Tallis: I call and cry to thee, O Lord

This page lists all recordings of I call and cry to thee, O Lord, by Thomas Tallis (c.1505-85) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Tallis: Salve intemerata & other sacred music

Tallis: Salve intemerata & other sacred music


Tallis:

O Lord, give thy holy spirit

Missa Salve intemerata

Man blest no doubt

Robert Evans (bass)

I call and cry to thee, O Lord

If ye love me

Domine, quis habitabit

A new commandment

Alleluia: Ora pro nobis

Robert Evans (bass) & Robert Rice (baritone)

Let God arise

Robert Rice (baritone)

Salve intemerata virgo


The Cardinall’s Musick and Andrew Carwood continue their exploration of the sacred music of the acknowledged master of the Tudor era, Thomas Tallis. This project follows the completion of their multi-award-winning series of Byrd’s Latin music.

Tallis’s career spans the reigns of four radically different and difficult monarchs, all of whom forced their own religious beliefs on an increasingly divided country. Their various attitudes to the religious questions of the day meant that each required different liturgies and different music to adorn them. Tallis excelled in every style, and this album contains examples of each of them, from the monumental Marian votive antiphon Salve intemerata virgo to the modest English-texted settings of I call and cry to thee and of Psalm translations by Elizabeth I’s Archbishop, Matthew Parker.

“These are commendably committed, full-blooded performances verging at times on over-ripeness...Generally, though, confidence inspires confidence, as in much of the Mass and in Domine, quis habitavit; as for Salve, intemerata, they make as good a case for it as I can recall. More, please.” Gramophone Magazine, October 2013

“In the anthems, particularly, the Cardinall's Musick pulls the listener into Tallis's splendid architecture, with perfect paragraphing and line shape. For the most part, though, it retains a poised distance, with the result that the stylistic contrasts between pre- and post-Reformation never clearly emerge.” BBC Music Magazine, November 2013 ****

Early Music

Hyperion - CDA67994

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English Anthems from Oxford

English Anthems from Oxford

Byrd to Britten


Bairstow:

Let all mortal flesh keep silence

Boyce:

O where shall wisdom be found?

Britten:

Hymn to St. Peter, Op. 56a

Byrd:

Sing joyfully

Farrant, R:

Hide not thou thy face

Gibbons, O:

O Lord, in thy wrath rebuke me not

Greene, M:

Lord, Let Me Know Mine End

Harris, W:

Bring us, O Lord God

Howells:

Like as the Hart

Purcell:

Remember not, O Lord, our offences, Z50

I was glad when they said unto me, Z19

Stainer:

I saw the Lord

Stanford:

Glorious and Powerful God, Op. 135 No. 3

Tallis:

I call and cry to thee, O Lord

Weelkes:

Hosanna to the Son of David

Wesley, S S:

Blessed be the God and Father

Wood, C:

Hail, gladdening Light


Alto - ALC1137

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$6.00

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Tallis: The Lamentations and Contrafacta

Tallis: The Lamentations and Contrafacta


Tallis:

Lamentations of Jeremiah I & II

Wipe Away my Sins

Forgive me, Lord, my sin

Blessed are those that be undefiled

Arise, O Lord, and hear

With all our hearts and mouths

I call and cry to thee, O Lord

O sacred and holy banquet

When Jesus went into Simon the Pharisee's house

Blessed be thy Name

O Praise the Lord II

Sing and glorify heaven's high majesty


Thomas Tallis served four monarchs in his post at the Chapel Royal, and was held in great esteem by his masters and colleagues. ‘Tallis is dead, and music dies,’ said William Byrd, his most distinguished pupil. Tallis was a great survivor of the dangerous shifting sands of religious and court politics in England at the turn of the 16th century and his music displays remarkable craftsmanship. The intensity of expression, and the sheer unrivalled beauty and drama of his work enables it to reach out through the centuries and move the presentday listener. He is one the greatest English composers, and ranks among the 16th century’s most significant composers. This recording brings together his two fine settings of the Lamentations of Jeremiah, and English adaptations of several of his best known Latin motets, including ‘Sing and glorify heaven’s high majesty’ which is better known as Spem in alium – the huge 40-part motet that has become his most famous work. Adapting Latin texts to English became an important task during the 1550s, and the process became known as ‘contrafactum’. Contrafacta survive in the output of many of Tallis’s contemporaries, especially John Taverner.

