All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Chopin: 24 Preludes
Master pianist Maurizio Pollini turned 70 on January 5th, 2012 and DG are celebrating this milestone birthday with a new album of breath-taking Chopin. Pollini’s Chopin recordings are his best-sellers – the complete Nocturnes, released in 2005, have sold more than 100,000 CDs to date. Chopin: Preludes is a birthday programme of newly recorded solo works: Preludes op.28, four Mazurkas op.30, two Nocturnes op.27, and the Scherzo no.2 op.31. Pollini often feature Chopin’s works in his solo recitals – The Guardian raved, “... he still plays Chopin with the ease that floored even Rubinstein more than 50 years ago ...” “His sense of phrasing, structure and pacing is undimmed...There are other accounts of the 24 Preludes that are more impassioned, more vividly imagined and coloured, but few are more pure or devoted. Recorded sound is excellent. The fingers are not entirely all they used to be in terms of nimbleness, but that isn't too intrusive.” BBC Music Magazine, January 2013 **** “The best of it, especially the B flat minor Scherzo, is superb, the virtuosity effortless, the grip on the formal structure utterly secure, but elsewhere...there's sometimes a chilly relentlessness about the playing, an impatience almost, that keeps the music at a distance.” The Guardian, 1st November 2012 **** | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Chopin: 24 Preludes, Op. 28
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Chopin: Preludes & Piano Sonatas Nos. 2 & 3
| | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
|
|
| |  | Chopin: Nocturnes & Preludes
“The sum effect of these performances is exciting, deeply personal and often moving. I doubt that anyone who knows and loves Chopin’s music will find Francois’s approach less than absorbing.” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Hélène Tysman plays Chopin
Hélène Tysman has the ability to take the listener’s hand, at the outset of a Prélude or of a Sonata movement, and to lead and hold your attention until the very last bar, due to the outstanding range of colours she conjures up. She studied at the Paris Conservatory and has performed with many orchestras including the BBC National Orchestra of Wales. | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
|
|
| |  | Sheila Arnold plays Chopin
Sheila Arnold’s performances show Chopin’s works in a new light; through the thrilling grasps of the perfomer, born in India and now a German pianist, who grapples intensively with historical instruments on all levels, producing a different sound and a complete new dimension on the pieces. She performs on an Érard Fortepiano (Paris 1839). | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Chopin - Préludes
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Chopin: 24 Preludes, Op. 28
Wojciech Switala has won prizes in a number of international competitions: in Bardolino, Italy (First Prize), the Long/Thibaud in Paris (Second Grand Prix, audience prize, prize for the leading European) and the Montreal Piano Competition. In the Twelfth Fryderyk Chopin International Piano Competition in Warsaw (1990) he received the prize for the best performance of a polonaise. The disc features new recordings of the 24 Preludes, Op. 28 made on a Pleyel piano from 1848 and Andante spianato et Grande Polonaise in E flat major, Op. 22 made on an Erard piano from 1849. Recorded in Witold Lutoslawski Polish Radio Concert Studio, Warsaw, 11–13 November 2006 and 4 May 2007. | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Nikolai Demidenko plays Chopin
Debut release on ONYX from the legendary virtuoso and poet of the keyboard Nikolai Demidenko. Recognised as one of the great Chopin players of our time, he recently performed these works during the Chopin Experience weekend on BBC Radio 3. This is his first recording of the Preludes. Bryce Morrison in Gramophone magazine praised his last Chopin recital disc: "Demidenko's razor-sharp articulacy and immaculate dexterity are complemented by the finest musical grace and individuality" (Editor’s Choice, 2007) Demidenko won the International Tchaikovsky Competition in 1978, recorded a highly acclaimed series of discs in the 80s and 90s (mainly on Hyperion) including a Gramophone award-winning disc of Medtner Concertos. As a young man he was widely acclaimed as a firebrand virtuoso but this was never the whole story and like a good wine his playing has matured gloriously. Now with new management. “At his best, Demidenko is a dazzling pianist… the Preludes… in his hands become a confection of enormous scope and variety… he imbues the swift numbers with a terrific urgency and excitement… and captures the individual moods… as well as Pires does in her vividly etched set.” Gramophone Magazine, February 2009 “He's by no means the first pianist to pull away from the well-worn idea of Chopin as the archetypal Romantic dreamer. But there's austerity here, an emotional directness and a willingness to explore the music's percussive, rhythmic potential rather than its lyricism, all of which make Chopin sound startlingly new.” The Guardian, 14th November 2008 **** | | | In stock - usually despatched within 1 working day. |
|
|
| |  | Great Pianists - Moiseiwitsch 12Chopin Recordings Volume 2 (1938-1952)
This second volume of Moiseiwitsch’s Chopin recordings focuses on the complete Préludes, Op. 28, which the great pianist had attempted to record, unsuccessfully, with the acoustic process, and the Four Ballades. The recording of the complete Préludes is one of the most satisfactory on disc, as Moiseiwitsch captures perfectly the mood of each of these miniature masterpieces. The slower preludes in particular show Moiseiwitsch’s understanding of musical phrasing linked to harmonic progressions. The recording of the Ballade No. 4, his only 78rpm recording of the work, derives from a test pressing. All tracks were recorded in Studio 3, Abbey Road, London “Taken from 78s, the restored sound captures Moiseiwitsch's wonderful light and shade, alchemical pedalling, searching poetry, and vast technique. The 24 Preludes are exceptional.” BBC Music Magazine, October 2008 ***** | | | (also available to download from $9.00) | In stock - usually despatched within 1 working day. |
|
|
| |
|