Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Opera Scenes and Arias & Italian Songs
“As a lesson in vocal versatility, this CD is unsurpassed. Raimondi characterises Mozart's Don Giovanni just as well as Musorgsky's Boris Godunov.” BBC Music Magazine, February 2012 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | José van Dam: 30 Years at la Monnaie/De Munt
Berlioz: | Une puce gentille 'Flea Song' (from La damnation de Faust) Recorded in 2002 Antonio Pappano | Debussy: | Pelléas part ce soir (from Pelléas et Mélisande) Recorded in 1999 Juanita Lascarro (Mélisande), Donald McIntyre (Arkel) George Benjamin | Mozart: | Deh! vieni alla finestra (from Don Giovanni) Recorded in 1987 Sylvain Cambreling La ci darem la mano (from Don Giovanni) Recorded in 1987 Joana Kozlowska (Zerlina) Sylvain Cambreling | Mussorgsky: | Boris Godunov: Coronation Scene Recorded in 1986 Michael Schønwandt Oy, dušno, dušno! - Prošcay, moy sïn (from Boris Godunov) Recorded in 1986 Bart Ravache (Fiodor) Michael Schønwandt | Offenbach: | Scintille, diamant (from Les Contes d'Hoffmann) Recorded in 1985 Sylvain Cambreling | Rossini: | Il turco in Italia 'Credete alle femmine' Recorded in 1995 Tiziana Fabbricini (Fiorilla) Iván Fischer | Strauss, R: | Wo ist er, dessen Sündenbecher jetzt voll ist? (from Salome) Recorded in 1992 Catherine Malfitano (Salome), Scot Weir (Narraboth) Antonio Pappano | Verdi: | Ella giammai m'amò (from Don Carlo) Recorded in 1981 Sir John Pritchard Il Grande Inquisitor! ... Son io dinanzi al Re? (from Don Carlo) Recorded in 1981 Jules Bastin (Grand Inquisitor), Arnaud Dufrasne (Lerma) Sir John Pritchard Plebe! Patrizi! Popolo! (from Simon Boccanegra) Recorded in 1990 Nancy Gustafson (Amelia), Carlos Krause (Pietro), William Stone (Paolo), Alberto Cupido (Gabriele), David Pittsinger (Fiesco) Sylvain Cambreling L'onore! Ladri! (from Falstaff) Recorded in 1987 Sylvain Cambreling Eh! Taverniere … Mondo ladro (from Falstaff) Recorded in 1987 Sylvain Cambreling | Wagner: | Die Frist ist um (from Der fliegende Holländer) Recorded in 1984 Sylvain Cambreling Nein, Lasst ihn unenthüllt (Parsifal) Recorded in 1989 Sylvain Cambreling Was duftet doch der Flieder (from Die Meistersinger von Nürnberg) Recorded in 1985 Sir John Pritchard Wahn! Wahn! Überall Wahn! (from Die Meistersinger von Nürnberg) Recorded in 1985 Sir John Pritchard |
José van Dam (bass-baritone) La Monnaie/De Munt Symphony Orchestra and Choir This world famous singer was Belgian, yet only appeared at La Monnaie on the 20th anniversary of his career. After returning from exile, he took many roles and has worked with some of the greatest conductors. This CD includes works by Wagner, Strauss, Mussorgsky, Verdi, Mozart, Rossini, Debussy, Berlioz and Offenbach. These CDs contain a fragment of history. | | | In stock - usually despatched within 1 working day. |
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| |  | René Pape - Gods, Kings and Demons
Rene Pape’s solo debut for DG gives an overview of the roles that have made his career plus a few rarities.. Accompanied by the Dresden Staatskapelle under Sebastian Weigle, Pape performs his signature piece: King Mark’s monologue from Tristan und Isolde, as well as arias from Gounod’s Faust (the role of Méphistophélès), Mussorgsky’s Boris Godunov and wonderful arias of the rarely performed Demon (Rubinstein) among others. “René Pape is an artist who thrills his audiences with charisma, intelligence and a one-in-a-million voice.” (Opera News) The operatic roles on this album have to a large extend been performed by Pape to the highest