Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Jussi Bjorling: Live Atlanta Recital, 13th April 1959
Alfvén: | Skogen sover, Op. 28 No. 6 | Bizet: | La fleur que tu m'avais jetée (from Carmen) | Giordano, U: | Amor ti vieta (from Fedora) | Gounod: | Nuit d'hyménée from Roméo et Juliette Bonus track Orchestre de l'Opéra de San Francisco, Gaetano Merola | Grieg: | En svane (No. 2 from Seks Digte af Henrik Ibsen, Op. 25) Seks Sange, Op. 48 No. 6 'Ein Traum' | Handel: | Frondi tenere e belle ... Ombra mai fù (from Serse) | Massenet: | Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Bonus track Orchestre de l'Opéra de San Francisco, Gaetano Merola | Peterson-Berger: | Jungfrun under lind (Ernst von der Recke) | Puccini: | Che gelida manina (from La Bohème) Nessun dorma (from Turandot) O soave fanciulla (from La Bohème) Bonus track Orchestre de l'Opéra de San Francisco, Gaetano Merola | Rachmaninov: | Lilacs, Op. 21 No. 5 V molchanii nochi taynoy, Op. 4 No. 3 | Schubert: | Frühlingsglaube, D686 Die Forelle, D550 Ständchen 'Leise flehen meine Lieder', D957 No. 4 | Sjöberg: | Tonerna (text: Erik Gustaf Geijer) | Sjögren: | I drömmen du är mig nära | Strauss, R: | Traum durch die Dämmerung, Op. 29 No. 1 Zueignung, Op. 10 No. 1 | Verdi: | Ingemisco (from Requiem) Bonus track AVRO Hilversum Orchestra, Frieder Weissmann |
The famous Jussi Björling Recital given in Atlanta, 13th April 1959 | | | Usually despatched in 2 - 3 working days. |
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| |  | Jussi Björling Collection, Vol. 7Swedish National Romantic Songs
Considered by both critics and public as one of the greatest tenors of the 20th century, Jussi Björling left behind a vast recorded legacy. This seventh volume in the Jussi Björling Collection features popular Swedish patriotic and romantic songs spanning Björling’s entire career. Tonerna (Music), generally presented as ‘Visions’ in Björling’s recitals outside Sweden, was one of the most popular items in his repertoire, often used as an encore. Till havs (Towards the Sea), a cheerful evocation of the pleasures of sailing, was another great favourite on the recital programmes of the singer, whose devotion to boating and fishing in the Stockholm archipelago was well-known. Land, du välsignade (Thou Blessed Country) is the patriotic song most generally associated with Jussi Björling in Sweden today. “A singer whose art, as well as his voice, placed him among the century’s finest.” Gramophone | | | (also available to download from $9.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Jussi Björling - In Song
Arthur: | Today | Bizet: | Je crois entendre encore (from Les Pêcheurs de Perles) | Brahms: | Die Mainacht, Op. 43 No. 2 | Curtis, E: | Torna a Surriento | Geehl: | For You Alone | Grieg: | En svane (No. 2 from Seks Digte af Henrik Ibsen, Op. 25) Seks Sange, Op. 48 No. 6 'Ein Traum' | Kalman: | Das Veilchen vom Montmartre | Körling: | Vita rosor | Leoncavallo: | Mattinata - 'L'aurora di bianco vestita' | Liszt: | Es muss ein Wunderbares sein, S. 314 | Rachmaninov: | Lilacs, Op. 21 No. 5 | Schubert: | Die Forelle, D550 Die Allmacht, D852 Ständchen 'Leise flehen meine Lieder', D957 No. 4 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 Die böse Farbe (No. 17 from Die schöne Müllerin, D795) | Sibelius: | Svarta rosor, Op. 36 No. 1 (Ernst Josephson) | Sjögren: | I drömmen du är mig nära | Strauss, R: | Ständchen, Op. 17 No. 2 Morgen, Op. 27 No. 4 | Tosti: | Ideale | trad.: | Ack Värmeland du sköna (Ah Värmland, Thou Fairest) arr. Randel Allt Under Himmelens Fäste | Wolf, H: | Verborgenheit (No. 12 from Mörike-Lieder) |
Historic Masters Ltd. Is delighted to be associated with, and to have contributed to, this CD release of little known material by one of the truly great tenors of the twentieth century. In the course of our researches we have discovered original metal parts for three recordings by Jussi Björling which were not released by EMI at the time they were made. All three have now been issued as part of our Historic Masters series and we are delighted to be able to make copies available for transfer to this CD. The tenor solo from Bizet’s Les Pêcheurs de perles was recorded in April 1947. Given that it is Björling’s only studio version of this aria, it seems surprising that it remained unissued until November 1977, late in the LP era. Only then was it included in an EMI boxed set entitled The Art of Jussi Björling. The other two items, the songs Mattinata and For you alone, rank amongst our most sensational discoveries in the EMI archive. These were the very first recordings made by Björling