Elgar: Sea Pictures, Op. 37

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Elgar: Cello Concerto, Sea Pictures & The Kingdom Prelude

Elgar: Cello Concerto, Sea Pictures & The Kingdom Prelude


Elgar:

Cello Concerto in E minor, Op. 85

Li-Wei (cello)

Sea Pictures, Op. 37

Elizabeth Campbell (mezzo soprano)

The Kingdom, Op. 51 - Prelude


Classic FM Magazine referred to Li-Wei’s performance of the Elgar Cello Concerto as “Untarnished sensitivity….as well as impeccable tuning.” This is a re-release of her stirring performance and is arguably one of the finest recordings of the work.

ABC Classics - ABC4763535

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Elgar - Sea Pictures & Pageant of Empire

Elgar - Sea Pictures & Pageant of Empire

Recorded at The Colosseum, Town Hall, Watford, 6-7 October & 10 November 2009


Elgar:

Pageant of Empire

First recording with orchestra

Sea Pictures, Op. 37

First recording with orchestra and baritone

The Pipes of Pan

First CD recording with orchestra

The River

Gurney:

Lights out

First recording with orchestra

Hurd:

Shore Leave

World premiere recording


Elgar’s Sea Pictures sung by a man, and a baritone, of the calibre of Roderick Williams is an eye-opening experience for all Elgarians, making one wonder why it had not been done before. Dutton Epoch’s pioneering exploration of this repertoire has to be heard, and you will surely return to Roderick’s interpretation again and again. This is a remarkable programme of orchestral song cycles in which Roderick Williams is accompanied by the BBC Concert Orchestra conducted by Martin Yates; it also features the world premiere recording of Elgar’s songs for Pageant of Empire – seven gloriously tuneful numbers in Elgar’s most expansive vein. Ivor Gurney’s Light’s Out and Michael Hurd’s Shore Leave, both haunting and evocative song cycles with the Concert Orchestra, make this an unforgettable portrait of the art of Roderick Williams. This is a worthy companion to Dutton Epoch’s earlier CD of Roderick Williams in orchestral songs (CDLX 7199 ‘Sea Fever’).

“In this absorbing anthology of British orchestral songs, wchich splendidly showcases the vocal artistry of baritone Roderick Williams, Elgar bulks largest...This disc has Dutton's quintessential features of thoughtful, original programming and high production values.” BBC Music Magazine, September 2010 ****

“Roderick Williams cuts as commandingly articulate a figure as ever...Elsewhere, Jeremy Dibble does a terrific job orchestrating Ivor Gurney's Lights Out...the title song in particular distils a fragrant beauty that will haunt you for days.” Gramophone Magazine, October 2010

Dutton - CDLX7243

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Elgar - Enigma Variations

Elgar - Enigma Variations


Elgar:

In the South (Alassio), Op. 50

Sea Pictures, Op. 37

Gladys Ripley (contralto)

Enigma Variations, Op. 36


London Symphony & Philharmonia Orchestra, George Weldon

George Weldon was conductor of the CBSO until 1951. On this release he is heard conducting the LSO in performances of ‘In The South’ and ‘Sea Pictures’ made at Studio No.1 at Abbey Road in 1953. Conductor and orchestra are joined by contralto Gladys Ripley for the song cycle. The ‘Enigma Variations’ was recorded in 1954 at the Kingsway Hall and produced by Walter Legge

“Superb, astonishing performances from a most underrated conductor. Both orchestras play with non-stop intensity, with Glady's Ripley an exquisite soloist in Sea Pictures. Decent sound for its time.” BBC Music Magazine, August 2008 *****

Somm Céleste - SOMM073

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Elgar: Sea Pictures (recital version)

Elgar: Sea Pictures (recital version)


Elgar:

Sea Pictures, Op. 37

First recording of the recital version as performed by Sir Edward Elgar and Dame Clara Butt

Canto Popolare (In Moonlight)

Pleading, Op. 48 No. 1

Oh, soft was the song, Op. 59, No. 3

Speak, Music, Op. 41, No. 2

Vaughan Williams:

Four Last Songs

Four Poems by Fredegond Shove


Claire-Louise Lucas (mezzo), Jonathan Darnborough (piano)

Claudio - CB5258

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Elgar

Elgar


Elgar:

Cello Concerto in E minor, Op. 85

Li-Wei (cello)

Sea Pictures, Op. 37

Elizabeth Campbell (mezzo-soprano)

The Kingdom, Op. 51 - Prelude


ABC Classics - ABC4767966

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$17.00

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Baroque and Romantic Vocal Music

Baroque and Romantic Vocal Music


Elgar:

Sea Pictures, Op. 37

Handel:

Dolc'e pur d'amor l'affanno, HWV109a

Alleluja for baritone and organ

Amen for baritone and organ

Purcell:

If music be the food of love, Z379

Tis Nature's voice (from Hail, Bright Cecilia, Z328)

How long, great God?, Z189

The earth trembled, Z197

Telemann:

Kleine Kantate von Wald und Au

Ew'ge Quelle, milder Strom, TWV 1:546


Birgit Finnilä (contralto), Rolf Leanderson (baritone), Gunilla von Bahr (flute), Geoffrey Parsons (piano), Hans Fagius (organ)

BIS - BISCD127

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Songs by Wagner, Nystroem, Elgar

Songs by Wagner, Nystroem, Elgar


Elgar:

Sea Pictures, Op. 37

Nystroem, G:

Sånger vid havet (Songs by the Sea)

Wagner:

Wesendonck-Lieder (5)


Rosemarie Lang (mezzo-soprano), Dan Almgren (violin)

Helsingborg Symphony Orchestra, Hans-Peter Frank

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Elgar: Sea Pictures, Op. 37, etc.

