All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Bach Cantatas Volume 3Cantatas for the Fourth and Fifth Sundays after Trinity
Bach, J S: | Cantata BWV24 'Ein ungefärbt Gemüte' Recorded: Tewkesbury Abbey (final cantata Blasiuskirche, Mühlhausen) Magdalena Kozená, Nathalie Stutzmann, Paul Agnew, Nicolas Teste, Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey Cantata BWV185 'Barmherziges Herze der ewigen Liebe' Recorded: Tewkesbury Abbey (final cantata Blasiuskirche, Mühlhausen) Magdalena Kozená, Nathalie Stutzmann, Paul Agnew, Nicolas Teste, Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey Cantata BWV177 'Ich ruf zu dir, Herr Jesu Christ' Recorded: Tewkesbury Abbey (final cantata Blasiuskirche, Mühlhausen) Magdalena Kozená, Nathalie Stutzmann, Paul Agnew, Nicolas Teste, Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey Cantata BWV71 'Gott ist mein König' Recorded: Tewkesbury Abbey (final cantata Blasiuskirche, Mühlhausen) Magdalena Kozená, Nathalie Stutzmann, Paul Agnew, Nicolas Teste, Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey Cantata BWV131 'Aus der Tiefe rufe ich, Herr, zu dir' Recorded: Blasiuskirche, Mühlhausen Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey Cantata BWV93 'Wer nur den lieben Gott läßt walten' Recorded: Blasiuskirche, Mühlhausen Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey Cantata BWV88 'Siehe, ich will viel Fischer aussenden' Recorded: Blasiuskirche, Mühlhausen Joanne Lunn, William Towers, Kobie van Rensburg, Peter Harvey |
“Gardiner is a master of delivering these hard enigmatic pieces with renewed logic and understanding.” Gramophone Magazine, May 2008 “John Eliot Gardiner’s Bach Cantata Pilgrimage series just gets better. These pieces show Bach at his most exuberant, as though he’s laughing with unbridled joy at the secrets of the universe, and Gardiner’s team responds with thrilling playing and singing.” METRO | | | (also available to download from $21.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Bach - Cantatas Volume 2
“Here these artists are abreast of current thinking concerning Baroque style, yet sometimes you find yourself longing for a little more expression and a little less fashionable orthodoxy. The three cantatas included here are among Bach's earliest essays in the form. Nos 106 and 131 (c1707) belong to the Mühlhausen period, while No 71 was written in 1708. By and large, Suzuki has chosen effective tempos, though there are notable exceptions. One of these affects the beautiful Sonatina for recorders and viola da gamba that introduces the Actus tragicus (No 106), a funeral piece of startling intensity. Suzuki feels too slow here, adding a full 40 seconds on to performances by virtually all his rivals. Elsewhere, and above all in his choice of soloists, Suzuki fields an exceptional team. We can feel this especially in the effortlessly projected singing of Midori Suzuki (Nos 71 and 131) and Aki Yanagisawa (No 106), the uncluttered declamation of Gerd Türk, and the resonant contributions by Peter Kooij. The countertenor here lacks either conviction or consistent aural charm. The choir is well drilled and, as with the solo element, the voices respond urgently to the spirit of the text. Listen to the thrice supplicatory 'Israel' in the concluding chorus of No 131 for one such example.” Gramophone Classical Music Guide, 2010 | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Bach - Cantatas Vol. 23
Arleen Augér, Helen Donath, Helrun Gardow, Katrin Graf, Lutz-Michael Harder, Philippe Huttenlocher, Adalbert Kraus, Hildegard Laurich, Gabriele Schreckenbach, Magdalena Schreiber, Hanna Schwarz, Wolfgang Schöne, Alexander Senger, Nikolaus Tüller Bach-Collegium Stuttgart, Figuralchor der Gedächtniskirche, Gächinger Kantorei, Helmuth Rilling | | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | J S Bach - Complete Cantatas Volume 1
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| |  | Choir of St. Thomas’ Leipzig sing JS Bach