as an adult on 4 September 1929. Piano accompanied, they were almost certainly intended as tests to determine Björling’s suitability for a recording contract. Listening to these first recordings, there can be no surprise that Björling clearly passed this examination with flying colours. Three months later he was in the studio for what was in effect the launching of his hugely successful recording career with HMV and Victor. In the first few months of that career Björling repeated both songs – this time with full orchestral accompaniment. Perhaps this explains why the original tests were forgotten and, indeed, were marked in March 1930 as ‘destroyed’. In 1952, RCA, using the recently developed tape technology, decided to record a selection of the songs that Björling performed at his recitals. It is unlikely that all of these pieces would have been given at one time, but they were certainly included in his programmes over the years and give a very representative selection of the range of his repertoire. Apart from German Lieder, he always liked to sing some Swedish pieces, as well as works by the Finnish composer Sibelius, who complimented him on his interpretations of his songs, particularly those written to Swedish words. This recording from 1952 remained on the catalogue for many years as an LP in the USA, but it was less widely available in Europe and can now be heard here for the first time in a CD transfer from the original master tape. It finds Björling in particularly glorious voice. Extract from the booklet | | | Usually despatched in 4 - 5 working days. |
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| |  | Emil Sjogren: Volume 3 - Songs
Sjögren: | I drömmen du är mig nära Nicolai Gedda (tenor), Jan Eyron (piano) O sag du enda kara Nicolai Gedda (tenor), Jan Eyron (piano) Den langa dagen Nicolai Gedda (tenor), Jan Eyron (piano) Sommarens sista ros Nicolai Gedda (tenor), Jan Eyron (piano) Ro ro ogonsten Nicolai Gedda (tenor), Jan Eyron (piano) Sanger (5), Op. 34 Nicolai Gedda (tenor), Jan Eyron (piano) Dikter (4), Op. 1 Margareta Hallin (soprano), Nicolai Gedda (tenor), Jan Eyron (piano), Thomas Schuback (piano) Sechs Lieder aus Julius Wolff's Tannhäuser Nicolai Gedda (tenor), Jan Eyron (piano) Spanska Sanger (7), Op. 6 Margareta Hallin (soprano), Thomas Schuback, (piano) 6 Lieder aus J. Wolff's Tannhäuser, OP. 12 <argareta Hallin (soprano), Nicolai Gedda (tenor), Jan Eyron (piano), Thomas Schuback (piano) An Eine, Op. 16 Nicolai Gedda (tenor), Jan Eyron (piano) |
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| |  | Emil Sjögren: Complete Works for Violin and Piano Vol. 1
Tobias Ringborg (violin), Anders Kilström (piano) Swedish composer Emil Sjögren is known outside his native country (if at all) as a late romantic miniaturist, but this CD (Volume 1 of a set of three discs devoted to his music for violin and piano) shows him also to be a master of sonata form, without sacrificing any of the melodic charm which characterises his song-writing. “Tobias Ringborg has a fine, strong cantabile tone well-suited to this music… Anders Kilström copes well with Sjögren's piano parts, which range from a kind of artless simplicity to quite bravura complexity. The utter sincerity and emotional idealism of this music is patent, as is Sjögren's sure command of his medium.” BBC Music Magazine, September 2004 **** | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Jussi Björling LiveBroadcast Concerts 1937-1960
Adam: | O Holy Night Recorded 20th December 1954 | Alfvén: | Skogen sover, Op. 28 No. 6 Recorded 11th April 1949 Jag längtar dig (Text: Ernest Thiel) Recorded 5th August 1960 | Althen: | Land, du välsignade (Thou Blessed Country) Recorded 12th May 1946 Land, du välsignade (Thou Blessed Country) Recorded 25th May 1952 | Flotow: | M'appari (from Martha) Recorded 19th November 1945 | Foster, S: | I Dream of Jeanie with the Light Brown Hair Recorded 19th November 1945 I Dream of Jeanie with the Light Brown Hair Recorded 7th November 1949 | Geehl: | For You Alone Recorded 21st January 1946 For You Alone Recorded 8th January 1951 | Giordano, U: | Come un bel dì di maggio (from Andrea Chénier) Recorded 23rd October 1950 | Glover: | Rose of Tralee Recorded 12th March 1951 | Godard, B: | Cachès dans cet asile (Jocelyn) Recorded 25th March 1946; sung in English Cachès dans cet asile (Jocelyn) Recorded 11th August 1949; sung in English | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Recorded 12th May 1946 Nuit d'hyménée from Roméo et Juliette Recorded 23rd October 1949 Anna-Lisa Björling (soprano) Nuit d'hyménée from Roméo et Juliette Recorded 