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See Terms & Conditions for p&p rates. | |  | Ars BritannicaOld Hall Manuscript, Madrigals & Lute Songs
Byrd: | Come, woeful Orpheus | Campion: | Never weather-beaten sail Jacke and Jone they think no ill A Secret Love Or Two | Chirbury: | Agnus Dei | Cooke, John: | Alma proles | Damett: | Salve porta paradisi | Dowland: | A Shepherd in a Shade Fine knacks for ladies Where sin sore wounding I must complain Sweet stay awhile Mr Dowland's Midnight Now, O now, I needs must part | Dunstaple: | Crux fidelis O crux gloriosa Gaude virgo salutata Albanus roseo rutilat | Ford, T: | Since first I saw your face There is a Ladie | Forest: | Qualis est dilectus | Jones, Robert: | Thinkst thou Kate | Morley: | Hark, jolly shepherds Die now, my heart You black bright stars | Pilkington: | Care for thy soul Diaphenia Down-a-down | Power, L: | Credo | Pycard: | Gloria | Tomkins: | O let me die for true love Oyez! Has any found a lad? | Ward, J: | Retire, my troubled soul O my thoughts surcease | Weelkes: | Those sweet delightful lilies Some men desire spouses Come sirrah Jack ho! Come, let's begin to revel't out | Wilbye: | Lady when I behold As matchless beauty Weep, weep, mine eyes |
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| |  | English Part Songs & Lute Songs
Bennet: | Luer falconers Round about in a fair ring | Browne, R: | We cats when assembled | Campion: | Never weather-beaten sail Jacke and Jone they think no ill | Coleman, E: | The glories of our birth | Dowland: | A Shepherd in a Shade Fine knacks for ladies Where sin sore wounding | Isham: | Celia learning on a spinnet | Jones, Robert: | Thinkst thou Kate | Pearce, E: | Hey trola, trola | Pilkington: | Diaphenia Down-a-down | Purcell: | Since time so kind, Z272 Once, twice, thrice, Z265 Would you know, Z290 Under this stone lies Gabriel John, Z286 | Ravenscroft, T: | Hey Ho, To The Greenwood Yonder comes a courteous Knight I cannot come every day Tomorrow the fox will come Canst Thou Love Who Liveth So Merry Long have we bin perplexd Hey Ho, Nobody at Home Give us once a drink Who's the fool now? |
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| |  | Ravish’d with Sacred Extasies
anon.: | Miserere, my Maker | Campion: | Never weather-beaten sail Author of Light | Dowland: | Thou mighty God When David's life by Saul (A Pilgrimes Solace) When the poore Criple (A Pilgrimes Solace) Where sin sore wounding In this trembling shadow cast If that a sinner's sigh Prelude for lute Galliard to Lachrimae | Humfrey: | Sleep downy sleep come close mine eyes A Hymne to God the Father | Lawrence: | Lute Suite | Purcell: | Thou wakeful shepherd that dost Israel keep (A Morning Hymn), Z198 How long, great God?, Z189 Tell me, some pitying angel (The Blessed Virgin's Expostulation), Z196 A Devine Hymn (Lord, what is man) Sleep, Adam, and take thy rest, Z195 An Evening Hymn 'Now that the sun hath veiled his light', Z193 | Wilson, John: | Prelude 18 |
Continuing its work with the rising stars of the early music world, CORO is delighted to be releasing a brand new recording by two of The Sixteen’s principal members - soprano, Elin Manahan Thomas and theorbo and lute player, David Miller. The seventeenth century devotional songs on this disc were written against a backdrop of furious historical dramas and lurching tides of fortune. The songs chosen reflect these assorted times and contexts, and are accordingly diverse. Ravish’d with Sacred Extasies (a quote taken directly from Playford's ‘Harmonia Sacrae’) explores some of the most beautiful Elizabethan lute songs ranging from the doctrinally eloquent to the theologically unsteady, from the spare and the restrained to the opulent and the overblown, from Dowland’s small cluster of late devotional songs to Purcell’s flowery and luscious settings. “If you think of lute songs as secular repertory, think again...Elin Manahan Thomas and lutenist David Miller illuminate this music's subtleties, infusing their reading with warmth and intimacy...this is a lovely contribution to recorded lute song.” BBC Music Magazine, December 2010 **** “Manahan Thomas has as keen an ear for the music of language as for the language of music while Miller...brings to the table a highly developed understanding of dramatic and musical rhetoric...Throughout, Manahan Thomas fits the sound to the sense...whilst never allowing either diction, intonation or purity of tone to suffer.” International Record Review, December 2010 | | | Usually despatched in 2 - 3 working days. |
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| |  | Purcell in The Ale HouseEnglish Part Songs & Lute Songs
Bennet: | Luer falconers Round about in a fair ring | Browne, R: | We cats when assembled | Campion: | Never weather-beaten sail Jacke and Jone they think no ill | Coleman, E: | The glories of our birth | Dowland: | Fine knacks for ladies Where sin sore wounding | Isham: | Celia learning on a spinnet | Jones, Robert: | Thinkst thou Kate | Pearce, E: | Hey trola, trola | Pilkington: | Diaphenia Down-a-down | Purcell: | Since time so kind, Z272 Once, twice, thrice, Z265 Would you know, Z290 Under this stone lies Gabriel John, Z286 | Ravenscroft, T: | Hey Ho, To The Greenwood Yonder comes a courteous Knight I cannot come every day Tomorrow the fox will come Canst Thou Love Who Liveth So Merry Long have we bin perplexd Hey Ho, Nobody at Home Give us once a drink Who's the fool now? |
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