This page lists all recordings of Dite, oimè! Ditelo, al fine (from La Fida Ninfa), by Antonio Vivaldi (1678-1741) on CD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Italia 1600 Argentina 1900
Verónica Cangemi was born in Mendoza, Argentina and was a cellist in the Mendoza Symphonic Orchestra before winning both the National Singing Competition in Argentina and the Francisco Viñas Competition in Barcelona. Her first European performance was in Gluck’s Armide with Les Musiciens du Louvre. She has concentrated largely on Mozart and the Baroque repertoire, working with such directors and ensembles as Giovanni Antonini, Ivor Bolton, William Christie, Adam Fischer, Nikolaus Harnoncourt, René Jacobs, Ton Koopman, Sir Neville Marriner and Zubin Mehta. The Baroque pieces on the album contain highly virtuosic music by composers like Nicola Porpora that would have been performed by the great castrato Farinelli, as well as arias by Vivaldi and Handel renowned for their challenging vocal lines. The Latin flavour of the disc is complemented by the inclusion of 20th century pieces by Piazzolla, Guastavino and Villa-Lobos all of whom hail from Cangemi’s native South America. | | | (also available to download from $10.50) | Usually despatched in 3 - 4 working days. (Available now to download.) |
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| |  | Vivaldi: Opera Arias
A new recording from Roberta Invernizzi always gives pleasure, but on the rare occasion when the Italian soprano is placed in the spotlight, as with this new collection of opera arias, it promises something very special indeed. Invernizzi is known for her style and drama in the music of the Baroque (as on recent discs of Handel and Campra). This new journey, on Glossa, showcases Vivaldi’s own fertile dramatic capacity to capture moods and a whole range of emotional highs and lows embracing anger, despair, anxiety, amorous frustration and touching intensity. Invernizzi triumphs, crowned by her electrifying performance of 'Dopo un’orrida procella' from 'Griselda'. The programme offers a set of contrasts in known arias from Vivaldi’s operatic music and those which deserve to be better-known. Invernizzi’s interpretation is aided and abetted by La Risonanza’s fine group of instrumentalists and, of course, sympathetic direction from Fabio Bonizzoni, speaking volumes for their long musical association. “In Da due venti, from Ercole sul Termodonte, and Fra le procelle del mar turbato (Tito Manlio), she plunges into Cecilia Bartoli waters — her technique is more fluid, even if her timbre is edgier. Her bright, intense voice comes into its own in the slow numbers.” Sunday Times, 22nd April 2012 “Invernizzi, perhaps the most exciting Italian Baroque soprano today, chooses three of the most flamboyant ['storm' arias] and dazzles with her coruscating yet perfectly controlled coloratura...La Risonanza, pounding, strumming continuo to the fore, match Invernizzi all the way in flair and theatrical intensity...In sum, another winner for La Risonanza and a triumph for Invernizzi.” Gramophone Magazine, July 2012 “One of Invernizzi's virtues is her ability to be fluently articulate and expressive, both in show-stoppers and arias that call for compassion, contemplation and reflection. Unlike some of her rivals, she always resists playing to the gallery. Her technique and sense of theatre are tempered to meet the requirements of the music, making for a musically rewarding as well as dramatically engaging recital.” BBC Music Magazine, September 2012 ***** “La Risonanza is irreproachable. Under Bonizzoni’s expert direction, its soloists, alert strings and inventive continuo team of cello, double bass, harpsichord and, by turns, a very attractive archlute and theorbo provide Invernizzi with an unfailing sensitive support.” International Record Review, October 2012 BBC Music Magazine
Opera Choice - September 2012 |
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| |  | Cecilia Bartoli - The Vivaldi Album
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| |  | Cecilia Bartoli - Viva Vivaldi
Duration: 60' Live from the Theatre des Champs-Elysees, Paris With subtitles in Italian, English, French and German A full-length concert from the Theatre des Champs-Elysees, Paris, featuring beautiful and rare arias from Vivaldi's operas. This Brian Large film showcases the repertoire from the bestselling Vivaldi Album (Decca, 1999) which catapulted Cecilia Bartoli to worldwide stardom. Bartoli's spectacular vocal pyrotechnics are supported by world-class Baroque ensemble and collaborators on the Decca album, Il Giardino Armonico. | | | In stock - usually despatched within 1 working day. |
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| |  | The Vivaldi Album
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| |  | Yo-Yo Ma: La Voix du Violoncelle
Bach, J S: | Cello Suite No. 1 in G major, BWV1007 Cello Suite No. 5 in C minor, BWV1011 Cello Suite No. 6 in D major, BWV1012 | Fauré: | Violin Sonata No. 1 in A major, Op. 13 | Franck, C: | Cello Sonata in A major | Massenet: | Meditation (from Thaïs) | Saint-Saëns: | Havanaise, Op. 83 | Vivaldi: | Concerto in G minor for Two Cellos, RV531 The Four Seasons: Winter - Largo Cello Concerto in B flat major, RV423 Così sugl' occhi miei (from La Fida Ninfa) Concerto for Viola d'Amore and Lute in D minor, RV 540 La gloria del mio sangue (from Tieteberga) Cello Concerto in C minor, RV401 Noli, ò cara, te adorantis (from Juditha Triumphans) Laudamus te (We praise thee) from Gloria in D, RV589 Quanto magis generosa (from Juditha Triumphans) Dite, oimè! Ditelo, al fine (from La Fida Ninfa) |
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