Elgar:

Sea Pictures, Op. 37

A Cycle of Five Songs for COntralto and Orchestra

The Music Makers, Op. 69

Ode by Arthur O'Shaughnessy for Contralto, Chorus and Orchestra


Linda Finnie (contralto), Roderick Elms (organ)

London Philharmonic Choir, London Philharmonic Orchestra, Bryden Thomson

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Margreta Elkins: The Classic Recordings

Margreta Elkins: The Classic Recordings


Elgar:

Sea Pictures, Op. 37

Shield:

Rosina

Williamson:

The Altar is Adorned for the Sacrifice (from The Growing Castle)


ABC Classics Australian Heritage - ABC4619222

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$17.00

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Elgar conducts Elgar

Elgar conducts Elgar

The complete recordings 1914 -1925 in new digital transfers from Elgar’s own record library


Elgar:

Carissima

Recorded on 21st January 1914

The Sanguine Fan, Op. 81

Recorded on 24th February 1920

Fringes of the Fleet

Recorded in July 1917

Charles Mott (baritone)

Carillon, Op. 75

Recorded on 29th January 1915

Henry Ainley (speaker)

Polonia

Recorded on 22nd May 1919

Starlight Express Suite, Op. 78

Recorded on 18th February 1916

Agnes Nicholls (soprano), Charles Mott (baritone)

Cockaigne Overture, Op. 40 'In London Town'

Recorded on 28th February 1917

In the South (Alassio), Op. 50

Recorded on 26th October 1923 & 30th December

Violin Concerto in B minor, Op. 61

Recorded 16th December 1916

Marie Hall (violin)

Cello Concerto in E minor, Op. 85

Recorded on 16th November 1920

Beatrice Harrison (cello)

Salut d'amour, Op. 12

Recorded on 26th June 1914

Chanson de Nuit, Op. 15 No. 1

Recorded on 22nd May 1919

Scenes from the Saga of King Olaf: A little bird in the air

Recorded on 7th December 1921

The Dream of Gerontius, Op. 38 - Prelude

Softly and gently, dearly-ransomed soul 'Angel's Farewell' (from The Dream of Gerontius)

Recorded on 28th February 1917

The Light of Life, Op. 29 'Lux Christi' - Meditation

Recorded April 1925

Sea Pictures, Op. 37

Recorded on 10th November 1922 & 8th January 1923

Leila Megane (contralto)

Enigma Variations, Op. 36

Recorded 1920-21

Pomp and Circumstance March No. 1 in D major, Op. 39 No. 1

Pomp and Circumstance March No. 4 in G major, Op. 39 No. 4

Recorded 26th June 1914

Bavarian Dances (3)

Recorded 26th June 1914 and 28th February 1917

Fantasia & Fugue in C minor, Op. 86 (after Bach, BWV 537)

Recorded 7th December 1921 & 26th October 1923

Overture in D minor (after Handel, HWV247)

Recorded 26th October 1923

The Wand of Youth Suite No. 1, Op. 1a

Recorded 22nd May 1919

The Wand of Youth Suite No. 2, Op. 1b

Recorded 28th February 1917

The Wand of Youth Suite No. 1, Op. 1a

Recorded 22nd May 1919 (unpublished takes)

The Wand of Youth Suite No. 2, Op. 1b: excerpts

Recorded 22nd May 1919 (unpublished takes)

Symphony No. 2 in E flat major, Op. 63

Recorded 5th & 20th March 1924 & 16th April 1925


The Symphony Orchestra & Royal Albert Hall Orchestra

Andrew Neill writes: “Edward Elgar became an early star of the gramophone and the recordings he made (and supervised) between 1914 and 1934 remain among the great contributions to the recorded repertoire… Elgar was absolutely sure of himself as a conductor of his own works… He never tried to disguise the fact that his own music thrilled and delighted him.” This collection includes such gems as Beatrice Harrison playing the Cello Concerto and Fringes of the Flleet and will be of great interest to collectors.

“Superb repackaging of Elgar's earliest recordings, before he re-made many works electrically. Sound is limited, but the music-making wonderfully evokes a vanished era.” BBC Music Magazine, June 2012 *****

“it’s legitimate to wonder whether a set of Elgar’s acoustic recordings made between 1914 and 1925 merits serious attention. The answer is an emphatic yes.” International Record Review, February 2012

“Lani Spahr has done a splendid job with these transfers, breathing new life into recordings, the oldest of which is now 99 years old. One takes it as read that the sound is limited but the spirit and character of the music comes across loud and clear. Impressively documented and presented this set is a major document, invaluable as part of our appreciation of one of England’s greatest composers.” MusicWeb International, 19th April 2013

“Elgar’s acoustic recordings have been issued before, but these transfers from the composer’s own gramophone library sound a lot clearer — some of them, paradoxically the earlier ones, remarkably so...this set is a precious historical document, not least for 1917’s charming Fringes of the Fleet.” Sunday Times

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