Bach, J S: | Motets, BWV225-230 Thomanerchor, Günther Ramin Cantata BWV82 'Ich habe genug' Hermann Prey (bass) & Willy Gerlach (oboe) Thomanerchor & Leipzig Gewandhaus Orchestra, Kurt Thomas Cantata BWV51 'Jauchzet Gott in allen Landen' Agnes Giebel (soprano) & Armin Männel (trumpet) Leipzig Gewandhaus Orchestra, Kurt Thomas Cantata BWV71 'Gott ist mein König' Agnes Giebel (soprano), Marga Höffgen (alto), Hans-Joachim Rotzsch (tenor) & Theo Adam (bass) Thomanerchor Leipzig & Leipzig Gewandhaus Orchestra, Kurt Thomas Cantata BWV56 'Ich will den Kreuzstab gerne tragen' Hermann Prey (bass) & Willy Gerlach (oboe) Thomanerchor Leipzig & Leipzig Gewandhaus Orchestra, Kurt Thomas Magnificat in D major, BWV243 Erika Rokyta, Lore Fischer, Heinz Marten & Josef Greindl Thomanerchor Leipzig & Leipzig Gewandhaus Orchestra, Kurt Thomas St John Passion, BWV245 Agnes Giebel, Marga Höffgen, Ernst Häfliger, Franz Kelch & Hans-Olaf Hudemann Thomanerchor Leipzig & Leipzig Gewandhaus Orchestra, Günther Ramin St Matthew Passion, BWV244 Karl Erb (tenor), Gerhard Hüsch, Tiana Lemnitz, Friedel Beckmann & Siegfried Schulze Thomanerchor Leipzig, Gewandhauschor & Leipzig Gewandhaus Orchestra, Günther Ramin |
The choir of St Thomas’ Leipzig, the famous Thomanerchor, which can look back on 800 years of unbroken choral history, is one of the longest established boys’ choirs in the world. The foundation of the modern German Bach tradition was largely due to the choir’s director Karl Straube and his pupil Günther Ramin in the 1920s and 30s. This budget set of 8 CDs offers a glimpse into the working of this Thomanerkantor during the 1940s and 50s. The recording of Bach’s St Matthew Passion featured here is historically significant. It was made in 1941, and after the war attracted a great deal of attention abroad. Amongst many accolades it was awarded the prize of the Deutsche Schallplattenkritik in the German Federal Republic. Also included in this collection is the 1954 recording of the “St John Passion” made two years before the conductor Günther Ramin’s sudden death, and the first ever complete recording of the Magnificat which was made in 1944. Amongst the soloists featured in these recordings are several legends of the period including Agnes Giebel, Marga Höffgen, Ernst Häflinger, Hermann Prey, Josef Greindl and Theo Adam. | | | Usually despatched in 4 - 5 working days. |
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Holland Boys’ Choir & Netherlands Bach Collegium, Pieter Jan Leusink Upon popular demand available again: Bach’s complete Sacred Cantatas, newly compiled, on 50 CDs, an unbelievable bargain. These recordings, produced for the Bach‐year 2000, feature a superb boys choir, the Holland Boys Choir, a tradition going back to the time of the composer. The Netherlands Bach Collegium consists of Dutch early music specialists playing period instruments. Conductor Pieter Jan Leusink puts his entire soul in these recordings of what one might call “the greatest and most humanly moving corpus of sacred music ever written”. Reviewers around the world praised the set for its “characteristic performances, marked by a great sense of authencity, especially from the use of boy sopranos”. It sounds very much like it might have sounded in Bach’s time (Gramophone). Written to exalt the glory of God and to facilitate Lutheran worship, Johann Sebastian Bach’s sacred cantatas stand among the highest achievements of Western musical art. This acclaimed recording sees the works performed in their entirety by a stellar line‐up of musicians that includes the renowned Holland Boys’ Choir and period instrument ensemble Netherlands Bach Collegium. The cantatas are directed by Pieter van Leusink, one of Holland’s leading Bach experts. From the plaintive opening of Weinen, Kleinen, Sorgen, Sagen (‘Weeping, lamenting, worrying, fearing’) BWV12 to the triumphant D major chorus in Man singet mit Freuden vom Sieg BWV149, the works traverse a wide range of themes and moods, having been written for a variety of occasions throughout the liturgical year. | 
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This pioneering set of Bach Cantatas on the Teldec Das Alte Werk label has now been exquisitely repacked into a neat space-saving box. Discs are presented in individual slip-cases with 2 x 300 page illustrated booklets with full texts and translations
Extra postage costs: As this set is very heavy (around 3kg) we unfortunately need to charge some extra postage costs to certain countries.
