Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Joan Sutherland Collector’s Album: Rare Broadcasts
Bononcini, G B: | Per la gloria d'adorarvi (from Griselda) Richard Bonynge (piano) | Donizetti: | Confusa è l'alma mia (from Emilia di Liverpool) 1957 Royal Liverpool Philharmonic Orchestra, Liverpool Music Singers Group, John Pritchard Madre, deh placati..Ah! di contento (from Emilia di Liverpool) 1957 with April Cantelo (soprano) Royal Liverpool Philharmonic Orchestra, Liverpool Music Singers Group, John Pritchard | Handel: | Di, cor mio, quanto t'amai (from Alcina) with Norma Procter (mezzo), Thomas Hemsley (tenor) Capella Coloniensis, Ferdinand Leitner Tornami a vagheggiar (from Alcina) Capella Coloniensis, Ferdinand Leitner Ombre pallide (from Alcina) 1959 Capella Coloniensis, Ferdinand Leitner | Haydn: | Si ti perdo amata sposa, Hob.XXIVb: B1 1956 Dennis Brain (horn) Goldsborough Orchestra, Charles Mackerras | Horn, C E: | Cherry Ripe Richard Bonynge (piano) | Mozart: | Exsultate, jubilate, K165 1959 Cologne Radio Symphony Orchestra, Alberto Erede | Rossini: | La fioraia Fiorentina Richard Bonynge (piano) La promessa Richard Bonynge (piano) Soirées musicales: L'orgia Ernest Lush (piano) Soirées musicales: La pastorella dell'Alpi Richard Bonynge (piano) Soirées Musicales: La gita in gondola Richard Bonynge (piano) |
“This collection of broadcast material shows Sutherland's amazing precision and tonal clarity” BBC Music Magazine, February 2013 ***** “The lively, refreshing Exsultate, jubilate, a piece Sutherland didn't record commercially, shows us the capabilities of this kind of voice...you rarely hear it sung so easily and freely, or with such bright, clear, full-bodied tone. Nor is the singing merely mechanical, or inexpressive. The phrasing is deft and shapely in the outer movements...and the central Tu virginum corona is serene.” MusicWeb International, April 2013 | | | In stock - usually despatched within 1 working day. |
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| |  | The Early Recordings of Joan Sutherland
Bellini: | Son vergin vezzosa (from I Puritani) Recorded in Amsterdam on March 25th 1962 Omroeporkest and Koor, Fulvio Vernizzi Casta Diva (from Norma) Recorded in December 1959 Kölner Rundfunk-Sinfonieorchester des WDR, Alberto Erede | Donizetti: | Confusa è l'alma mia (from Emilia di Liverpool) Recorded in September 1957 Richard Bonynge (piano) Non intende il mio contento (from Emilia di Liverpool) Recorded in September 1957 Royal Liverpool Philharmonic Orchestra, John Pritchard Ancor non giunse! ... Regnava nel silenzio…Quando rapito in estasi (from Lucia di Lammermoor) Recorded in London on February 26th 1959 Margreta Elkins (Alisa) Orchestra of the Royal Opera House, Covent Garden, Tullio Serafin Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) Recorded in Amsterdam on March 25th 1962 Omroeporkest and Koor, Fulvio Vernizzi Spargi d'amaro pianto (from Lucia di Lammermoor) (encore) Omroeporkest and Koor, Fulvio Vernizzi Regnava nel silenzio...Quando rapito in estasi (from Lucia di Lammermoor) Recorded at the Royal Albert Hall on 13th August 1960 BBC Symphony Orchestra, Sir Malcolm Sargent | Handel: | Ah! Ruggiero (from Alcina) Ombre pallide (from Alcina) Recorded in Amsterdam on March 25th 1962 Omroeporkest and Koor, Fulvio Vernizzi Di, cor mio, quanto t'amai (from Alcina) Recorded at the Royal Albert Hall on 13th August 1960 BBC Symphony Orchestra, Sir Malcolm Sargent Tornami a vagheggiar (from Alcina) Recorded at the Royal Albert Hall on 13th August 1960 BBC Symphony Orchestra, Sir Malcolm Sargent | Haydn: | Pietà di me, benigni Dei, Hob.XXVb:5 Recorded at the BBC on 17th December 1956 April Cantelo (soprano), Raymond Nilsson (tenor) Goldsborough Orchestra, Sir Charles Mackerras Si ti perdo amata sposa, Hob.XXIVb: B1 Recorded at the BBC on 17th December 1956 Dennis Brain (horn) Goldsborough Orchestra, Sir Charles Mackerras | Mozart: | O zittre nicht (from Die Zauberflöte) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Recorded in London in 1962 Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer Exsultate, jubilate, K165 Recorded in December 1959 Kölner Rundfunk-Sinfonieorchester des WDR, Alberto Erede Martern aller Arten (from Die Entführung aus dem Serail) Recorded in December 1959 Kölner Rundfunk-Sinfonieorchester des WDR, Alberto Erede | Rossini: | La fioraia Fiorentina Recorded in September 1957 Richard Bonynge (piano) | Spohr: | Rose softly blooming (from Zemira and Aphor) Recorded in September 1957 Richard Bonynge (piano) | Verdi: | È strano! è strano!...Ah! fors è lui (from La traviata) Recorded in Amsterdam on March 25th 1962 Ettore Babini (Alfredo) Omroeporkest and Koor, Fulvio Vernizzi |
When Joan Sutherland died, many music critics commented on the quality of her voice in her early performances. The concert performances recorded here gave her the opportunity to deliver glorious singing without too many distractions. She was also able to collaborate with artists who she would not encounter in the opera house, such as Dennis Brain, heard here. | | | In stock - usually despatched within 1 working day. |
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| |  | La Maga AbbandonataFamous Handel Arias
and readings from Acqua alta by Donna Leon | | | In stock - usually despatched within 1 working day. |
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| |  | Handel: Arias & Duets (The Anniversary Edition 1759-2009)
Handel: | Frondi tenere e belle ... Ombra mai fù (from Serse) David Daniels (countertenor) Orchestra of the Age Enlightenment, Roger Norrington Dove sei, amato bene? (from Rodelinda) David Daniels (countertenor) Orchestra of the Age of Enlightenment, Roger Norrington Pompe vane di morte! (from Rodelinda) David Daniels (countertenor) Orchestra of the Age of Enlightenment, Roger Norrington Armida abbandonata: Ma che parlo, che dico Véronique Gens (soprano) Les Basses Réunies Armida abbandonata: In tanti affanni miei Véronique Gens (soprano) Les Basses Réunies Scherzano sul tuo volto (from Rinaldo) Patrizia Ciofi (soprano) & Joyce DiDonato (mezzo-soprano) Il Complesso Barocco, Alan Curtis E vivo ancore?...Scherza, infida (from Ariodante) Philippe Jaroussky (countertenor) Le Concert d'Astrée, Emmanuelle Haïm Fra l’ombre e gl’orrori (from Aci, Galatea e Polifemo) Laurent Naouri baritone (Polifemo), Sandrine Piau soprano (Aci) & Sara Mingardo alto (Galatea) Le Concert d’Astrée, Emmanuelle Haïm Duetto: Sorge il di Aci/Galatea from Aci, Galatea e Polifemo Laurent Naouri baritone (Polifemo), Sandrine Piau soprano (Aci) & Sara Mingardo alto (Galatea) Le Concert d’Astrée, Emmanuelle Haïm Amor, qual nuova fiamma mi risvegli nel core (from Admeto) René Jacobs alto (Admeto) & Rachel Yakar soprano (Antigona) Il Complesso Barocco, Alan Curtis La tigre arde di sdegno (from Admeto) René Jacobs alto (Admeto) & Rachel Yakar soprano (Antigona) Il Complesso Barocco, Alan Curtis Per me si strugge (from Admeto) René Jacobs alto (Admeto) & Rachel Yakar soprano (Antigona) Il Complesso Barocco, Alan Curtis E per monti, e per piani, et per selve Antigona (from Admeto, re di Tessaglia) René Jacobs alto (Admeto) & Rachel Yakar soprano (Antigona) Il Complesso Barocco, Alan Curtis Hercules: Where shall I fly? Stephanie Blythe (contralto) Ensemble Orchestral de Paris, John Nelson Splenda l’alba in oriente, cantata, HWV 166 Gérard Lesne (alto) Il Seminario Musicale As steals the morn (from L'Allegro, il Penseroso, ed il Moderato) Ian Bostridge (tenor) & Lynne Dawson (soprano) Bach Choir & Ensemble Orchestral de Paris, John Nelson Un pensiero nemico di pace (from Il Trionfo del Tempo e del Disinganno) Natalie Dessay (soprano) Le Concert d'Astrée, Emmanuelle Haïm Fatto scorta al sentier