Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Janusz Olejniczak plays Chopin
Chopin: | Étude Op. 10 No. 12 in C minor ‘Revolutionary' Ballade No. 1 in G minor, Op. 23 Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu' Nocturne No. 19 in E minor, Op. 72 No. 1 Prelude Op. 28 No. 4 in E minor Prelude Op. 28 No. 6 in B minor Prelude Op. 28 No. 15 in D flat major ‘Raindrop' Prelude Op. 28 No. 24 in D minor Waltz No. 7 in C sharp minor, Op. 64 No. 2 Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz' Mazurka No. 5 in B flat major, Op. 7 No. 1 Mazurka No. 15 in C major, Op. 24 No. 2 Mazurka No. 27 in E minor, Op. 41 No. 2 Mazurka No. 26 in C sharp minor, Op. 41 No. 1 Mazurka No. 47 in A minor, Op. 68 No. 2 Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Polonaise No. 6 in A flat major, Op. 53 'Héroïque' Berceuse in D flat major, Op. 57 |
| | | This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched. |
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| |  | Chopin: Tristesseand other Masterpieces for Piano
Chopin grew up in Poland, before living as an exile in France. In his piano music he expressed an infinite palette of feelings and emotions, and used his legendary virtuosity to create musical poetry. In his works, which include Nocturnes and Mazurkas, we find gentleness and melancholy, expressiveness and passion. Chopin grew up in Poland, before living as an exile in France. In his piano music he expressed an infinite palette of feelings and emotions, and used his legendary virtuosity to create musical poetry. In his works, which include Nocturnes and Mazurkas, we find gentleness and melancholy, expressiveness and passion | | | (also available to download from $10.75) | Usually despatched in 3 - 4 working days. (Available now to download.) |
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| |  | Ethel Leginska: The Complete Columbia Masters
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| |  | Frédéric Chopin Edition Volume 3 - Polonaises
Chopin: | Polonaise No. 2 in E flat minor, Op. 26 No. 2 Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Polonaise No. 4 in C minor, Op. 40, No. 2 Polonaise No. 5 in F sharp minor, Op. 44 Polonaise No. 6 in A flat major, Op. 53 'Héroïque' Polonaise No. 7 in A flat major, Op. 61 'Polonaise-fantaisie' Polonaise No. 9 in B flat major, Op. 71 No. 2 Polonaise No. 8 in D minor, Op. 71 No. 1 Polonaise No. 10 in F minor, Op. 71 No. 3 Polonaise No. 11 in G minor B1/KKIIa:1 Polonaise No. 12 in B flat major B3/KKIVa:1 Polonaise No. 13 in A flat major B5/KKIVa:2 Polonaise No. 14 in G sharp minor B6/KKIVa:3 Polonaise No. 15 in B flat minor B13/KKIVa:5 Polonaise No. 11 in B flat minor, BI 13 'Adieu' Andante spianato & Grande Polonaise, Op. 22 Polonaise No. 1 in C sharp minor, Op. 26 No. 1 |
“Generally, Mursky is at his finest in the early Polonaises, approaching their graceful contours and ear-tickling virtuosity with a special care and affection as well as generously offering virtually all the repeats.” Gramophone Magazine, November 2007 | | | (also available to download from $21.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | The Piano G & T’s - Volume 4Recordings from the Gramophone and Typewriter era (1900-1908)
Brahms: | Ballade in G minor, Op. 118, No. 3 Waltz, Op. 39 No. 2 in E major Waltz, Op. 39 No. 15 in A flat major | Chopin: | Nocturne No. 8 in D flat major, Op. 27 No. 2 Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Prelude Op. 28 No. 1 in C major Étude Op. 10 No. 1 in C major Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu' | Dièmer, L: | Grande valse de concert Chant du Nautonier | Godard, B: | Valse chromatique | Grieg: | Norwegian Bridal Procession, Op. 19, No. 2 | Handel: | Keyboard Suite, HWV 430 in E major 'The Harmonious Blacksmith': Air & Variations | Liszt: | Liebestraum, S541 No. 3 (Nocturne in A flat major) Grandes Études de Paganini (6), S. 141 (No. 3) | Mendelssohn: | Song without Words, Op. 67 No. 4 in C major 'Spinning Song' or 'Bee's Wedding' Song without Words, Op. 19b No. 3 in A major 'Hunting Song' Song without Words, Op. 62 No. 6 in A major 'Spring Song' | Rachmaninov: | Prelude Op. 3 No. 2 in C sharp minor | Scarlatti, D: | Keyboard Sonata K20 in E major Keyboard Sonata K14 in G major | Schubert: | Marche Militaire, D733 No. 1 Erlkönig, D328 | Weber: | Perpetuum Mobile (Rondo from Piano Sonata in C major, Op. 24) |
