Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | A Book of Chorale Settings for Johann SebastianVolume 3: Easter, Ascension, Pentecost, Trinity
Bach, J S: | Chorale Prelude BWV627 'Christ ist erstanden' Christ ist erstanden, BWV276 Christus ist erstanden, hat überwunden, BWV284 Erstanden ist der heil'ge Christ, BWV306 Chorale Prelude BWV628 'Erstanden ist der heil'ge Christ' Auf! auf! mein Herz, mit Freuden, BWV441 Chorale Prelude BWV630 'Heut' triumphieret Gottes Sohn' Kommt wieder aus der finstern Gruft, BWV480 Heut' triumphieret Gottes Sohn, BWV342 Chorale Prelude BWV728 'Jesu, meine Zuversicht' Jesus, meine Zuversicht, BWV365 Jesus, unser Trost und Leben, BWV475 Jesus Christus, unser Heiland, BWV364 Chorale Prelude BWV626 'Jesus Christus, unser Heiland' Christ lag in Todesbanden, BWV277 Christ lag in Todesbanden, BWV278 Fantasia sopra Christ lag in Todesbanden, BWV718 Als vierzig Tag nach Ostern war, BWV266 Chorale Prelude BWV736 'Valet will ich dir geben' Valet will ich dir geben, BWV415 Liebes Herz, bedenke doch, BWV482 Nun freut euch, Gottes Kinder all', BWV387 Nun freut euch, lieben Christen g'mein, BWV388 Chorale Prelude BWV667 'Komm, Gott Schöpfer, heiliger Geist' Kommt, Seelen, dieser Tag, BWV479 Komm, Gott Schöpfer Heiliger Geist, BWV370 Chorale Prelude BWV631 'Komm, Gott Schoepfer, heiliger Geist' Brunnquell aller Güter, BWV445 Gott, wie groß ist deine Güte, BWV462 Des heil'gen Geistes recihe Gnad', BWV295 Dir, dir Jehovah, will ich singen, BWV452 Nun bitten wir den heiligen Geist, BWV385 Chorale Prelude BWV652 'Komm, heiliger Geist, Herre Gott' Der du bist drei in Einigkeit, BWV293 Gott, der Vater, wohn' uns bei, BWV317 Fuga super 'Allein Gott in der Höh sei Ehr', BWV 716 |
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| |  | Kirsten Flagstad: The Supreme Wagnerian Soprano
Alnaes: | Lykken mellem to mennesker | Bach, C P E: | Die Güte Gottes Busslied (An dir Allein) Passionslied Preis sei dem Gotte | Bach, J S: | St Matthew Passion, BWV244: Erbarme dich Vergiss mein nicht, BWV505 O finstre Nacht, wann wirst du doch vergehen, BWV492 Liebster Herr Jesu! wo bleibest du so lange?, BWV484 Komm süsser Tod, BWV478 Dir, dir Jehovah, will ich singen, BWV452 | Backer-Grøndahl: | Mot kveld, Op. 42 No. 7 | Beethoven: | Die Ehre Gottes aus der Natur ('Die Himmel rühmen des Ewigen Ehre'), Op. 48 No. 4 | Böhm, G: | Geh’ ein, mein Leib, in deine Kammer | Bridge: | Love went a-riding | Bull, O: | Saeterjentens Søndag (The Herdgirl's Sunday) | Carissimi: | Soccorretemi ch'io moro | Cruger: | Auf, auf mein Herz mit Freude | Dørumsgaard: | Gudrid stod ved stoveglas, Op. 11 No. 2 Natt, Op. 4 No. 1 Regn (from Op. 6) Hjuring-lokk (from Dusk in the Enchanted Wood, Op. 8) Spinnvettir (from Op.10) Baan sull (from Op. 11) Alle mann hadde fota, Op. 21 No. 2 | Franck, J W: | Wie seh’ ich dich, mein Jesu, bluten Sei nur still Auf, auf! zu Gottes Lob! | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) | Grieg: | Seks Sange, Op. 48 No. 6 'Ein Traum' Tak for dit råd (from 4 Songs Op. 21) Våren, Op. 33 No. 2 Fra Monte Pincio, Op. 39 No. 1 Guten (from 12 Songs Op. 33) Eros (from 5 Songs Op. 70) Ved Rondane (from 12 Songs Op. 33) Seks Sange, Op. 48 No. 6 'Ein Traum' En svane (No. 2 from Seks Digte af Henrik Ibsen, Op. 25) Den særde (from 12 Songs Op. 33) Med en vandlije, Op. 25 No. 4 The Princess, EG133 Tolv Melodier til Digte af Aasmund Olavsson Vinje, Op. 