della Gloria (from Arminio) Vivica Genaux mezzo-soprano (Arminio) & Riccardo Ristori bass (Segeste) Il Complesso Barocco, Alan Curtis Fiaccherò quel fiero orgoglio (from Arminio) Vivica Genaux mezzo-soprano (Arminio) & Riccardo Ristori bass (Segeste) Il Complesso Barocco, Alan Curtis Verdi prati (from Alcina) Della Jones mezzo-soprano (Ruggiero) & Arleen Auger soprano (Alcina) City of London Baroque Sinfonia, Richard Hickox Ombre pallide (from Alcina) Della Jones mezzo-soprano (Ruggiero) & Arleen Auger soprano (Alcina) City of London Baroque Sinfonia, Richard Hickox Duetto: Prendi l’alma e prendi il core Rodrigo/Esilena from Rodrigo Gloria Banditelli mezzo-soprano (Rodrigo) & Sandrine Piau soprano (Esilena) Il Complesso Barocco, Alan Curtis Nasconde l’usignol (from Deidamia) Suzie LeBlanc (soprano) & Derek Lee Ragin (countertenor) Teatro Lirico, Stephen Stubbs Nel riposo e nel contento (from Deidamia) Suzie LeBlanc (soprano) & Derek Lee Ragin (countertenor) Teatro Lirico, Stephen Stubbs Della guerra la caccia ha sembianza (from Deidamia) Simone Kermes soprano (Deidamia), Antonio Abete baritone (Licomede) & Anna Bonitatibus mezzo-soprano (Ulisse) Il Complesso Barocco, Alan Curtis Tanti strali al sen mi scocchi, HWV 197 Suzie LeBlanc (soprano) & Derek Lee Ragin (countertenor) Teatro Lirico, Stephen Stubbs Se'il mio duol (Rodelinda) Sophie Daneman (soprano) The Raglan Baroque Players, Nicholas Kraemer Caro autor di mia doglia, arcadian duet HWV 182a Patricia Petibon (soprano) & Paul Agnew (tenor) Le Concert d’Astrée, Emmanuelle Haïm Cara speme (from Giulio Cesare) David Daniels (countertenor) Orchestra of the Age Enlightenment, Roger Norrington Va tacito e nascosto (from Giulio Cesare) David Daniels (countertenor) Orchestra of the Age Enlightenment, Roger Norrington |
This ravishing selection of arias and duets is drawn from some of Handel’s finest vocal works, among them the operas Xerxes (source of the famous ‘Largo’), Ariodante, with its gripping ‘Scherza, infida’, and, perhaps his most popular works for the stage, Giulio Cesare and Alcina. The generously-filled discs (two CDs for the price of one) also include the complete cantata Splenda l’alba in oriente and excerpts the dramatic cantata Armida abbandonata, the English ode L’Allegro, il Penseroso ed il Moderato, and the exquisite Neapolitan serenata Aci, Galatea e Polifemo. An international cast of outstanding Handelians includes Philippe Jaroussky, Natalie Dessay, David Daniels, Véronique Gens, Ian Bostridge, Joyce DiDonato, Stephanie Blythe, Janet Baker, Vivica Genaux, Gérard Lesne, James Bowman.. | | | In stock - usually despatched within 1 working day. |
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| |  | Karina Gauvin: Prima Donna
Karina Gauvin (soprano) Arion Baroque Orchestra, Alexander Weimann (director/harpsichord) • Canadian superstar soprano Karina Gauvin pays tribute to baroque diva Anna Maria Strada del Pò, singing rarities by Vinci, Vivaldi and some of the greatest Handel arie di bravura. Like Strada del Pò in her prime, Miss Gauvin sings this repertoire with powerful expression and brilliant technique, in particular, the trills for which Strada del Pò was renowned. More than thirteen opera roles were created by Handel for Strada del Pò (including Sosarme, Orlando, and Alcina). Strada del Pò’s talent and style may have influenced the composer’s work as much as he contributed to the vocal and dramatic development of the prima donna in the first decades of the 18th century. • Karina Gauvin has impressed audiences and critics the world over with her luscious timbre, profound musicality and wide vocal range. The Globe and Mail calls her “one of the dream sopranos of our time.” The Sunday Times in London also wrote: “Her glinting soprano, bright-edged yet deliciously rounded and sensual, is used with rare understanding for character... ” • Arion