30th September 1951 Bidú Sayão (soprano) Prison Scene (from Faust) Recorded 5th December 1937; Björling sings in Swedish | Grieg: | Jeg Elsker Deg, Op. 41 No. 3 Recorded 25th March 1946 | Hardelot: | Because Recorded 25th March 1946 | Herbert, V: | Neapolitan Love Song Recorded 25th March 1946 Neapolitan Love Song Recorded 4th April 1949 | Leoncavallo: | Recitar!...Vesti la giubba (from I Pagliacci) Recorded 16th February 1951 Mattinata - 'L'aurora di bianco vestita' Recorded 15th March 1948 Recitar!...Vesti la giubba (from I Pagliacci) Recorded 12th March 1951 | Mascagni: | Addio alla madre (from Cavalleria Rusticana) Recorded 4th April 1949 | Massenet: | Instant charmant … En fermant les yeux (from Manon) Recorded 19th November 1945 Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Recorded 23rd October 1949 Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Recorded 15th March 1948 Instant charmant … En fermant les yeux (from Manon) Recorded 8th January 1951 | Meyerbeer: | Pays merveilleux... Ô paradis (from L'Africaine) Recorded 23rd October 1950 Pays merveilleux... Ô paradis (from L'Africaine) Recorded 5th December 1937 | Millöcker: | Ich hab' kein Geld, bin vogelfrei (from Der Bettelstudent) Recorded 25th May 1952; sung in Swedish | Morgan, O: | Clorinda Recorded 15th March 1948 | Nordqvist: | Till havs (Towards the Sea) Recorded 20th December 1954 | Peterson-Berger: | Jungfrun under lind (Ernst von der Recke) Recorded 12th May 1946 Jungfrun under lind (Ernst von der Recke) Recorded 11th April 1949 Jungfrun under lind (Ernst von der Recke) Recorded 8th January 1951 När jag för mig själv (When I Walk by Myself) Recorded 20th December 1954 | Ponchielli: | Cielo e mar! (from La Gioconda) Recorded 30th September 1951 | Puccini: | O soave fanciulla (from La Bohème) Recorded 25th September 1949 Licia Albanese (soprano) Che gelida manina (from La Bohème) Recorded 23rd October 1949 O soave fanciulla (from La Bohème) Recorded 23rd October 1949 Anna-Lisa Björling (soprano) E lucevan le stelle (from Tosca) Recorded 30th September 1951 Che gelida manina (from La Bohème) Recorded 7th November 1949 Donna non vidi mai (from Manon Lescaut) Recorded 8th January 1951 O sventata, sventata (from La Bohème) Recorded 30th January 1956 Che gelida manina (from La Bohème) Recorded 30th January 1956 Si, mi chiamano Mimi (from La Bohème) Recorded 30th January 1956 O soave fanciulla (from La Bohème) Recorded 30th January 1956 Renata Tebaldi (soprano) Recondita armonia (from Tosca) Recorded 5th December 1937 | Rachmaninov: | Lilacs, Op. 21 No. 5 Recorded 15th March 1948 V molchanii nochi taynoy, Op. 4 No. 3 Recorded 23rd October 1950 | Rangström: | Tristans död Recorded 11th April 1949 | Romberg, S: | Will You Remember (from Maytime) Recorded 21st January 1946 | Schubert: | An Sylvia, D891 sung in English; recorded 19th November 1945 Ständchen 'Leise flehen meine Lieder', D957 No. 4 Recorded 4th April 1949 | Sjögren: | I drömmen du är mig nära Recorded 11th April 1949 | Söderman: | Trollsjön Recorded 11th April 1949 Trollsjön Recorded 25th May 1952 | Strauss, R: | Ständchen, Op. 17 No. 2 Recorded 7th November 1949 Zueignung, Op. 10 No. 1 Recorded 23rd October 1950 | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) Recorded 5th August 1960; sung in Swedish | Tosti: | L'alba separa dalla luce l'ombra Recorded 30th September 1951 L'alba separa dalla luce l'ombra Recorded 11th April 1949 | Verdi: | Quel suon…Ah! Che la morte ognora (from Il Trovatore) Recorded 21st January 1946 Eleanor Steber (soprano) Solenne in quest'ora (from La Forza del Destino) Recorded 5th December 1937 Se quel guerrier io fossi!…Celeste Aida (from Aida) Recorded 12th March 1951 Celeste Aida (from Aida) Recorded 12th March 1951 | Wagner: | In fernem Land (from Lohengrin) Recorded 20th December 1954 In fernem Land (from Lohengrin) Recorded 5th August 1960; sung in Swedish |
This month is an excellent one for Björling fans. This collection is a treasury of rare performances from the US and Sweden and includes previously unreleased material. There is commentary and interviews, as well as Art and popular songs, Arias and duets and there are many guest artists such as Licia Albanese, Anna Lisa Björling and Renata Tebaldi. “Björling recorded [Lensky's aria] many times but never, I think, so poignantly as here. As a prologue to this year's centenary celebrations the album is a worthy offering and this track an especially moving example of the great tenor's art at its best.” Gramophone Magazine, March 2011 | | | Usually despatched in 2 - 3 working days. |
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