33 No. 5 'Langs ei Å' Mens jeg venter (On the Water), Op. 60 No. 3 Med en Primula veris, Op. 26 No. 4 Og jeg vil ha mig hjertenskjaer (And I would like a sweetheart true), Op. 60 No. 5 Modersord (No. 4 from Four Songs, Op. 15) Millom Rosor, Op. 39, No. 4 | Handel: | Ombra mai fu (from Serse) Messiah: I know that my Redeemer liveth | Hurum: | Blonde nætter, Op. 13 No. 1 | Lie, S: | Sne | Löhner: | O Ewigkeit | Purcell: | Thy hand, Belinda … When I am laid in earth (from Dido & Aeneas) | Schubert: | Die Allmacht, D852 Frühlingsglaube, D686 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 | Sinding: | Majnat, Op. 22 No. 3 | Strauss, R: | Seitdem dein Aug' in meines schaute, Op. 17 No. 1 Cäcilie, Op. 27 No. 2 | Wagner: | Wesendonck-Lieder (5) Allmächt’ge Jungfrau! (from Tannhäuser) Siegmund! Sieh' auf mich! (from Die Walküre) Heil dir, Sonne! (from Siegfried) Zu neuen Taten, teurer Helde (from Götterdämmerung) Set Svanholm (Siegfried) Helle Wehr, heilige Waffe (from Götterdämmerung) Starke Scheite schichtet mir dort 'Brünnhilde's Immolation Scene' (from Götterdämmerung) Tristan und Isolde (excerpts) Ludwig Suthaus (Tristan), Blanche Thebom (Brangane) |
This 5-CD set, devoted to the famous Norwegian soprano Kirsten Flagstad, is a further release in the EMI Classics ICON series. Kirsten Flagstad (1895–1962) enjoyed a successful career singing opera and operetta in Scandanavia, and was considering retirement when she was catapulted to international fame in 1935 after a sensational appearance at the Metropolitan Opera in New York singing Sieglinde, Isolde and Brünnhilde. From 1935 until her retirement from the stage in 1953 she was the leading Wagnerian soprano of her day. Her powerful, radiant voice and seemingly inexhaustible vocal stamina were ideally suited to the most taxing roles in Wagner’s operas and she was universally acclaimed, especially as Isolde and Brünnhilde. She scored a particular success at Covent Garden and sang there under the three most famous Wagner conductors of the time: Reiner, Beecham and Furtwängler. The first CD in the set opens with a group of Baroque arias by Handel, Bach, Purcell and Gluck that show off to advantage Flagstad’s superb voice and impeccable musicality. The remainder of this CD consists of Arne Dørumsgaard’s attractive arrangements of classical arias and songs from the collection Canzone scordate. In her concert repertoire, Flagstad specialised in Norwegian songs and made many recordings of the vocal music of Grieg as well as other Scandanavian composers like Alf Hurum, Ole Bull and Christian Sinding, all of whom are represented on CD 2. The third CD beings with a group of songs by Schubert, Beethoven, Bridge and Dørumsgaard, after which Flagstad gives a superb account of the five Wesendonck Lieder that Wagner wrote while composing Tristan und Isolde. This CD concludes with Elisabeth’s prayer ‘Allmächt’ge Jungfrau’ from Tannhäuser and ‘Siegmund! Sieh’ auf mich’ in which Brünnhilde tells Siegmund of his forthcoming death in the second act of Die Walküre. Siegmund is sung by the tenor Set Svanholm, who was one of Flagstad’s regular partners in the theatre and on disc. The remaining two discs include extensive excerpts from Siegfried, Götterdämmerung and Tristan und Isolde, with Set Svanholm as Siegfried and Ludwig Suthaus as Tristan. The complete recording of Tristan und Isolde, conducted by Wilhelm Furtwängler, is considered to be one of the finest opera recordings ever made. | | | In stock - usually despatched within 1 working day. |
