeck de Burgos Canción de la gitana (from La chavala) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos Carceleras from Las hijas de Zebedeo Sinfonia of London, Rafael Frühbeck de Burgos | Chueca: | La gran vía: Tango de la menegilda Rafael Frühbeck de Burgos La gran vía: Chotís del eliseo madrilène Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Debussy: | Fêtes galantes - Set 1 Gonzalo Soriano (piano) | Delibes: | Les filles de Cadix | Duparc: | L'Invitation au voyage Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | Dvorak: | Als die alte Mutter (No. 4 from Zigeunermelodien, op. 55) Moglichkeit Der Apfel, Op. 38 No. 2 Gerald Moore (piano) | Falla: | La vida breve: ‘Vivan los que rien!' Alli está! Riyendo (from La vida breve) Philharmonia Orchestra, Stanford Robinson El sombrero de tres picos: Overture Philharmonia Orchestra with Chorus, Rafael Frühbeck de Burgos El Amor Brujo: excerpts Philharmonia Orchestra, Carlo Maria Giulini Siete Canciones populares españolas Gonzalo Soriano (piano) | Fauré: | Tristesse, Op. 6 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Les roses d'Ispahan Op. 39 No. 4 Toujours!, Op. 21 No. 2 Gonzalo Soriano (piano) | Gounod: | Ah! Je ris de me voir (from Faust) Il se fait tard ! Adieu ! (from Faust) Nicolai Gedda (Faust), Boris Christoff (Mephistopheles) Orchestre du Théâtre National de l’Opéra, André Cluytens | Granados: | Tonadillas: No. 2, Callejeo Tonadillas: No. 11, El tra la la y el punteado Gerald Moore (piano) Goyescas: Quejas ó La Maja y el Ruiseñor New Philharmonia Orchestra, Rafael Frühbeck de Burgos Iban al pinar Gracia mía Alicia de Larrocha (piano) | Grieg: | Ich liebe Dich, Op. 5 No. 3 | Guridi Bidaola: | Jota (from Six canciones castellanas) Gerald Moore (piano) | Hahn, R: | L'Enamourée Trois jours de vendange Le rossignol des lilas Gonzalo Soriano (piano) | Handel: | Joshua: Oh! had I Jubal's lyre Gerald Moore (piano) | Haydn: | Schlaf in deiner engen Kammer Eduard Drolc (violin), Irmgard Poppen (cello) | Leoncavallo: | Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci) RCA Victor Orchestra, Renato Cellini | Lleó Balbastre: | Couplets babilónicos (from La corte del Faraón) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Lorca: | Canciónes (13) españolas antiguas: Anda, jaleo Canciónes (13) españolas antiguas: Los cuatro muleros Canciónes (13) españolas antiguas: Las tres hojas Canciónes (13) españolas antiguas: Los mozos de Monleón Canciónes (13) españolas antiguas: Las morillas de Jaén Canciónes (13) españolas antiguas: Sevillanas del Siglo XVIII Miguel Zanetti (piano) | Luna, P: | El Niño Judío: De España vengo Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Martini, J P: | Plaisir d'amour | Mascagni: | Voi lo sapete o mamma (from Cavalleria rusticana) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli | Massenet: | Allons! Il le faut pour lui-même!... Adieu, notre petite table (from Manon) Je marche sur tous les chemins (from Manon) Chœurs et Orchestre du Théâtre National de l’Opéra-Comique, Pierre Monteux Werther! Werther!