Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Brahms - Zigeunerlieder and other secular choral works
Christopher Glynn (piano) Consortium, Andrew-John Smith This charming disc presents a comprehensive selection of Brahms’s secular choral music. Through his professional activities, Brahms had a continuous interest in producing music for choirs, as well as profound insight into their capabilities. His impressive output of a cappella sacred choruses and motets makes learned and creative reference to such Baroque masters as Gabrieli, Schütz and Bach. Yet Brahms was equally adept in the traditions of the unaccompanied Romantic choral song, the Chorlied, following the lead of Schubert, Mendelssohn and Schumann, and adapting the form to his own characteristic ends. He also wrote a large number of vocal duets and quartets with piano accompaniment, including the popular Zigeunerlieder, which are testimony to his extraordinary fascination for gypsy music and its fertilizing effect on his style. Selections from these secular forms are performed by the professional chamber choir Consortium, conducted by Andrew-John Smith, who will be familiar to Hyperion listeners from his acclaimed recording of Saint-Säens’ organ works. “Delightfully sung choral works that focus on unrequited love and nostalgia. All 26 songs are sung with sympathy and ardour by this excellent chamber choir, with apt accompaniments by Christopher Glynn.” Gramophone Magazine, July 2009 “. The four collections on this beautifully sung disc — Opp 93a, 64, 104 and 103 — are only a fraction of the whole...their rich harmonies and poetic atmosphere grow on you increasingly.” Sunday Times, 24th May 2009 *** “...deftly woven and emotionally resonant. There is plenty of variety too, ranging from the folk tang of the Zigeunerlieder to the exquisitely sad Five Songs of 1887.” The Times, 23rd May 2009 **** “This is definitely a crack chamber-sized choir: the sound is perennially fresh, even youthful … Intonation, ensemble, articulation are all flawless … I have much enjoyed Consortium’s Brahms, especially for the sheer quality of the singing. They are particularly good at sustaining tone in pianissimo, and they are always
rhythmically alive, which is vital in this repertoire” International Record Review | | | In stock - usually despatched within 1 working day. |
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| |  | Brahms - Complete Choral Worksa cappella and with instrumental accompaniment
Brahms: | Gesänge (3) for six-part mixed choir, Op. 42 Gesänge (4), Op. 17 Lieder und Romanzen (12) für Frauenchor, Op. 44 Dem dunklen Schoss der heilgen Erde, WoO 20 Lieder (7) for mixed choir, Op. 62 Lieder und Romanzen (6), Op. 93a Gesänge (5) for mixed choir, Op. 104 Fest- und Gedenksprüche, Op. 109 Motets (2), Op. 74 Motets (2), Op. 29 Motets (3), Op. 110 Folk Songs (14), WoO 34 German Folk Songs (12), WoO 35 Kleine Hochzeitskantate, WoO 16 Tafellied, Op. 93b Lieder (5) für Männerchor, Op. 41 Ave Maria, Op. 12 Geistliches Lied, Op. 30 Der 13. Psalm "Herr, wie lange" Op. 27 Begräbnisgesang, Op. 13 Sacred choruses (3) for unaccompanied four-part female chorus, Op. 37 Marienlieder, Op. 22 Kanons Op. 113 Spruch 'In dieser Welt des Trugs und Scheins' (Kanon), WoO 27 O wie sanft! (Kanon), WoO 26 Grausam erweiset sich Amor an mir (Kanon), WoO 24 Wann? (Kanon), WoO 29 Mir lächelt kein Frühling (Kanon), WoO 25 Zu Rauch muss warden (Kanon), WoO 30 Töne, lindernder Klang! (Kanon), WoO 28 |
Leipzig State Choir & Symphony Orchestra, Wolf-Dieter Hauschild | | | Usually despatched in 3 - 4 working days. |
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| |  | Brahms: Choral Works
Brahms: | Liebeslieder-Walzer, Op. 52 Neue Liebeslieder-Walzer, Op. 65 Quartette (3), Op. 31 Quartette (3), Op. 64 Gesänge (3) for six-part mixed choir, Op. 42 Lieder (7) for mixed choir, Op. 62 Lieder und Romanzen (6), Op. 93a Gesänge (5) for mixed choir, Op. 104 Quartette (4), Op. 92 Quartette (2), Op. 112a Folk Songs (14), WoO 34 German Folk Songs (12), WoO 35 Ave Maria, Op. 12 Der 13. Psalm "Herr, wie lange" Op. 27 Zigeunerlieder, Op. 103 Zigeunerlieder (Gypsy Songs) Op. 112b Nos. 3-6 Es stunden drei Rosen (No. 43 from Deutsche Volkslieder, WoO 33) Dem Himmel will ich klagen (No. 44 from Deutsche Volkslieder, WoO 33) Es saß ein schneeweiß Vögelein (No. 45 from Deutsche Volkslieder, WoO 33) Es war einmal ein Zimmergesell (No. 46 from Deutsche Volkslieder, WoO 33) Es ging sich unsre Fraue (No. 47 from Deutsche Volkslieder, WoO 33) Nachtigall, sag' (No. 48 from Deutsche Volkslieder, WoO 33) Verstohlen geht der Mond auf (No. 49 from Deutsche Volkslieder, WoO 33) Tafellied, Op. 93b Kleine Hochzeitskantate, WoO 16 Dem dunklen Schoss der heilgen Erde, WoO 20 Kanons Op. 113 Motets (2), Op. 29 Geistliches Lied, Op. 30 Motets (2), Op. 74 Motets (3), Op. 110 Missa canonica, WoO18 Gesänge (4), Op. 17 Marienlieder, Op. 22 Fest- und Gedenksprüche, Op. 109 Lieder (5) für Männerchor, Op. 41 Lieder und Romanzen (12) für Frauenchor, Op. 44 Sacred choruses (3) for unaccompanied four-part female chorus, Op. 37 |
6 CD + CD ROM Brahms conducted amateur choirs throughout his professional life, both as a useful source of income and because he enjoyed his contact with enthusiastic, amateur music-makers, not least the ladies in his various choirs. It also gave him a chance to explore music of former eras, by Bach, Schütz, Buxtehude and more, which Brahms considered a vital part of his musical heritage and which, practically speaking, he was bringing back to life in a culture that barely knew its own history. We may with some justice speak of Brahms the periodinstrument pioneer. These splendid modern performances come from a choir of a similar size to the one Brahms would have recognised, and are directed by the experienced choral trainer Nicol Matt. | | | Usually despatched in 4 - 5 working days. |
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