Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Michel Dens
Adam: | Dans le sommeil (from Si j’étais roi) Orchestre de l'Opera, Pierre Dervaux | Berlioz: | La Damnation de Faust: Devant la maison Orchestre de l'Opera, Pierre Dervaux | Donizetti: | Jardins de l’Alcazar (from La favorite) Orchestre Radio-Lyrique, Gustave Cloeze | Gounod: | Avant de quitter ces lieux (from Faust) Orchestre de l'Opera, Louis Fourestier | Leoncavallo: | Si può? (from I Pagliacci) sung in French Orchestre de l'Opera Comique, Albert Wolff | Massenet: | La légende de la sauge (from Le Jongleur de Notre-Dame) Orchestre de l'Opera Comique, Andre Cluytens Promesse de mon avenir (from Le roi de Lahore) Orchestre de l'Opera, Pierre Dervaux Voilà donc la terrible cité (from Thaïs) Orchestre de l'Opera, Pierre Dervaux Vision fugitive (from Hérodiade) Orchestre de l'Opera, Pierre Dervaux Voilà donc la terrible cité (from Thaïs) Lilian Roux (piano) | Offenbach: | Je viens de faire un rêve magnifique (from La Grande Duchesse de Gerolstein) Marcel Cariven Scintille, diamant (from Les Contes d'Hoffmann) Orchestre de l'Opera, Pierre Dervaux | Rabaud: | A Travers le Désert (from Mârouf, Savetier du Caire) Orchestre de l'Opera, Pierre Dervaux | Rossini: | Largo al factotum (from Il barbiere di Siviglia) sung in French Orchestre de l'Opera Comique, Andre Cluytens | Thomas, Ambroise: | O vin, dissipe la tristesse (from Hamlet) Orchestre de l'Opera, Pierre Dervaux | Verdi: | Deserto sulla terra (from Il trovatore) sung in French Orchestre Radio-Lyrique, Gustave Cloeze Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) sung in French Orchestre Radio-Lyrique, Gustave Cloeze | Wagner: | Blick ich umher in diesem edlen Kreise (from Tannhäuser) sung in French Orchestre de l'Opera, Robert Blot O du, mein holder Abendstern (from Tannhäuser) sung in French Orchestre de l'Opera, Robert Blot |
Born in 1911, the French baritone Michel Dens had a long and successful career. His early career was in the world of opera but he later sang in many operettas. This collection includes arias which he perfomed at an event given in his honour in Marseilles in 1986. | | | In stock - usually despatched within 1 working day. |
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| |  | Erwin Schrott: Arias
On his second release for Sony Classical, Erwin Schrott transfers many of his stage triumphs to an album of arias. For the most part Schrott has devoted this new CD to classics from the French and Italian bass-baritone repertoire, complementing them with compositions by Verdi and Massenet that are not often heard. The singer also gives due place to his love of music by Spanish and Latin American composers: namely the Spanish composer Pablo Sorozabal, and the Brazilian composer Carlos Gomes. “he has a superb voice which he uses intelligently and sensitively...Once you adjust to the pronounced echo, there is plenty of pleasure to be had here - from his singing and adventurous choice of repertoire alike...his dying Don Quichotte is especially fine.” BBC Music Magazine, September 2012 **** “The best of his voice - a dark vocal plushness in his mid-range - emerges in the Toreador Song's verse portion, though beyond that he pushes for low notes that aren't really there...Declamatory passages go well for Schrott, especially when the language is Italian - one reason why some of the early Verdi arias are among the more convincing moments on the disc.” Gramophone Magazine, October 2012 “on disc, his pleasing lyric bass is a good fit for the characters he plays...this is far from the random bran-tub selection one now almost invariably encounters on recorded solo opera programmes of this type...[Don Quichotte's] valedictory music inspires some of Schrott's most sensitive singing...one of the most plausible champions of this repertoire in today's opera firmament.” International Record Review, September 2012 “Schrott finds perhaps his most rewarding role as Mefistofele in Boito's version of the Faust myth, reaching a feverish pitch of disgust as he derides mankind in "Ave Signor" and "Ecco il Mondo".” The Independent, 23rd June 2012 *** “It's a bit of a mixed bag but, unlike some of his previous recordings, the best of it does capture the mixture of raunchiness and dramatic power he can generate in the theatre...[Pluses] include an electrifying Scintille Diamant from Offenbach's Les Contes d'Hoffmann; excerpts from Verdi's I Lombardi and Attila, in which his sense of line is magnificent; Mefistofele's principal monologues, savagely ironic...Flawed but highly recommended.” The Times, 12th July 2012 **** “The wide range and changing tones are distinctive in this selection from Verdi, Boito, Gounod, Massenet, Bizet and beyond. One minute Schrott’s exploring the ocean depths of his register; the next he’s bobbing on the surface, bright as any tenor.” The Times, 22nd June 2012 *** | | | In stock - usually despatched within 1 working day. |