…Je vous écris de ma petite chambre (from Werther) Va! Laisse couler mes larmes (from Werther) Orchestre de Paris, Georges Prêtre | Mendelssohn: | Auf Flügeln des Gesanges, Op. 34 No. 2 | Montsalvatge: | Canciones negras (5) Orchestre de la Société des Concerts du Conservatoire, Rafael Frühbeck de Burgos | Mozart: | Porgi amor (from Le nozze di Figaro) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli Ecco quel fiero istante, K346 Elisabeth Schwarzkopf (soprano), Dietrich Fischer Dieskau (baritone), Gerald Moore (piano) | Nin: | Granadina (from Cantos populares españoles) Gerald Moore (piano) | Offenbach: | Elle a fui, la tourterelle (from Les Contes d' Hoffmann) Orchestre de la Société des Concerts du Conservatoire, André Cluytens | Ovalle: | Azulao Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Puccini: | Si, mi chiamano Mimi (from La Bohème) O soave fanciulla (from La Bohème) Donde lieta usci (from La Bohème) Jussi Björling (Rodolfo), Robert Merrill (Marcello) RCA Victor Orchestra, Sir Thomas Beecham O mio babbino caro (from Gianni Schicchi) Orchestra del Teatro dell Opera di Roma, Tullio Serafin Ancora un passo…Spira sul mare (from Madama Butterfly) Jussi Björling (Pinkerton), Mario Sereni (Sharpless) Bimba dagli occhi pieni di malia (from Madama Butterfly) Jussi Björling (Pinkerton) Un bel di vedremo (from Madama Butterfly) Con onor muore (from Madama Butterfly) Coro e Orchestra del Theatro dell’Opera di Roma, Gabriele Santini | Purcell: | Let us Wander not Unseen (from The Indian Queen, Z630) Lost is my quiet for ever, Z502 Gerald Moore (piano) | Ravel: | La Flûte enchantée (Shéhérazade No. 2) Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | Rossini: | Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola) Giuseppe Morelli Una voce poco fa (from Il barbiere di Siviglia) Royal Philharmonic Orchestra, Vittorio Gui | Sadero: | Era la vo Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Scarlatti, A: | Le violette Gerald Moore (piano) | Schubert: | Der Tod und das Mädchen, D531 Wohin? (No. 2 from Die schöne Müllerin, D795) An die Musik D547 Gerald Moore (piano) | Serrano: | Cancion de la gitana (from Le alegria del battallon) Rafael Frühbeck de Burgos Escena lírica (Los claveles) Rafael Frühbeck de Burgos Romanza de Gloria (Los de Aragón) Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos | Stanford: | An Irish Lullaby | Tchaikovsky: | Schottische Ballade, Op. 46 No. 2 Gerald Moore (piano), Dietrich-Fischer Dieskau (baritone) | Toldrá: | Cançó de grumet (A l’ombra del Leidoner) Gonzalo Soriano (piano) | Turina: | Saeta en forme de Salve a la Virgen de la Esperanza, Op. 60 Poema en forma de canciones, Op. 19: No. 3, 'Cantares' Philharmonia Orchestra, Walter Susskind | Valls Gorina: | Canciones Sefarditas Jean-Claude Gérard (flute), Oscar Ghiglia (guitar) | Valverde: | Clavelitos Gerald Moore (piano) | Verdi: | Surta è la notte...Ernani! Ernani, involami (from Ernani) Era più calmo? (from Otello) Mia madre aveva...Piangea cantando...Ave Maria (from Otello) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli Come in quest'ora bruna (from Simon Boccanegra) Orchestra del Teatro dell’Opera di Roma, Gabriele Santini Libiamo, ne' lieti calici (from La Traviata) È strano! è strano!...Ah! fors è lui (from La traviata) Teneste la promessa...Addio, del passato (from La Traviata) Carlo del Monte (Alfredo) Coro e Orchestra del Teatro dell’Opera di Roma, Tullio Serafin | Villa-Lobos: | Bachianas Brasileiras No. 5: Aria (Cantilena) Bachianas brasileiras no 5 ; Dança (martelo) Orchestre National de la Radiodiffusion Française, Heitor Villa-Lobos | Wagner: | Dich, teure Halle (from Tannhauser) Einsam in trüben Tagen (from Lohengrin) Orchestra del Teatro dell’Opera di Roma, Giuseppe Morelli | Yradier: | La Paloma Profesores de la Orquesta Nacional de España, Rafael Frühbeck de Burgos |
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