Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Romantic Piano Concerto 53 - Reger & Strauss
The Reger concerto has a formidable reputation – dense, harmonically complex and with far too many notes for the average pianist. Who better then to decipher it than Marc-André Hamelin? In his hands this rarely recorded behemoth reveals both passion and a lyricism so often lost in lesser performances. He is wonderfully partnered by Ilan Volkov and the Rundfunk-Sinfonieorchester who share the pianist’s desire to elucidate an often misunderstood work. While the Reger concerto comes from the end of his career, the Strauss Burleske is a product of that composer’s prodigious youth. This ebullient work has long been a Hamelin ‘party-piece’, and he plays it with an unmatched brilliance which surely captures the essence of this humorous music and will have the listener on the edge of his seat. “even Serkin would surely have marvelled at Hamelin's stunning authority. While an easy majority of pianists would run for cover when faced with such sheerly physical demands, Hamelin relishes every challenge, clarifying and refining Reger's potential for opacity at every point. His first entry, like a thunderclap, makes you leap to attention but so too does his expressive beauty in the subsequent molto tranquillo.” Gramophone Magazine, May 2011 “One of Hamelin's greatest virtues...is his uncanny and apparently effortless ability, in music of this sort, to bring focus to the main lines - and to do so not by playing down the secondary elements but by making sure that they all contribute, harmonically and especially rhythmically...for all the searing virtuosity, this performance [of the Strauss] is even more notable for its with than for its fireworks...Interplay with the orchestra is exceptionally adroit.” International Record Review, April 2011 “A debt to Brahms is acknowledged in both these pieces, brilliantly played by Marc-André Hamelin, who battles manfully through the emotional thicket of Max Reger's sprawling, dramatic piano concerto...Richard Strauss's mercurial Burleske makes a pleasant antidote to Reger's high seriousness, with the Berlin Radio Symphony Orchestra in cracking form.” The Observer, 13th April 2011 “this is one of the most lucid, as well as passionate, readings of the [Reger] I have heard. Hamelin never makes the deep left-hand bass writing in the first movement sound heavy, and he plays the very full chords as crisply as they demand...Hamelin gives one of the most stylish and elegant accounts of [the Strauss] I've heard” BBC Music Magazine, May 2011 **** “Both performances are formidable. Marc-André Hamelin does powerhouse things with the Reger, and is notably harrowing in the great central largo. The skittish charm with which he plays the Burleske, meanwhile, belies its often atrocious difficulty. Ilan Volkov and the Berlin Radio Symphony Orchestra are first rate.” The Guardian, 5th May 2011 ***** “The Reger concerto is regarded as difficult to master with its massive harmonic challenges, but Hamelin dispatches it with aplomb. Richard Strauss’ Burleske, though, is the real treat here...Pianist and conductor present it with both charm and efficiency.” london24.com, 17th June 2011 | | | In stock - usually despatched within 1 working day. |
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| |  | Strauss, R: | Burleske for Piano and orchestra in D minor Jean-Yves Thibaudet (piano) Gewandhausorchester Leipzig, Herbert Blomstedt Duett-Concertino for Clarinet, Bassoon & Strings Dimitri Ashkenazy (clarinet), Kim Walker (bassoon) Radio-Symphonie-Orchester Berlin, Vladimir Ashkenazy Oboe Concerto in D Gordon Hunt (oboe) Radio-Symphonie-Orchester Berlin, Vladimir Ashkenazy Aus Italien, Op. 16 Cleveland Orchestra, Vladimir Ashkenazy Le Bourgeois Gentilhomme, Op. 60 Willi Boskovsky (violin), Emmanuel Brabec (cello), Friedrich Gulda (piano) Wiener Philharmoniker, Lorin Maazel |
Relative rarities among his output are Richard Strauss's concertos, many written later in his life. This collection brings together works for oboe, clarinet and bassoon (the Duet Concertino) and the scintillating Burleske for piano and orchestra. In addition to conducting the concertos, Ashkenazy also conducts the early tone poem "Aus Italien" and Maazel's humorous reading of Le Bourgeois Gentilhomme with the Vienna Philharmonic is restored to the catalogue. | | | In stock - usually despatched within 1 working day. |
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| |  | Richard Strauss, Vol. 31942-1954
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| |  | Glenn Gould: The Schwarzkopf Tapes
Strauss, R: | Wie erkenn' ich mein Treulich vor andern nun?, Op. 67, No. 1 Guten Morgen 's ist Sankt Valentinstag, Op. 67, No. 2 Sie trugen ihn auf der Bahre bloss, Op. 67, No. 3 Wer lieben will, muss leiden Op. 49 No. 7 previously unreleased Morgen, Op. 27 No. 4 previously unreleased Winterweihe, Op. 48 No. 4 previously unreleased Burleske for Piano and orchestra in D minor Toronto Symphony Orchestra, Vladimir Golschmann |
plus rehearsal-footage of Burlesk with Glenn Gould ‘playing & singing’
