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The accomplishments of the virginalists, that school of English keyboard composers who flourished in the late Tudor and early Stuart eras, are documented in even the most succinct music history books. This recording proposes an overview of non-liturgical English keyboard music from about 1525 to 1650, written for an instrument then called the virginals. Because of its slower mechanism and rustic timbre, the "virginals" is used here for playing the earlier repertoire and for variations on folk tunes, whereas the harpsichord is reserved for the more extended virtuoso pieces. Harpsichordist and scholar Rachelle Taylor has given concerts and lectures in Canada, Europe, the United States, and Taiwan, and has been featured in broadcast concerts on the French and English services of the CBC.
Anonymous: Ladye Carey's Dompe
Ladye Carey's Dompe
Newman: Pavyon
Pavyon
William Byrd: Hugh Aston's Ground
Hugh Aston's Ground
William Byrd: Fortune my Foe
Fortune my Foe
Peter Philips: Amarilli (after G. Caccini)
Amarilli di Giulio Romano
Peter Philips: Fitzwilliam Virginal Book
Pavan
Galliard
John Bull: God save the king
The King's Hunt
Thomas Morley: The First Booke of Consort Lessons
Goe from my Windowe
Orlando Gibbons: Fantasia in C major
Fantasia in C major
Fantasia in C major
Orlando Gibbons: Italian Ground
The Italian Grounde
Giles Farnaby: Bonny Sweete Robin
Bonny Sweete Robin
Thomas Tomkins: A Sad Pavan for these Distracted Times
A Sad Pavan for these Distracted Times
Thomas Tomkins: Ground in G major
Ground in G major
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