This page lists all recordings of Kleiner Waltzer (Mi Teresita), by Teresa Carreño (1853-1917) on CD. Generally, more recent CDs are listed first, but with priority given to items that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Welte-Mignon Piano Volume 2Hotel Waldhaus Sils-Maria
Bach, J S: | Partita for solo violin No. 1 in B minor, BWV1002: Bourée arr. C. Saint-Saens | Carreño: | Kleiner Waltzer (Mi Teresita) | Chopin: | Scherzo No. 2 in B flat minor, Op. 31 | Glinka: | The Lark | Liszt: | Hungarian Rhapsody, S244 No. 11 in A minor | Mendelssohn: | Song without Words, Op. 53 No. 4 in F major | Mozart: | Piano Sonata No. 11 in A major, K331 'Alla Turca' Fantasia in C minor, K475 | Saint-Saëns: | Rapsodie d'Auvergne for piano & orchestra Op. 73 | Schubert: | Ständchen 'Horch! Horch! die Lerch!', D889 arr. F. Liszt | Smith, S: | Martha Fantasia, Op. 119 | Wagner: | Einsam in trüben Tagen (Lohengrin) arr. F. Mottl | Wieniawski, J: | Concert Waltz, Op. 3 |
Wladimir von Pachmann, Theodor Leschetizky, Ignacy Jan Paderewski, Fannie Bloomfield-Zeisler, Raoul Pugno, David Schor, Arthur Friedheim, Camille Saint-Saëns, Felix Mottl, Carl Schmidt, Hedwig Kirsch, Alice Ripper & Teresa Carreño Tudor presents Vol. 2 in its series of recordings made on the famous Welte-Mignon Piano. These ‘rolls’ from the famous Hotel Waldhaus Sils-Maria in the Swiss Alps, feature performances by Vladimir von Pachmann, Theodor Lescheitsky, Raoul Pugno and Arthur Friedheim, playing music by Chopin, Liszt, Mozart and Glinka. There is also a performance of Camille Saint-Saens playing his own Rhapsodie d’Auvergne. | | | In stock - usually despatched within 1 working day. |
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| |  | Clara Rodriguez plays the music of Teresa Carreño
Carreño: | Le printemps, Op. 25 (La primavera) Plainte (Queja). Elegía No. 1, Op. 17 Ballade (Balada), Op. 15 Intermezzo, Op. 34 La corbeille de fleurs (La cesta de flores) Valse, Op. 9 Mazurka de salon, Op. 30 Un bal en rêve. (Un baile en sueños) Partie (Partida) Elegía No. 2, Op. 18 La fausse note (La nota falsa), Op. 39 Un rêve en mer. (Un sueño en el mar), Op. 28 Kleiner Waltzer (Mi Teresita) Le sommeil de l’enfant (El sueño del niño), Op. 35 Vals gayo Venise (Venecia), Op. 33 Une revue à Prague (Una revista en Praga) |
Teresa Carreño came from a distinguished Venezuelan family, proudly connected to Simon Bolivar. At the age of eight Teresa gave her debut recital inNew York, going on to perform in all major halls of the USA and Europe. She was showered with praise from music critics and won the admiration of the greatest musicians of the time, including Rossini, Liszt, Grieg, Gounod and Rubinstein. One of her earliest compositions was also written at the age of eight and was dedicated to her mentor Louis Moreau Gottschalk. She composed up to 70 works for the piano most of which were written and published in Paris when she was only a teenager. Clara Rodriguez was born in Venezuela and after winning a scholarship from the Venezuelan Arts Council trained in London at the Royal College of Music under Phyllis Sellick. Clara Rodriguez’s career as a concert pianist has taken her to perform in the most prestigious halls in Europe, South America, Asia and the North of Africa. Her discography includes the piano music of Moisés Moleiro; Federico Ruiz; Teresa Carreño; Federic Chopin; Ernesto Lecuona and Popular Venezuelan Songs and Dances. “The Venezuelan Teresa Carreño (born in Caracas 1853; died in New York 1917) was, with Clara Schumann, the most celebrated female pianist of the 19th century. Most of these works are self-evidently morceaux for the salon, but superior specimens of the genre, requiring a pianism above the ordinary and showing a complete technical command. Clara Rodriguez is a sympathetic and enthusiastic interpreter; her touch is sure and agile. She invests all this highly agreeable music with vibrant life. This recording is superb” Pianist Magazine, Selected Discs, London “A scorching repertoire from a really romantic pianist, Clara Rodriguez” Irving Wardle, The Times, London “…Carreño is very much her own woman: try the extended Ballade (7'22"), the two touching Elegies, Un rêve en mer and le sommeil de l'enfant. Such music needs an empathetic spirit to show it to its best advantage and Clara Rodriguez, Venezuelan herself, provides it with performances of alluring vivacity allied to that most essential of requisites in this type of repertoire - charm. Highly recommended.” Gramophone Magazine, September 2009 | | | Usually despatched in 4 - 5 working days. |
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