critical acclaim in the world’s major opera houses, from the Metropolitan Opera to the Berlin Staatsoper. As Pape’s first solo recording and his DG solo debut, this album is long overdue and is eagerly awaited not only by the music press but also by the singer’s international fan base. “Very welcome on this recording… are less usual arias from Mefestofele… and Dvorák's Rusalka… with brisk support provided throughout by the Dresden Saatskapelle and Staatsopernchor under the direction of Sebastian Weigle, this is a fine showcase.” BBC Music Magazine, November 2008 **** “Probably the premier basso cantante of our time, René Pape is a good god, a good king and a still better singer…” Gramophone Magazine, December 2008 | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Boris Christoff: The Russian BassMusic from Prince Igor, Don Carlo & Boris Godunov
This release features Christoff in the great Russian bass roles with substantial ‘bonus tracks’ and serves as an excellent introduction to this wonderful singer, caught between 1949 and 1954. Repertoire includes arias from Prince Igor, Eugene Onegin, Sadko and Boris Godunov. Super budget price. | | | In stock - usually despatched within 1 working day. |
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| |  | Boris Christoff Recital
Italian Radio Symphony Orchestra, Southwest German Radio Symphony Orchestra, Alfredo Simonetto, Ernest Bour | | | Usually despatched in 4 - 5 working days. |
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| |  | Legends of Bolshoi: Highlights from Russian Operas
Elizaveta Shumskaya (soprano), Sergei Lemeshev, Georgy Nelepp, Ivan Kozlovsky (tenors), Mark Reizen (bass) Bolshoi Theatre Orchestra In the 30s through to the 50s of the last century, Russia’s greatest theatre could boast of a real constellation of superb opera singers. Each of them possessed a striking creative individuality, and when united in one acting ensemble, they created unique dramatic performances. This disc presents just five singers of that renowned company, and just a small bit of their repertoire. ADD | | | (also available to download from $10.75) | Usually despatched in 8 - 10 working days. (Available now to download.) |
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| |  | Opera Highlights
Ilse Hollweg (soprano), Anneliese Rothenberger (soprano), Heinz Imdahl (bass-baritone), Astrid Varnay (soprano), Hanna Ludwig (contralto), Hilde Zadek (soprano), Ingrid Bjoner (soprano), Martti Talvela (bass), Brigitte Durrler (soprano), Wolf Appel (tenor), Hana Janku (soprano), William Holley (tenor), Karl Vullings (vocals), Julia Hamari (contralto), Hildegard Behrens (soprano), Eugene Holmes (baritone), Lilian Sukis (soprano), Georgi Tscholakoff (tenor), Nassrin Azarmi (soprano), Serghei Khomov (tenor), Alexandra von der Weth (soprano), Mariselle Martinez (mezzo-soprano), Tassis Christoyannis (baritone), Nataliya Kovalova (soprano), Gordon Hawkins (baritone), Angelo Simos (tenor), Therese Waldner (soprano), Marlis Petersen (soprano) Dusseldorf Symphony Orchestra, Duisburger Philharmoniker, Deutschen Oper am Rhein Chorus, Arnold Quennet, Alberto Erede, Giuseppe Patane, Peter Schneider, Hector Urbon, Baldo Podic, Andreas Stoehr, John Fiore, Alexander Joel | | | (also available to download from $21.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Rachmaninov and Chaliapin