Early Music

Brilliant Classics Musica Sacra - 93955

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Tallis - Spem in Alium

Tallis - Spem in Alium


Tallis:

Spem in alium for eight five-part choirs '40-part Motet'

I call and cry to thee, O Lord

With all our hearts and mouths

Discomfort them, O Lord

Missa Salve intemerata

Salve intemerata


“one of the most remarkable recordings of 2005…. the performances here are beyond praise.”The Penguin Guide

Naxos Top 30

Naxos - 8557770

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The Best of Thomas Tallis

The Best of Thomas Tallis


Tallis:

O sacrum convivium

Audivi vocem de caelo

Lamentations of Jeremiah I & II

Discomfort them, O Lord

Loquebantur variis linguis

Videte miraculum

Mass for four voices

Sanctus

I call and cry to thee, O Lord

Salvator mundi

Spem in alium for eight five-part choirs '40-part Motet'


Though he lived through some of the most tumultuous times in English history, from the reigns of Henry VII to Elizabeth I, Thomas Tallis (c. 1505–1585) composed music for both the Catholic and Anglican churches that resounds the world over to this day.

Whether singing the monumental splendour of his famous 40-part motet Spem in alium or the intimate prayer I call and cry to thee, O Lord, the internationally renowned Oxford Camerata conducted by Jeremy Summerly are perfectly attuned to Tallis’s timeless genius.

Naxos - The Best of - 8556842

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Thomas Tallis - Complete Works Volume 8

Thomas Tallis - Complete Works Volume 8

Lamentations and Contrafacta


Tallis:

Lamentations of Jeremiah I & II

Wipe Away my Sins

Forgive me, Lord, my sin

Blessed are those that be undefiled

Arise, O Lord, and hear

With all our hearts and mouths

I call and cry to thee, O Lord

O sacred and holy banquet

When Jesus went into Simon the Pharisee's house

Blessed be thy Name

O Praise the Lord II

Sing and glorify heaven's high majesty


“Two of the Biblical lessons for Maundy Thursday show Tallis at his most creative and imaginative.
'Incipit lamentatio…' the rising fourth, followed by a descending minor scale, imitated in turn by each of the other voices, sets the tone of sorrowful lamenting. Chapelle du Roi capture this mood with calm perfection. The flowing melodies of the introductory Hebrew letters, the clear articulation of the homophonic sections, each element is performed with understanding, due restraint, and never overdone.
The Latin motets that lie behind the English contrafacta have been recorded on Volume 7 of this series. It's remarkable how well the English texts, not necessarily translations or paraphrases, are made to fit the originals. Much interesting research lies behind the notes to Volumes 7 and 8: the identification of the original sources throws additional light on the religious and political struggles of Tallis's working life, and offers glimpses of domesticity. Dixon's choice between two possible groupings of five voices, the lower male-voice group and a higher one to include the ladies of the house, makes perfect sense.
Sing and glorify is a contrafactum of Tallis's monumental Spem in alium, intended for a joyful royal investiture a quarter of a century after his death.
The motet was recast in an entirely different mould: to wish long life to the young Prince of Wales was a far cry from a desperate appeal to God for mercy: even Dixon's faster tempo can't alter that, but what a fine performance his singers give of it.”
Gramophone Classical Music Guide, 2010

Early Music

Signum Complete Tallis Edition - SIGCD036

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Anthology of English Anthems

Anthology of English Anthems

450 years Byrd to Tavener


Attwood, T:

Come, Holy Ghost, our souls inspire

Bairstow:

Blessed City, heavenly Salem

Let all mortal flesh keep silence

Battishill:

O Lord, look down from heaven

Bennett, R R:

Verses

Berkeley, L:

Thou Hast Made Me

Blow:

My God, My God, Look Upon Me

Boyce:

O where shall wisdom be found?

Britten:

Hymn to St. Peter, Op. 56a

Byrd:

O Lord Turn Thy Wrath

Teach me, O Lord

Exalt Thyself, O God

Sing joyfully

Croft:

God Is Gone Up With A Merry Noise

Fanner:

The Lord's Prayer

Farrant, R:

Hide not thou thy face

Finzi:

Welcome Sweet and Sacred Feast, Op. 27 No. 3

Gibbons, O:

O Lord, in thy wrath rebuke me not

O Lord, I Lift My Heart To Thee

Greene, M:

Lord, Let Me Know Mine End

Harper, J:

Salve Regina

Ubi Caritas

Harris, W:

Bring us, O Lord God

Harvey, J:

Come, Holy Ghost

The Tree

Holst:

The Evening-watch, H159

Howells:

Like as the Hart

Thee will I love

Come, my soul

Ireland:

Greater Love Hath No Man

Joubert:

O Lorde, the maker of al thing

Leighton:

Drop, Drop Slow Tears

Give me the wings of faith

Morley:

Out of the Deep

Nolo mortem peccatoris

Ouseley:

Is it Nothing to You?