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| |  | The Gustav Leonhardt Edition
anon.: | Daphne Resonet in laudibus A toye | Bach, J C: | Harpsichord Sonata, Op. 5 No. 2 in D major | Bach, J S: | Concerto for Flute, Violin & Harpsichord in A minor, BWV1044 Keyboard Concerto No. 2 in E major, BWV1053 Keyboard Concerto No. 3 in D major, BWV1054 Keyboard Concerto No. 4 in A major, BWV1055 Keyboard Concerto No. 5 in F minor, BWV1056 Concerto for Harpsichord & Two Recorders, BWV1057 Keyboard Concerto No. 7 in G minor, BWV1058 Oboe Concerto in D minor, BWV1059 Concerto for Two Keyboards in C minor, BMV1060 Concerto for Two Keyboards in C major, BMV1061 Concerto for Two Keyboards in C minor, BMV1062 Concerto for Three Keyboards in D minor, BWV1063 Concerto for Three Keyboards in C major, BWV1064 Concerto for Four Keyboards in A minor (after Vivaldi), BWV1065 Goldberg Variations, BWV988 Chromatic Fantasia & Fugue in D minor, BWV903 Keyboard Sonata in D Minor, BWV964 Toccata in G major, BWV916 Lute Suite No. 1 in E minor, BWV996 Sonatas for Violin & Harpsichord Nos. 1-6, BWV1014-1019 Prelude in F major, BWV927 Quodlibet, BWV524 Prelude in E major, BWV937 Trio in G minor, BWV929 So oft ich meine Tobackspfeife, BWV515a Prelude in D minor, BWV940 Canon a 2 perpetuus, BWV1075 Canon super fa mi a 7 post tempus misicum, BWV1078 Prelude in D major, BWV925 Gib dich zufrieden, BWV511 Canon a 4 perpetuus, BWV1073 Canone doppio sopr'il soggetto, BWV1077 O Herzensangst, o Bangigkeit, BWV400 Nicht so traurig, nicht so sehr, BWV384 Dir, dir Jehovah, will ich singen, BWV452 Prelude in C major, BWV939 Fugue in C major, BWV952 Was betruebst du dich, mein Herze, BWV423 Vergiss mein nicht, BWV505 Chorale Prelude BWV691 'Wer nun den lieben Gott lässt walten' Capriccio sopra la lontananza del suo fratello dilettissimo, BWV992 Prelude & Fugue in A minor, BWV895 Suite in F minor, BWV823 Prelude & Fughetta in D minor, BWV899 Prelude & 'Fiddle' Fugue in D minor, BWV539 | Biber: | Harmonia artificiosa-ariosa: diversi mode accordata 120.Mensa sonora: seu musica instrumentalis Fidicinium sacro-profanum: Sonatas III, IV, V & VI | Böhm, G: | Suite No. 6 in E flat major Suite No. 8 in F minor Suite No. 9 in F minor | Bull, J: | Fantasia The duchesse of brunswick's toye [most sweet and fayre] | Byrd: | Pavan in D BK52a Pavan in D BK52b Fantasia a 3 in C BK27 Pavan & Galliard à 6 Miserere mei | Caccini, G: | Amarilli mia bella | Couperin, F: | Offertoire sur les grands jeux L'art de toucher le clavecin | Dowland: | Pavan Lachrimae Pavan, P. 15 Can she excuse my wrongs? (First Booke of Songes, 1597) | Farnaby, G: | Fantasia in D Fantasia in D The Old Spagnoletta | Frescobaldi: | Toccata Settima Toccata undecima (1627) Canzon terza Toccata in G major Fantasia sesta sopra doi soggetti Five Gagliardes | Froberger: | Capriccio No. II Fantasia No. 3 Toccata No. 11 (da sonarsi alla levatione) Ricercar II Canzona II Toccata No. 9 Allemande Suite No. 18 Suite No. 12 in C major | Gibbons, O: | Pavan | Grigny: | Cromorne en taille à deux parties | Handel: | Keyboard Suite, HWV 433 in F minor | Kuhnau: | The Biblical Sonatas | Lawes, W: | Suite No. 2 a 5 in F major : fantasia Suite No. 2 a 5 in F major : aire Suite No. 7 in D minor : fantasia Suite No. 7 in D