Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | In the South: Brodsky Quartet
The Brodsky Quartet here turns to the sunshine, bright colours, and deep-set passions of the South, performing Latin-inspired music for string quartet by composers who all possessed a strong connection to the ‘South’, whether it was the Mediterranean or South America. Paganini’s Capricci Nos 6 and 24 need no introduction. They are among the most published and reviewed virtuoso pieces ever composed, and have been frequently arranged over the last two hundred years, with each new reading allowing us to discover Paganini’s art afresh. This version has been arranged by the violinist Paul Cassidy, a long-standing member of the Brodsky Quartet. We have the chance to hear chamber works by two further Italian composers, who would always be known primarily for their massive achievements in opera. In fact, the sad melodies of Puccini’s Crisantemi would later be used in the tragic fourth act of the opera Manon Lescaut. The Quartetto in E minor was the only string quartet Verdi ever wrote, and he himself insisted on presenting it as a mere trifle, stating that it was composed ‘in idle moments’ before the premiere of Aida. This Quartet divided opinion. Whereas some reviewers recognised the technical difficulties of the work, others thought Verdi’s Italian temperament inappropriate to instrumental music. The inspiration to La oración del torero (The Toreador’s Prayer) came to Turina during a Spanish bullfight, during which he watched as a bullfighter received the prayerful Sacrament of Holy Unction, while all around a feverish excitement over the forthcoming fight was overtaking the crowd. The work itself displays elements of French impressionism, combined with strong evocations from the Spanish bullfighting arena. Four, for Tango, written in 1988 for the Kronos Quartet, is a prime example of Piazzolla’s own style of ‘Nuevo Tango’; this new form of tango became popular around the world, and was generated from combining Argentine folklore with so-called ‘art music’. Also on this disc is Hugo Wolf’s ‘Italian’ Serenade, a work equally full of captivating rhythms, harmonic warmth, and dancing themes. “Not unexpectedly, the performances by the Brodsky Quartet are full of spontaneously imaginative insights and equal to all the diverse demands of these six composers.” Gramophone Magazine, June 2013 “These six works are by composers not associated with string quartets. The mood is Italianate, but not exclusively so...Paul Cassidy, has arranged – winningly – two solo violin Caprices by Paganini for quartet, here in a premiere recording...Verdi's Quartetto has a lyrical if operatic simplicity and energy. All evoke pleasurable heat and light.” The Observer, 24th March 2013 | 
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“…for a scintillating combination of edge-of-the-seat spontaneity and technical wizardry, Shlomo Mintz's 1981 traversal still reigns supreme. The way he throws himself into the paralysing descending and (even more perilous) ascending thirds of No. 1 with a devil-may-care nonchalance still inspires incredulous head-shaking at the sheer effrontery of it all, while the velocity and miraculous left-hand co-ordination of No. 5 becomes increasingly more astonishing each time I hear it.” BBC Music Magazine, November 2009 ***** | | | (Sorry, download not available in your country) | In stock - usually despatched within 1 working day. |
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| |  | Yehudi Menuhin, Vol. 21935, 1936
Mozart: | Violin Concerto in D major 'Adelaide', KAnh.294a Paris Symphony Orchestra, Pierre Monteux Violin Concerto No. 3 in G major, K216 Paris Symphony Orchestra, George Enescu | Paganini: | Caprice for solo violin, Op. 1 No. 6 in G minor Studio pianist (piano) Caprice for solo violin, Op. 1 No. 1 in E major 'The Argeggio' Studio pianist (piano) Caprice for solo violin, Op. 1 No. 13 in B flat major Studio pianist (piano) Caprice for solo violin, Op. 1 No. 20 in D major Studio pianist (piano) Caprice for solo violin, Op. 1 No. 23 in E flat major Studio pianist (piano) Caprice for solo violin, Op. 1 No. 24 in A minor Studio pianist (piano) |
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| |  | Live in Tokyo & Studio version
2CD's for price of 1 Two versions of the Paganini Caprices at a special price, featuring Albanian violinist, Tedi Papavrami, in this virtuoso repertoire: live in Tokyo on the 19th of April 2001 and a studio version made in 1997 in Gradignan. Papavrami, a child prodigy, studied with his father from the age of four, before continuing his studies with Pierre Amoyal and Viktoria Mullova amongst others. “…recorded 'live' he lives on the edge, never allowing the music's repeated patternings to settle as he digs deep beneath its moto perpetuo surfaces. …a thrilling musical experience….” BBC Music Magazine, March 2010 **** “Papavrami's interpretations are notable for their clarity, poise and transparency...a splendid document, unique and individual” Gramophone Magazine, April 2010 | | | (also available to download from $21.00) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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“Kaler's version can carry a strong recommendation.” Gramophone Magazine | | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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