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| |  | José van Dam: 30 Years at la Monnaie/De Munt
Berlioz: | Une puce gentille 'Flea Song' (from La damnation de Faust) Recorded in 2002 Antonio Pappano | Debussy: | Pelléas part ce soir (from Pelléas et Mélisande) Recorded in 1999 Juanita Lascarro (Mélisande), Donald McIntyre (Arkel) George Benjamin | Mozart: | Deh! vieni alla finestra (from Don Giovanni) Recorded in 1987 Sylvain Cambreling La ci darem la mano (from Don Giovanni) Recorded in 1987 Joana Kozlowska (Zerlina) Sylvain Cambreling | Mussorgsky: | Boris Godunov: Coronation Scene Recorded in 1986 Michael Schønwandt Oy, dušno, dušno! - Prošcay, moy sïn (from Boris Godunov) Recorded in 1986 Bart Ravache (Fiodor) Michael Schønwandt | Offenbach: | Scintille, diamant (from Les Contes d'Hoffmann) Recorded in 1985 Sylvain Cambreling | Rossini: | Il turco in Italia 'Credete alle femmine' Recorded in 1995 Tiziana Fabbricini (Fiorilla) Iván Fischer | Strauss, R: | Wo ist er, dessen Sündenbecher jetzt voll ist? (from Salome) Recorded in 1992 Catherine Malfitano (Salome), Scot Weir (Narraboth) Antonio Pappano | Verdi: | Ella giammai m'amò (from Don Carlo) Recorded in 1981 Sir John Pritchard Il Grande Inquisitor! ... Son io dinanzi al Re? (from Don Carlo) Recorded in 1981 Jules Bastin (Grand Inquisitor), Arnaud Dufrasne (Lerma) Sir John Pritchard Plebe! Patrizi! Popolo! (from Simon Boccanegra) Recorded in 1990 Nancy Gustafson (Amelia), Carlos Krause (Pietro), William Stone (Paolo), Alberto Cupido (Gabriele), David Pittsinger (Fiesco) Sylvain Cambreling L'onore! Ladri! (from Falstaff) Recorded in 1987 Sylvain Cambreling Eh! Taverniere … Mondo ladro (from Falstaff) Recorded in 1987 Sylvain Cambreling | Wagner: | Die Frist ist um (from Der fliegende Holländer) Recorded in 1984 Sylvain Cambreling Nein, Lasst ihn unenthüllt (Parsifal) Recorded in 1989 Sylvain Cambreling Was duftet doch der Flieder (from Die Meistersinger von Nürnberg) Recorded in 1985 Sir John Pritchard Wahn! Wahn! Überall Wahn! (from Die Meistersinger von Nürnberg) Recorded in 1985 Sir John Pritchard |
José van Dam (bass-baritone) La Monnaie/De Munt Symphony Orchestra and Choir This world famous singer was Belgian, yet only appeared at La Monnaie on the 20th anniversary of his career. After returning from exile, he took many roles and has worked with some of the greatest conductors. This CD includes works by Wagner, Strauss, Mussorgsky, Verdi, Mozart, Rossini, Debussy, Berlioz and Offenbach. These CDs contain a fragment of history. | | | In stock - usually despatched within 1 working day. |
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| |  | René Pape - Gods, Kings and Demons
Rene Pape’s solo debut for DG gives an overview of the roles that have made his career plus a few rarities.. Accompanied by the Dresden Staatskapelle under Sebastian Weigle, Pape performs his signature piece: King Mark’s monologue from Tristan und Isolde, as well as arias from Gounod’s Faust (the role of Méphistophélès), Mussorgsky’s Boris Godunov and wonderful arias of the rarely performed Demon (Rubinstein) among others. “René Pape is an artist who thrills his audiences with charisma, intelligence and a one-in-a-million voice.” (Opera News) The operatic roles on this album have to a large extend been performed by Pape to the highest critical acclaim in the world’s major opera houses, from the Metropolitan Opera to the Berlin Staatsoper. As Pape’s first solo recording and his DG solo debut, this album is long overdue and is eagerly awaited not only by the music press but also by the singer’s international fan base. “Very welcome on this recording… are less usual arias from Mefestofele… and Dvorák's Rusalka… with brisk support provided throughout by the Dresden Saatskapelle and Staatsopernchor under the direction of Sebastian Weigle, this is a fine showcase.” BBC Music Magazine, November 2008 **** “Probably the premier basso cantante of our time, René Pape is a good god, a good king and a still better singer…” Gramophone Magazine, December 2008 | | | In stock - usually despatched within 1 working day. |
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| |  | George London
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| |  | L'Art de Gabriel BacquierArias, Songs & Operetta