minor : air 'almand' Suite No. 7 in D minor : 'galliard' Suite No. 3 in B-flat major : in nomine | Marini, B: | Balletto secondo a tre & a quattro | Mondonville: | 6 Sonatas Op. 3 | Morley: | Nancie | Muffat, Georg: | Sonata No. 2 from Armonico Tributo | Poglietti: | Ricercar primi toni | Purcell: | Rejoice in the Lord alway ('The Bell Anthem'), Z49 Blow up the trumpet in Sion, Z10 O God, thou art my god, Z35 Chacony in G minor - for Two Violins, Viola and Bass Z730 O God, thou hast cast us out, Z36 My heart is inditing, Z30 Remember not, O Lord, our offences, Z50 Overture in D minor Z771 Pavan in B flat major, Z750 Ground in D minor, ZD222 Suite in G major, Z 770 Pavan in A minor Z749 Three Parts upon a Ground in D major - Z731 Overture in G minor Z772 Suite No. 6 in D major, Z 667 Pavan for Three Violins and Bass in G minor - Z752 Sefauchi's Farewell, Z656 A New Ground in E minor, Z. T682 4-part Sonnata No. 3 in A minor - Z804 Fantasia No. 7 Fly swift ye hours, Z369 The father brave as e'er was Dane (from Who can from joy refrain?, Z342) Return revolting rebels (from Timon of Athens, Z632) | Rameau: | Nouvelles Suites de Pièces de Clavecin: La Triomphante L'Entretien des muses Menuet Pièces de Clavecin 1724: Les Tourbillons Sarabande La villageoise Pièces de Clavecin en concerts | Reincken: | Choralfantasie “An Wasserflüssen Babylon” | Rosenmüller: | Sonata Settima a 4 | Scarlatti, D: | Keyboard Sonata K3 in A minor Keyboard Sonata K52 in D minor Keyboard Sonata K215 in E major Keyboard Sonata K216 in E major | Scheidemann: | Praeambulum in D minor | Scheidt: | Paduan a 4 | Schmelzer: | Sacro-Profanus Concentus Musicus: Sonatas VII & IX | Tisdale: | Pavana Chromatica (Mrs. Katherin Tregians Paven) | Tomkins: | A sad Pavan for these distracted times Pavan Of Three Parts Galliard Of Three Parts | Turini: | Sonata |
Gustav Leonhardt (harpsichord/organ/bass viol/virginal/narration/director ), Agnes Giebel (soprano), Marie Luise Gilles (alto), Bert van t’Hoff (tenor), Peter Christoph Runge (bass), James Bowman (countertenor), Nigel Rogers (tenor), Max van Egmond (bass), Lars Frydén (violin), Anner Bylsma (cello), Frans Brüggen (flute), Sigiswald Kuijken (violin), Wieland Kuijken (viola da gamba) & Veronika Hampe (alto viol) The Choir of King’s College, Cambridge, Brüggen-Consort & Leonhardt-Consort, Gustav Leonhardt “Gustav Leonhardt's patrician demeanour and Calvinistic refusal to indulge his ego run contrary to the common trend for keyboard players to emulate performing seals. And yet he has the power to transfix an
audience, as he did throughout his Wigmore Hall recital, without the need for gratuitous showmanship or wild musical gestures. Austerity and sobriety are the names of his particular performing game, tempered by
a compelling mix of passion and commitment to the broad repertoire within his command.” Andrew Stewart, The Independent, 10th January 1996 “Among the scholar-performers who have sparked and led the early music revival, surely none has played a greater part and exerted a more benificent influence on younger musicians and the public than Gustav
Leonhardt. Harpsichordist, organist, conductor, teacher, musicologist and editor are all roles in which he has distinguished himself.” Howard Schott, The Musical Times, October 1992 | | | In stock - usually despatched within 1 working day. |
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