An extraordinary encounter: in January 1966 eminent soprano Elisabeth Schwarzkopf and eccentric pianist Glenn Gould met in an overheated New York studio to record songs by Richard Strauss. Two extreme worlds were bunched together and, as a result, the recording session was a spectacular failure. Contained on this CD are three previously released songs from this legendary meeting, three previously unreleased Strauss songs, as well as more music by the composer Gould valued so highly. “Not a collaboration, more a collision. Schwarzkopf’s fruity soprano fights to a draw against Gould’s stern minimalism...The stylistic clash — both frightful and fascinating — is immediately apparent with the first of the three Ophelia songs...All riveting stuff, this, at least if you consider Gould a genius. And if you count him too eccentric for words, well, you could always file away this CD as a comedy album.” The Times, 12th October 2012 *** | | | Usually despatched in 3 - 4 working days. |
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| |  | Arrau with Szell: Live from Carnegie Hall
These 1945-1955 broadcasts of live collaborations between Claudio Arrau and George Szell are being released for the first time and stem from well preserved and carefully restored broadcast transcription discs. The works include Beethoven Piano Concerto No.1, Chopin Piano Concerto No.2 and Liszt Piano Concerto No.2. All are performed with dynamism, daring and volatility. | | | (also available to download from $21.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Great Pianists: Vol. 2
This second release in Guild’s series of Historic ‘Three Great Pianists’ recordings features live performances from Alexander Brailowsky, Shura Cherkassky and Rudolf Serkin, recorded between 1945 and 1958, and intriguingly including two performance of Liszt’s virtuoso ‘Don Giovanni’ Fantasy played by Cherkassky. Throughout this CD, here is pianism of a consistently high quality, from three masters of the keyboard from the latter half of the 20th-century. The conductors – Serge Koussevitsky in the Mozart, and Dmitri Mitropoulos in the Richard Strauss - were themselves amongst the greatest to hold senior positions with two great American orchestras, lending artistry to this release which is quite unique. “The spirited momentum of the sunny A Major Concerto Koussevitzky establishes immediately, and Brailowsky engages us with warm crisp runs and pointed phrasing...The [Strauss's] natural percussive histrionics appeal to Serkin’s strong suits of a steely tone and blazing intensity...Cherkassky blisters and massages in a combustible miracle of sound.” Audiophile Audition, 6th February 2011 “Brailowsky’s tone is a bit brittle in spots, and the finale could fairly be accused of breathlessness. But it’s a fascinating document nonetheless...[The Strauss] has an engagingly rough-and-tumble personality with plenty of raw energy...And the two Cherkassky items? Rémiuiscences de Don Juan was a Cherkassky specialty; and as you’d expected, both performances here are full of delights” Fanfare, November/December 2011 | | | Usually despatched in 8 - 10 working days. |
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| |  | Richard Strauss: Burleske & Don Quixote
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| |  | Helene Grimaud plays Brahms & Strauss
“Passion and discipline, however can work well together, as you’ll hear in Helene Grimaud’s brawny, monumental, utterly fabulous Brahms D minor Concerto, with the Berlin Staatskapelle making a joyful noise under Kurt Sanderling’s galvanising leadership.” BBC Music Magazine “Grimaud's Brahms No. 1 is fiery and exciting...[She] is particularly effective in Strauss's Burleske” BBC Music Magazine, February 2011 **** | | | Usually despatched in 4 - 5 working days. |
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| |  | Christoph von Dohnányi conducts Mendelssohn, Bartók & StraussGroßer Musikvereinssaal, Vienna 28th Nov-2nd Dec 1977
Booklet Notes: English, German, French A versatile and highly respected conductor, Christoph von Dohnányi has pursued a remarkable career both in Europe and the United States. His work has always been characterised by the greatest artistic integrity and uncompromisingly high standards, qualities that emerge to fascinating effect from a recording which, dating from 1977, is of almost historical value.The piano soloist is Rudolf Buchbinder, who can likewise look back on a career of exceptional distinction. His performances of the German and Austrian repertory have set new standards. In his hands, Strauss' Burleske is one of the undoubted high points of this concert. "commands great respect in the music world" The Guardian [Rudolf Buchbinder] | | | Usually despatched in 2 - 3 working days. |
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| |  | Strauss - Burleske & Ein Heldenleben
Plamena Mangova (piano) National Orchestra of Belgium, Walter Weller Walter Weller's father played with the Vienna Philharmonic and was a friend of Richard Strauss: he taught violin to the composer's grandson and to his own son,Walter. Later Walter aged 20, was appointed Konzertmeister and during the next 12 years, he regularly performed the Ein Heldenleben solos in concert, under Karl Böhm.After a chance substitution for Böhm, at the helm of the Vienna Phil, he launched a new career as a conductor, making many recordings for Decca. Weller was appointed director of the Belgian National Orchestra in 2006, embarking on this series of recordings with Fuga Libera.The label introduced him to the Bulgarian pianist Plamena Mangova whose ambition was to play Richard Strauss' Burleske.Weller, who often conducted the piece with Arrau and Gulda at the piano, warned the young virtuoso: "It's very difficult, we'll have to see…." but after two concert performances the project was duly launched. | | | (also available to download from $10.75) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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