Bellini: | Ah! Per sempre io ti perdei (from I Puritani) | Berlioz: | Une puce gentille 'Flea Song' (from La damnation de Faust) La Damnation de Faust: Devant la maison Absence (from Les nuits d'été, Op. 7) | Bizet: | Votre toast je peux vous le rendre 'Toreador Song' (from Carmen) | Debussy: | Les cloches (Paul Bourget) | Delibes: | Stances (from Lakmé) | Donizetti: | Vieni, amor...Leonora! A' piedi tuoi (from La Favorita) | Duparc: | Chanson triste La Vie antérieure | Fauré: | Clair de Lune, Op. 46 No. 2 Le secret Op. 23 No. 3 | Gounod: | Mab, la reine des mensonges (from Roméo et Juliette) Venise Premier jour de mai | Hahn, R: | Si mes vers avaient des ailes | Lecocq: | Certainement jamais Clairette (from La Fille de Mme Angot) Pour être fort, on se rassemble (from La Fille de Mme Angot) | Lehár: | Der Graf von Luxemburg (highlights) Die Lustige Witwe: Waltz | Massenet: | Bravo, mon cher...Epouse quelque brave fille (from Manon) Quelle priere de reconnaissance (from Werther) Comment peut-on penser du bien (from Don Quichotte) Riez, allez, riez du pauvre idéologue (from Don Quichotte) Elégie | Mozart: | Fin ch'han dal vino (from Don Giovanni) Deh! vieni alla finestra (from Don Giovanni) Vedro mentr'io sospiro (from Le nozze di Figaro) Madamina, il catalogo è questo (from Don Giovanni) | Offenbach: | Scintille, diamant (from Les Contes d'Hoffmann) Dans les rôles d’amoureux (from Les Contes d’Hoffmann) | Poulenc: | Voyage à Paris | Ravel: | Ronsard à son âme D’Anne qui me jecta de la neige | Sauguet: | Berceuse créole | Thomas, Ambroise: | Etre ou ne pas etre (from Hamlet) | Varney: | Pour faire un brave mousquetaire (from Les Mousquetaires au couvent) Gris, suis-je gris, vraiment ? (from Les Mousquetaires au couvent) | Verdi: | Vanne, la tua meta gia vedo…Credo in un Dio crudel (from Otello) O Carlo, ascolta (from Don Carlo) Pari siamo! (from Rigoletto) sung in French Cortigiani, vil razza dannata (from Rigoletto) sung in French | Yvain: | Porquerolle |
Gabriel Bacquier has already, in his lifetime, entered the hallowed halls of great French singers. An incomparable actor, endowed with exceptional vocal means and an unbelievably rich timbre, he carried the art of interpretation to the highest level. For the first time on CD, Decca have issued a collection highlighting this baritone’s remarkable career. | 
| | | (Sorry, download not available in your country) | Usually despatched in 4 - 5 working days. |
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| |  | Great Swedish Singers: Hugo Hasslo In Memoriam
The Stockholm Opera was one of the leading European houses at the middle of the last century, partly due to the fact that so many great Sw. singers stayed at home. One of them, Hugo Hasslo, possessed a beautiful tenor-baritone voice. He even tried Cavaradossi once, but wisely kept to his baritone roles, in Verdi, Mozart, Donizetti and Rossini. After his retirement in the 60s he became a beloved and successful voice teacher. | |
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| |  | A Date With The Devil
| | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Gala NightOpera, Operetta, Musical
Auric: | Du rififi chez les hommes: Main theme | Bizet: | L'Arlesienne Suite No. 2: IV. Farandole | Gershwin: | Gershwin Medley | Glinka: | Ruslan & Lyudmila Overture | Kalman: | Die Csárdásfürstin: Overture Ganz ohne Weiber geht die Chose nicht (from Die Csárdásfürstin) Ja, Mamam Bruderherz (from Die Csardasfürstin) | Kander: | Cabaret (from Cabaret) | Künneke, Eduard: | Die lockende Flamme: Pasodoble Immerzu singt mein Herz deinem Herzen zu (from Die Grosse Sünderin) | Lloyd Webber, A: | Jesus Christ Superstar: Medley Love Changes Everything (from Aspects Of Love) | Mackeben: | Rubens: Overture | Morricone, E: | Once upon a time in the West: theme | Offenbach: | Scintille, diamant (from Les Contes d'Hoffmann) Sung in German Can-Can (from Orpheus in the Underworld) | Puccini: | Nessun dorma (from Turandot) | Rossini: | La Cenerentola Overture Una voce poco fa (from Il barbiere di Siviglia) Siete voi? (from La Cenerentola) | Schönberg, C-M: | On My Own (from Les Misérables) Sun And Moon (from Miss Saigon) | Strauss, J, II: | Unter Donner und Blitz, Op. 324 | Tchaikovsky: | Lyubvi fse vozrastï pokornï 'Gremin's aria' (from Eugene Onegin) | Williams, John: | Star Wars (extracts) |
and a medley of show-tunes by Gershwin, Bernstein, Arlen and Kander
Peter Falk SWR Rundfunkorchester Kaiserslautern | | | (also available to download from $21.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Andrej Ivanov
Andrej Ivanov (baritone) Bolshoi Theater Orchestra, Samuel Samosud | | | Usually despatched in 2 - 3 working days. |
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