O Saviour of the world

Parry:

My soul, there is a country (No. 1 from Songs of Farewell)

Purcell:

I was glad when they said unto me, Z19

Hear my prayer, O Lord, Z15

O God, thou hast cast us out, Z36

Remember not, O Lord, our offences, Z50

Rose, B:

Praise Ye the Lord

Sheppard, J:

The Lord's Prayer

Stainer:

I saw the Lord

Stanford:

The Lord is my shepherd

Glorious and Powerful God, Op. 135 No. 3

Stewart, H C:

King of Glory, King of Peace

Tallis:

I call and cry to thee, O Lord

Purge me, O Lord

O Lord, give thy holy spirit

Tavener:

Hymn to the Mother of God

Tomkins:

Then David mourned

O Praise the Lord, All Ye Heathen

Tye:

I Will Exalt Thee

Vaughan Williams:

Whitsunday Hymn

Walton:

Set me as a seal upon thine heart

Weelkes:

Hosanna to the Son of David

O Lord Arise

Wesley, S S:

Blessed be the God and Father

The Wilderness

Wilder, P:

Blessed Art Thou

Wood, C:

O thou the central orb

Hail, gladdening Light

Expectans Expectavi


Magdalen College Oxford, John Harper

“this set contains some very fine performances – particularly of the early twentieth century works. It makes fascinating listening especially for anyone interested in the development of music.” MusicWeb International, October 2012

Alto - ALC4001

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The Anniversary Collection

The Anniversary Collection

30 CDs To Celebrate 30 Years


Atterberg:

Suite No. 3, Op. 19 No. 1 for violin, viola and string orchestra

Bach, J S:

Orchestral Suites Nos. 1-4, BWV1066-1069

1999

Cologne Chamber Orchestra, Helmut Muller-Bruhl

Beethoven:

Piano Sonata No. 8 in C minor, Op. 13 'Pathetique'

Jeno Jando (piano)

Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight'

Jeno Jando (piano)

Piano Sonata No. 23 in F minor, Op. 57 'Appassionata'

1987

Jeno Jando (piano)

Brahms:

Cello Sonata No. 1 In E Minor, Op. 38

Cello Sonata No. 2 in F major, Op. 99

Die Mainacht, Op. 43 No. 2

Botschaft, Op. 47 No. 1

Liebesglut, Op. 47, No. 2

Verzagen, Op. 72 No. 4

Sommerabend, Op. 85 No. 1

Nachtigall, Op. 97 No. 1

2015

Gabriel Schwabe (cello), Nicholas Rimmer (piano)

Bruckner:

Symphony No. 5 in B flat major

Royal Scottish National Orchestra, Georg Tintner

Bull, O:

Los Recuerdos de la Habana (Memories of Havana)

Et Sæterbesøk (A Mountain Vision)

Castelnuovo-Tedesco:

Guitar Concerto No. 1 in D major, Op. 99

Norbert Kraft (guitar)

Northern Chamber Orchestra, Nicholas Ward

Chopin:

Piano Concerto No. 1 in E minor, Op. 11

Piano Concerto No. 2 in F minor, Op. 21

1991

Idil Biret (piano)

Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky

Copland:

Rodeo

Dance Panels

El Salón México

Danzon Cubano

2013

Detroit Symphony Orchestra, Leonard Slatkin

Daugherty:

Metropolis Symphony for Orchestra

Deus ex Machina for Piano and Orchestra

2009

Mary Kathryn Van Osdale (violin), Erik Gratton (flute) & Ann Richards (flute/piccolo)

Nashville Symphony, Giancarlo Guerrero

Debussy:

Préludes - Books 1 & 2 (24, complete)

orch. Peter Breiner, 2012

Royal Scottish National Orchestra, Jun Märkl

Dvorak:

Piano Trio No. 3 in F minor, Op. 65 (B130)