Boito: | Ave, Signor degli angeli e dei santi! (from Mefistofele) Son lo Spirito che nega (from Mefistofele) | Dargomïzhsky: | Old Corporal | Mussorgsky: | Mephistopheles' Song of the Flea Uf, tja zhelo! (from Boris Godunov) Kak vo gorode bylo vo kazani (from Boris Godunov) Oy, dušno, dušno! - Prošcay, moy sïn (from Boris Godunov) | Rachmaninov: | Yesterday we met, Op. 26 No.13 Ves tabor spit (from Aleko) Eh, ty, Vanka Piano Concerto No. 2 in C minor, Op. 18 Philadelphia Orchestra, Leopold Stokowski | trad.: | Black Eyes Nochenka (Night) |
ADD | | | Usually despatched in 8 - 10 working days. |
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| |  | Leopold Stokowski: The Magical ConductorHis Greatest Recordings 1945-1960
Barber, S: | Adagio for Strings, Op. 11 | Bartók: | Music for Strings, Percussion & Celesta, BB 114, Sz. 106 | Bizet: | Carmen: excerpts a tribute, arr. Stokowski | Bloch, E: | Schelomo | Debussy: | Prélude à l'après-midi d'un faune Trois Nocturnes Clair de Lune (from Suite Bergamasque) Images for orchestra: II. Ibéria | Dukas: | La Péri | Enescu: | Romanian Rhapsody in A major, Op. 11 No. 1 | Falla: | El Amor Brujo: excerpts | Farberman: | Evolution (part 1) | Glière: | Symphony No. 3 in B minor, Op. 42 'Il'ya Murometz' | Holst: | The Planets, Op. 32 | Ibert: | Escales | Khachaturian: | Symphony No. 2 'The Bell' in e minor | Liszt: | Hungarian Rhapsody, S244 No. 2 in C sharp minor | Martin, F: | Petite Symphonie Concertante | Mussorgsky: | Pictures at an Exhibition: The Hut on Fowl's Legs Pictures at an Exhibition: Great Gate of Kiev Boris Godunov: Coronation Scene Dostig Ya Vyshey Vlasti (from Boris Godunov) Uf, tja zhelo! (from Boris Godunov) Oy, dušno, dušno! - Prošcay, moy sïn (from Boris Godunov) | Persichetti: | Divertimento for Band, Op. 42 | Ravel: | Rapsodie Espagnole Alborada del gracioso (orchestral version) | Respighi: | Pines of Rome | Saint-Saëns: | Samson et Dalila (highlights) | Schoenberg: | Verklärte Nacht, Op. 4 | Shostakovich: | Symphony No. 1 in F minor, Op. 10 Symphony No. 11 in G minor, Op. 103 'The year 1905' | Sibelius: | Lemminkäinen Suite, Op. 22: The Swan of Tuonela (No. 2) Finlandia, Op. 26 | Smetana: | Má Vlast: Vltava | Stravinsky: | Petrushka - suite | Tchaikovsky: | Puskay pogibnu ya 'Tatiana's Letter Scene' (from Eugene Onegin) | Turina: | La Oración del torero, Op. 34 | Wagner: | Parsifal: Good Friday Music Tristan und Isolde: Prelude to Act 3 |
Legendary conductor Leopold Stokowski was one of the major influences on the American concert scene in the 20th century. He was however a musician who divided opinion to the extent that some called him a genius whilst others considered him to be nothing short of a charlatan. The collection presented in this 10-CD box includes music from the late romantic period (Liszt and Wagner) right through to giants of the 20th century like Shostakovich and Stravinsky. It covers the latter part of Stokowski’s career and shows that he had lost none of his freshness and musical temperament even in his seventh decade. Born in London to a Polish father and Scottish mother, and educated in Berlin, Munich, Paris and London, Leopold Stokowski became not only a famous conductor but also the first maestro of the baton to become a genuine media star. He became particularly well known for his acoustic experiments, which included different placements of orchestral musicians, and arrangements of classical works, especially those of J.S. Bach. His unconditional support for contemporary composers and the quality of the recordings that he left to posterity have confirmed Stokowski as one of the most eminent interpreters of his century. | 
| | | Scheduled for release on 15 July 2013. Order it now and we will deliver it as soon as it is available. |
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