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It has often been said that music is a universal language; it is not, though, universally understood as a mother tongue, it is only universally spoken thus. So one must always attempt to hear it like something new, not quite familiar with a tourist's perception. Let's travel, then, and imagine some interesting encounters, where a German Brahms would understand a French Saint-Saëns as much as a Russian Glière, where a Belgian Jongen would make himself understood to an Austrian Kreisler as much as to a British Elgar, and where a trombonist and a pianist would understand themselves mutually. The listener, then, will have the creative opportunity to impart these familiar and less familiar sounds with significance while surrendering to the sheer pleasure of their beauty.
Gabriel Faure: Sicilienne, Op. 78 (arr. for trombone and piano)
Sicilienne, Op. 78 (arr. for trombone and piano)
Max Bruch: Romance, Op. 85 (arr. for trombone and piano)
Romance, Op. 85 (arr. for trombone and piano)
Reinhold Gliere: Pieces, Op. 35 (arr. for trombone and piano)
No. 10. Nocturno
No. 7. Valse triste
No. 11. Intermezzo
No. 6. Romance
Johannes Brahms: Scherzo (Piano Sonata in A minor, collaborative with R. Schumann and A. Dietrich), WoO 2 (arr. for trombone and piano)
Scherzo in C minor, WoO 2 (arr. for trombone and piano)
Maurice Ravel: Sites auriculaires
Sites auriculaires: I. Habanera (arr. for trombone and piano)
Fritz Kreisler: Schon Rosmarin (arr. for trombone and piano)
Schon Rosmarin (arr. for trombone and piano)
Joseph Jongen: Aria et polonaise, Op. 128
Aria and Polonaise, Op. 128
Camille Saint-Saens: Carnival of the Animals
Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for trombone and piano)
B.M. Blazewitch: Concert Piece No. 5
Concert Piece No. 5
Paul Fievet: Legende celtique
Legende celtique
Edward Elgar: Romance, Op. 62 (arr. for trombone and piano)
Romance, Op. 62 (arr. for trombone and piano)
Pyotr Il'yich Tchaikovsky: 6 Morceaux, Op. 51
6 Morceaux, Op. 51: No. 6. Valse sentimentale
Click on any of the works listed above for alternative recordings.