Byrd: Fortune my Foe

This page lists all recordings of Fortune my Foe, by William Byrd (1543-1623) on CD & download (MP3 & FLAC).

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Harry Our King

Harry Our King

Music for King Henry VIII Tudor


includes

anon.:

England be glad

Hunt is Up

Nil majus superi vident

J'ay pryse amours

And I were a maiden

Fortune my Foe

Dance: La Doune Cella

Busnois:

Fortune Espeeree

Byrd:

Fortune my Foe

Cornyshe:

Blow thi Horne

Ah, Robin, gentle Robin

Henry VIII:

Grene growith the holy

Pastyme with good companye

Taunder naken

Helas madam


Charles Daniels (tenor)

Capella de la Torre, Katharina Bauml

“Harry our King”, the new CD of the well-known German ensemble Capella de la Torre, is a fairytale-like interpretation of music from the court of King Henry VIII Tudor of England.

King Henry was a well-educated and creative art lover, who played and composed music himself and gathered at his court artists and scholars from all over Europe. On this vibrant new recording songs and dances of Henry VIII and his contemporaries are made into a musical caleidoscope of courtial life with all its aspects of love, leisure and religiousness. Famous tenor Charles Daniels with his unique Old English pronounciation makes this music very much alive!

Carpe Diem - CD16292

(CD)

$18.00

(also available to download from $10.50)

Usually despatched in 2 - 3 working days. (Available now to download.)

Vox Virginalis

Vox Virginalis


anon.:

My Lady Careys Dompe

Bull, J:

The King's Hunt

Byrd:

Hughe Ashton's Ground

Fortune my Foe

Farnaby, G:

Bonny Sweete Robin

Gibbons, O:

Fantasia

Morley:

Goe from my Windowe

Newman, m:

Pavyon

Philips, P:

Amarilli di Julio

Livre de virginal Fitzwilliam (selection)

Tomkins:

A sad Pavan for these distracted times

Ground


Rachelle Taylor (harpsichord)

The accomplishments of the virginalists, that school of English keyboard composers who flourished in the late Tudor and early Stuart eras, are documented in even the most succinct music history books. This recording proposes an overview of non-liturgical English keyboard music from about 1525 to 1650, written for an instrument then called the virginals. Because of its slower mechanism and rustic timbre, the "virginals" is used here for playing the earlier repertoire and for variations on folk tunes, whereas the harpsichord is reserved for the more extended virtuoso pieces. Harpsichordist and scholar Rachelle Taylor has given concerts and lectures in Canada, Europe, the United States, and Taiwan, and has been featured in broadcast concerts on the French and English services of the CBC.

Atma - ACD22197

(CD)

$17.00

(also available to download from $10.50)

Usually despatched in 2 - 3 working days. (Available now to download.)

O Sweet Love

O Sweet Love


Byrd:

Ye sacred muses - an elegy for Thomas Tallis

Fortune my Foe

Blame I confess

Come to me, grief, for ever

The Bells

Ah silly Soul

The Carman's Whistle

Tregian's Ground

Dowland:

A Fancy

Shall I strive with wordes to move?

Go From My Window, P. 64

Say love if ever thou didst find

My Lord Willoughby's Welcome Home

Lady Hunsdon's Puffe

Come again, sweet love doth now invite


Daniel Taylor (countertenor)

Les Voix Humaines: Margaret Little & Susie Napper (viola da gamba), Stephen Stubbs

The unrivalled master of the consort song and virtually the founding father of keyboard music, William Byrd -no less than John Dowland - is well served in these arrangements with viola da gamba duo and with lute. The purely instrumental pieces beautifully set off the telling voice of star countertenor Daniel Taylor.

Atma - ACD22207

(CD)

$17.00

(also available to download from $10.50)

Usually despatched in 2 - 3 working days. (Available now to download.)

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