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| |  | Chopin - In Memoriam
Chopin: | Marche Funebre, Op. 72 No. 2 Prelude Op. 28 No. 17 in A flat major Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu' Berceuse in D flat major, Op. 57 Mazurka No. 25 in B minor, Op. 33 No. 4 Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Nocturne No. 2 in E flat major, Op. 9 No. 2 Barcarolle in F sharp major, Op. 60 Fantasia in F minor, Op. 49 Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre' Piano Sonata No. 3 in B minor, Op. 58 Waltz No. 7 in C sharp minor, Op. 64 No. 2 Nocturne No. 20 in C sharp minor, Op. post. Mazurka No. 45 in A minor, Op. 67 No. 4 |
2 for 1 CD set. This concert performed live at Carnegie Hall in New York on October 17, 1999 | | | Usually despatched in 2 - 3 working days. |
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| |  | Chopin: | Scherzo No. 1 in B minor, Op. 20 Scherzo No. 2 in B flat minor, Op. 31 Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Nocturne No. 2 in E flat major, Op. 9 No. 2 Nocturne No. 5 in F sharp major, Op. 15 No. 2 Waltz No. 1 in E flat major 'Grande Valse Brillante', Op. 18 Waltz No. 3 in A minor 'Grande Valse Brillante', Op. 34 No. 2 Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz' Berceuse in D flat major, Op. 57 Impromptu No. 1 in A flat major, Op. 29 Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu' Scherzo No. 3 in C sharp minor, Op. 39 Scherzo No. 4 in E major, Op. 54 |
Gianluca Cascioli (piano) “In attempting to recreate the performance style of a bygone age, Cascioli pays particular attention to the type of rubato Chopin himself is known to have favoured, with the left hand maintaining a strict tempo, leaving the right free to poeticise. …the Impromptus and Scherzos are fascinating. This certainly isn't the way I'd always like to hear my Chopin - for the Scherzos the classic 1960s recording by Ashkenazy is a much safer bet - but Cascioli's spontaneity and sheer technical brilliance make this a recording well worth hearing.” BBC Music Magazine, October 2005 | | (Sorry, download not available in your country) | |
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| |  | Josef Hofmann plays Chopin
Piano roll ('Reproducing Piano') recordings from the early 20th century, replayed on a modern Steinway Concert Grand. “these performances, recorded between 1915 and 1930, sound as vivid and sparkling as if they had been given yesterday ... I for one look forward eagerly to the continuation of the series (which, incidentally, is provided with first-class notes) and applaud Nimbus for their courageous enterprise” Gramophone Magazine | | | Usually despatched in 4 - 5 working days. |
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| |  | Chopin - Polonaises Nos. 1-7
“This is Pollini in all his early glory, in expertly transferred performances. Shorn of all virtuoso compromise or indulgence, the majestic force of his command is indissolubly integrated with the seriousness of his heroic impulse. Rarely will you be compelled into such awareness of the underlying malaise beneath the outward and nationalist defiance of the Polonaises. The tension and menace at the start of No 2 are almost palpable, its storming and disconsolate continuation made a true mirror of Poland's clouded history. The C minor Polonaise's denouement, too, emerges with a chilling sense of finality, and Pollini's way with the pounding audacity commencing at 3'00" in the epic F sharp minor Polonaise is like some ruthless prophecy of every percussive, anti-lyrical gesture to come. At 7'59" Chopin's flame-throwing interjections are volcanic, and if there's ample poetic delicacy and compensation (notably in the Polonaise-fantaisie, always among Chopin's most profoundly speculative masterpieces), it's the more elemental side of his genius, his 'canons' rather than 'flowers' that are made to sear and haunt the memory. Other pianists may be more outwardly beguiling, but Pollini's magnificently unsettling Chopin can be as imperious and unarguable as any on record. That his performances are also deeply moving is a tribute to his unique status.” Gramophone Classical Music Guide, 2010 | | | Usually despatched in 2 - 3 working days. |
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