UK and most of Western Europe: No extra charges - Normal rates apply.
Rest of World: Varies by country. Please contact us for further details.“Remarkable” Penguin Guide | | | In stock - usually despatched within 1 working day. |
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| |  | Bach Complete Cantatas Vol 1-22
Bach, J S: | Sacred Cantatas BWV1-200 (complete) Cantata BWV201 'Geschwinde, ihr wirbelnden Winde' Cantata BWV202 'Weichet Nur, betrübte Schatten' (Wedding Cantata) Cantata BWV203 'Amore traditore' Cantata BWV204 'Ich bin in mir vergnügt' Cantata BWV205 'Zerreißet. Zersprenge, zertrümmert die Gruft' Cantata BWV206 'Schleigt,spielende Wellen, und murmelt gelinde' Cantata BWV207a 'Auf, schmetternde Toene' Cantata BWV208 'Was mir behagt, ist nur die muntre Jagd!' Cantata BWV209 'Non sa che sia dolore' (Italian Cantata) Cantata BWV210 'O holder Tag, erwunschte Zeit' (Wedding Cantata) Cantata BWV211 'Schweigt stille, plaudert nicht' (Coffee Cantata) Cantata BWV212 'Mer hahn en neue Oberkeet' (Peasant Cantata) Cantata BWV213 'Laßt uns sorgen. Laßt uns wachen' (Hercules auf dem Scheidewege) Cantata BWV214 'Tönet, ihr Pauken' Cantata BWV215 'Preise dein Glücke, gesegnetes Sachsen' Mass in F major, BWV233 Mass in A major, BWV234 Mass in G minor, BWV235 Mass in G major, BWV236 Quodlibet, BWV524 |
Barbara Schlick, Caroline Stam, Ruth Holton, Els Bongers, Anne Grimm, Lisa Larsson, Sibylla Rubens, Ruth Ziesak, Dorothea Röschmann, Johannette Zomer, Sandrine Piau, Marlis Petersen, Deborah York (soprano) Elisabeth von Magnus, Kai Wessel, Andreas Scholl, Peter de Groot, Bogna Bertosz, Bernhard Landauer, Michael Chance, Annette Markert, James Gilchrist, Franziska Gottwald, Nathalie Stutzmann (alto), Christoph Prégardien, Guy de Mey, Paul Agnew, Jeremy Ovenden, Gert Türk, Jörg Dürmüller (tenor) & Klaus Mertens, Donald Bentvelsen (bass) Amsterdam Baroque Orchestra & Choir, Ton Koopman Between 1999 and 2006, the legendary baroque music specialist Ton Koopman brought together a stunning array of singers to record the complete cantatas of J S Bach alongside his own Amsterdam Baroque Orchestra and Choir. Released originally mostly in 3CD sets, this wonderful cycle is now being made available by Challenge Classics in its entirety. The 67 separate CDs have now been gathered together in a box with a booklet that includes a complete tracklisting and information about each recording. Along the way these releases were acclaimed throughout the world, and received many major music prizes, including a BBC Music Magazine Award in 2006 for Volume 22 (CC72222). Featured soloists include most of the great modern day interpreters of the music of Bach’s time. Extra postage costs: As this set is very heavy (around 2.5kg) we unfortunately need to charge some extra postage costs to certain countries.
UK and most of Western Europe: No extra charges - Normal rates apply.
Rest of World: Varies by country. Please contact us for further details. | | | Usually despatched in 4 - 5 working days. |
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| |  | JS Bach: The Complete Cantatas
71CD + CDROM Helmuth Rilling’s landmark edition of Bach’s Complete Works is now available as a new package with all the Cantatas together. Contains a CD-Rom with all the liner notes included. Extra postage costs: As this set is very heavy (around 2.5kg) we unfortunately need to charge some extra postage costs to certain countries.
UK and most of Western Europe: No extra charges - Normal rates apply.
Rest of World: Varies by country. Please contact us for further details. | | | Usually despatched in 2 - 3 working days. |
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