Piano Trio No. 4 in E minor, Op. 90 (B166) 'Dumky'

2014

The Tempest Trio: (Ilya Kaler (violin), Amit Peled (cello) & Alon Goldstein (piano)

Symphony No. 9 in E minor, Op. 95 'From the New World'

Baltimore Symphony Orchestra, Marin Alsop

Symphonic Variations, Op. 78

2008

Cello Concerto in B minor, Op. 104

Elgar:

Cello Concerto in E minor, Op. 85

1992

Maria Kliegel (cello)

Royal Philharmonic Orchestra, Michael Halasz

Pomp and Circumstance Marches Nos. 1-5, Op. 39

Coronation March, Op. 65

Funeral March

March from Caractacus

Crown of India, Op. 66: March of the Mogul Emperors

Empire March

Polonia

2005

New Zealand Symphony Orchestra, James Judd

Glière:

Symphony No. 3 in B minor, Op. 42 'Il'ya Murometz'

2014

Gorecki:

Symphony No. 3, Op. 36 'Symphony of Sorrowful Songs'

Zofia Kilanowicz (soprano)

Three Pieces in the Old Style

1994

Polish National Radio Symphony Orchestra, Antoni Wit

Grieg:

Peer Gynt Suite No. 1, Op. 46

Peer Gynt Suite No. 2, Op. 55

Six Songs for voice & orchestra

Det første møde, Op. 21 No. 1

Fire digte af 'Fiskerjenten'. Op. 21

Den Bergtekne, Op. 32

2007

Malmö Symphony Orchestra, Bjarte Engeset

Halvorsen:

Norwegian Dance No. 3 for violin and orchestra

Handel:

Water Music Suites Nos. 1-3, HWV348-350

Music for the Royal Fireworks, HWV351

2006

Aradia Ensemble, Kevin Mallon

Haydn:

String Quartet, Op. 76 No. 4 in B flat major 'Sunrise'

String Quartet, Op. 76 No. 5 in D major

String Quartet, Op. 76 No. 6 in E flat major

1989

Kodaly Quartet

Liszt:

Piano Concerto No. 1 in E flat major, S124

Piano Concerto No. 2 in A major, S125

Totentanz, S126 for piano & orchestra

2008

Eldar Nebolsin (piano)

Royal Liverpool Philharmonic Orchestra, Vasily Petrenko

Olsen, C G S:

Old Village Songs (6) from Lom in Norway

Rimsky Korsakov:

Snow Maiden Suite

Sadko (tone poem), Op. 5

Mlada Suite

Le Coq d'Or Suite

2011

Seattle Symphony, Gerard Schwarz

Rodrigo:

Concierto de Aranjuez

Norbert Kraft (guitar)

Northern Chamber Orchestra, Nicholas Ward

Rossini:

Il barbiere di Siviglia (highlights)

1993

Sonia Ganassi (mezzo-soprano), Franco de Grandis (bass), Ingrid Kertesi (soprano), Angelo Romero (bass), Roberto Servile (baritone), Ramon Vargas (tenor)

Budapest Failoni Chamber Orchestra, Hungarian Radio Chorus, Will Humburg

Sarasate:

Carmen Fantasy, Op. 25

Fantasy on Gounod's Roméo et Juliette, Op. 5

Chansons Russes, Op. 49

El canto del ruiseñor, Op. 29

La chasse, Op. 44

Jota de Pablo, Op. 52

Tianwa Yang (violin)

Orquesta Sinfónica de Navarra, Ernest Martínez Izquierdo

Sibelius:

Six Humoresques, Op. 87 and Op. 89 for violin and orchestra

Sinding:

Abendstimmung, Op. 120a

Stenhammar:

Two Sentimental Romances for violin and orchestra, Op. 28

2012

Henning Kraggerud (violin)

Dalasinfoniettan, Bjarte Engeset

Szymanowski:

Stabat Mater, Op. 53

Veni Creator, Op. 57

Litania do Marii Panny (Litany to the Virgin Mary), Op. 59

Demeter, Op. 37b

Penthesilea, Op. 18

Warsaw Philharmonic Orchestra, Antoni Wit

Tallis:

Spem in alium for eight five-part choirs '40-part Motet'

Salve intemerata

I call and cry to thee, O Lord

With all our hearts and mouths

Discomfort them, O Lord

Missa Salve intemerata

2005

Oxford Camerata, Jeremy Summerly

Tchaikovsky:

Manfred Symphony, Op. 58

The Voyevoda, symphonic ballad Op. 78

2008

Violin Concerto in D major, Op. 35

Ilya Kaler (violin)

Sérénade Mélancolique for Violin & Orchestra in B minor, Op. 26

Ilya Kaler (violin)

Souvenir d'un lieu cher, Op. 42

orch. Glazunov

Valse-scherzo in C major for violin & orchestra (or violin & piano), Op. 34

2007

Russian Philharmonic Orchestra, Dmitry Yablonsky

Villa-Lobos:

Guitar Concerto

1993

Norbert Kraft (guitar)

Northern Chamber Orchestra, Nicholas Ward

Vivaldi:

The Four Seasons

Concerto RV151 in G major for strings & basso continuo 'Alla rustica'

1987

Takako Nishizaki (violin)

Capella Istropolitana


In 2017, Naxos Records celebrates its 30th anniversary. Founded in 1987 by Klaus Heymann, the label now boasts a catalogue of over 9,000 albums spanning every genre of classical music. This limited edition anniversary boxed set comprises thirty CDs spanning the wide range of the label’s repertoire. Featuring releases from 1987 to 2016 and a host of stellar artists, every one of these discs has received critical acclaim and has contributed towards the huge success of Naxos: the world’s largest independent classical record label.

Naxos was launched in 1987 as a budget classical CD label, offering CDs at the price of an LP when CDs cost about three times more than LPs. The focus was on recording the standard classical repertoire in state-of-the-art digital sound with outstanding, if unknown, artists and orchestras, initially mainly from Slovakia and Hungary. The parent company’s existing rarity label, Marco Polo had been producing recordings in these two countries since 1982. Having recorded the most popular classical works, Naxos started to tackle complete cycles, beginning with the complete Haydn string quartets performed by the Kodály Quartet. This cycle was the first to bring the fledgling budget label international critical acclaim.

Once the label had established a reputation for sonic and artistic excellence it attracted interest from orchestras and artists in Western Europe and elsewhere.

Recording the complete works by all the most important composers became one of the missions of Naxos. From the beginning, the label established close relations with artists willing to commit to the Naxos mission. These became Naxos house artists, starting with Jenő Jandó, the prolific Hungarian pianist who made the first Naxos recording in 1986 and continues to record to this day. Others include the violinists Takako Nishizaki, Ilya Kaler, Henning Kraggerud and Tianwa Yang; the cellist Maria Kliegel; the guitarist Norbert Kraft; the pianist Idil Biret; and others. Naxos also established close relationships with many conductors and their orchestras – Antoni Wit with the Polish National Radio Symphony and the Warsaw Philharmonic; Marin Alsop with the Royal Scottish National, the Bournemouth Symphony, the Baltimore Symphony and the São Paulo State Symphony Orchestra; Helmut Müller-Brühl and his Cologne Chamber Orchestra; Leonard Slatkin with his Detroit Symphony and Lyon National Orchestra; Jun Märkl with the MDR Symphony and the Lyon National Orchestra; James Judd and the New Zealand Symphony; JoAnn Falletta and the Buffalo Philharmonic; our American hometown orchestra, the Nashville Symphony with Kenneth Schermerhorn and Giancarlo Guerrero; Kevin Mallon and his Aradia Ensemble; Gerard Schwarz and his Seattle Symphony; and many others.

Today, Naxos has a catalogue of over 9,000 titles and releases about 200 new titles per year, covering a wide range of often unique repertoire, recorded in more than 30 countries. The humble budget label has morphed into one of the most respected classical labels, regardless of price.

Parallel to the growth of the label, Naxos built a worldwide distribution and marketing infrastructure for its own and most other Independent classical labels. Naxos is also the industry leader in the digital presentation of classical music. In 1996, it made the complete catalogues of Naxos and Marco Polo available for streaming. In 2002, the company launched Naxos Music Library, the industry’s first subscription streaming platform.

This 30th anniversary box offers a representative selection of landmark recordings from the label’s history but is also a tribute to the artists and orchestras with whom the label is identified and who are identified with the label.

Released or re-released in last 6 months

Naxos - 8503293

(CD - 30 discs)

Normally: $38.00

Special: $32.50

Scheduled for release on 13 April 2017. Order it now and we will deliver it as soon as it is available.

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