Baroque Orchestra, founded in 1981, is Quebec’s only early music orchestra performing on period instruments and is one of the most renowned early music ensembles in North America. Conductor Alexander Weimann has traveled the world as member of Tragicomedia, as guest of Freiburger Barockorchester, Gesualdo Consort, Tafelmusik, and as music director of Les Voix Baroques and Le Nouvel Opéra. As guest conductor, he has led the Portland Baroque Orchestra, Les Violons du Roy and the symphony orchestras in Halifax and Victoria. He is currently music director of the Pacific Baroque Orchestra in Victoria (B.C.). “Her warm-timbred voice, impeccable intonation, athletic technique and tautly controlled vibrato are virtues ideally suited to the exacting musical demands of Baroque opera. She is furthermore sensitive to textual nuance, bringing expressive subtlety to her chosen arias...The excellent Arion Orchestre Baroque offers sympathetic support throughout” BBC Music Magazine, February 2013 ***** | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Joan Sutherland: A Portrait
CD1: Sutherland Sings Handel CD2: Sutherland sings Verdi and Bellini CD3: The Art of the Prima Donna Arne: | The Soldier Tir'd of War's Alarms (Artaxerxes) | Bellini: | Sediziose voci (from Norma) Casta Diva (from Norma) Son vergin vezzosa (from I Puritani) O rendetemi la speme...Qui la voce sua soave...Vien, diletto (from I Puritani) Care compagne, et voi, teneri amici ... Come per me sereno (from La Sonnambula) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Ah! Je ris de me voir (from Faust) | Handel: | Acis and Galatea: highlights Joan Sutherland (Galatea), Peter Pears (Acis), Owen Brannigan (Polyphemus) Philomusica of London, St Anthony Singers, Sir Adrian Boult Messiah: Rejoice Greatly, O Daughter of Zion Messiah: How beautiful are the feet Messiah: I know that my Redeemer liveth Messiah: If God be for us George Malcolm (harpsichord) London Symphony Orchestra, Sir Adrian Boult Tornami a vagheggiar (from Alcina) Ombre pallide (from Alcina) Samson: Let the bright seraphim Philomusica of London, Sir Anthony Lewis | Meyerbeer: | O beau pays de la Touraine (from Les Huguenots) | Mozart: | Martern aller Arten (from Die Entführung aus dem Serail) | Rossini: | Bel raggio lusinghier (from Semiramide) | Thomas, Ambroise: | A vos jeux, mes amis (from Hamlet) | Verdi: | Mi parea … Piangea cantando 'Willow Song' (from Otello) Ah, fors'è lui che l'anima (from La Traviata) Sempre libera (from La Traviata) Caro nome (from Rigoletto) |
Regis presents a tribute to the incomparable soprano Joan Sutherland. Her artistry is showcased in three CDs of varied repertoire. The first displays her Handelian credentials, the second features the arias of Verdi and Bellini which established her reputation and the third presents the principal tracks from her incredibly successful solo albums, The Art of the Prima Donna Vols. 1&2. 3 CDs for the price of 2 “In her own time there was a tendency to take Sutherland for granted, so consistent were her high standards of technique, musicianship and, yes, acting. Her total command of the stage was always
formidable.” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | The Art of Joan Sutherland
Arne: | Love in a Village: The Traveller benighted The Soldier Tir'd of War's Alarms (Artaxerxes) | Auber: | C’est l’histoire amoureuse (Manon) Non temete, milord … Or son sola (Zerlina) | Bellini: | Dormono entrambi … Mira, o Norma … Sì, fino all'ore (from Norma) | Bizet: | Me voilà seule…Comme autrefois (from Les Pêcheurs de Perles) Pastorale | Bononcini, G B: | Per la gloria d'adorarvi (from Griselda) | Charpentier, G: | Depuis le jour (from Louise) | Delibes: | Le Rossignol Les filles de Cadix | Donizetti: | Pour ce contrat fatal...Salut à la France (from La fille du régiment) Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) | Fauré: | Le papillon et la fleur, Op. 1 No. 1 | Gounod: | Ö légère hirondelle (from Mireille) Ce Sarrasin disait (Xaïma) Si le bonheur à sourire t'invite (from Faust) Ah! Je ris de me voir (from Faust) Sérénade | Handel: | Tornami a vagheggiar (from Alcina) Ombre pallide (from Alcina) Samson: Let the bright seraphim Samson: With plaintive note Messiah: Rejoice Greatly, O Daughter of Zion Athalia: My vengeance awakes me V' adoro, pupille (from Giulio Cesare) Se pietà di me non senti (from Giulio Cesare) Da tempeste il legno infranto (from Giulio Cesare) | Lecocq: | Un soir Perez le capitaine (Micaela) | Massé, V: | Au bord de chemin … Cette nuit, sur ma croisée | Massenet: | Ah, que mes soeurs ... Reste au foyer, petit grillon (from Cendrillon) Pleurez, mes yeux (Le Cid) De moi je veux bannir ton triste souvenir (from Le roi de Lahore) Esprits de l'air! Esprits de l'onde! (from Esclarmonde) Oh! si les fleurs avaient des yeux | Meyerbeer: | Bellah! ma chèvre chérie! … Dors, petite (Dinorah) C’est bien lui … La, la, la, air chéri (from L'etoile du nord) En vain j’espère … Idole de ma vie (Isabelle) La Marguerite a fermé sa corolle...Ouvre ton coeur (from L'Africaine) Veille sur eux … Vaisseau que le flot balance (from L`etoile du nord) O beau pays de la Touraine (from Les Huguenots) Dieu! Comme cette nuit est lente...Ombre légère (from Dinorah) | Mozart: | Martern aller Arten (from Die Entführung aus dem Serail) Ach, ich fühl's (from Die Zauberflöte, K620) O zittre nicht (from Die Zauberflöte) Or sai chi l'onore (from Don Giovanni) Non mi dir (from Don Giovanni) Porgi amor (from Le nozze di Figaro) Dove sono i bei momenti (from Le nozze di Figaro) Voi che sapete (from Le nozze di Figaro) Deh vieni, non tardar (from Le nozze di Figaro) L'amerò, sarò costante (from Il re pastore) Vorrei spiegarvi, oh Dio! K418 Exsultate, jubilate, K165 - Alleluia | Offenbach: | Conduisez-moi vers celui que j’adore (from Robinson Crusoë) Dites-lui qu’on l’a remarqué (from La Grande-Duchesse de Gérolstein) Les oiseaux dans la charmille (from Les Contes d'Hoffmann) Ah! que j'aime les militaires (from La Grande-Duchesse de Gérolstein) | Paisiello: | Nel cor più non mi sento | Piccinni: | Furia Di Donna (La Buona Figliuola) | Shield: | Light as Thistledown (from Rosina) When William, at eve (from Rosina) Whilst with village maids (from Rosina) | Thomas, Ambroise: | A vos jeux, mes amis (from Hamlet) Le voilà! Je crois entendre (from Hamlet) | Verdi: | Santo di patria (from Attila) Tu del mio Carlo (from I masnadieri) Tu puniscimi, o Signore … A brani, a brani, o perfido (from Luisa Miller) Surta è la notte...Ernani! Ernani, involami (from Ernani) Mi parea … Piangea cantando 'Willow Song' (from Otello) Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) È strano! è strano!...Ah! fors è lui (from La traviata) Sempre libera (from La Traviata) | Wagner: | Gerechter Gott! (from Rienzi) Johohoe! Traft ihr das Schiff im Meere an 'Senta's Ballad' (from Der fliegende Holländer) Dich, teure Halle (from Tannhauser) Allmächt’ge Jungfrau! (from Tannhäuser) Einsam in trüben Tagen (from Lohengrin) Du bist der Lenz (from Die Walküre) O Sachs, mein Freund (from Die Meistersinger) Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) | Weber: | Ozean, du Ungeheuer (from Oberon) |
For the first time ever the complete selection of arias which formed the 1970 release of “Romantic French Arias” is available on CD; an extended scene from Act Three of Norma in a live recording from the Royal Opera House, Covent Garden, from a concert in aid of the Darwin appeal, is included and appears on CD for the first time; and an ever greater bonus is included here with the release FOR THE FIRST TIME EVER of 6 French songs with Richard Bonynge as pianist. | | | In stock - usually despatched within 1 working day. |
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