All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Ein Winter auf MallorcaA Winter in Majorca
and excerpts from George Sand's 'Winter in Majorca' and 'Story of My Life', read by Hannelore Elsner
Sebastian Knauer (piano), Hannelore Elsner (narrator) Chopin spent the winter of 1838/39 with George Sand and her children in Majorca, where they stayed in an abandoned Carthusian monastery at Valldemosa. George Sand wrote a famous and popular story about the holiday. On this CD Sand's words, taken from her memoirs, are spoken by Hannelore Elsner. | 
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| |  | Valentina Igoshina Plays Chopin
Valentina Igoshina (piano) This DVD of a specially recorded recital features the beautiful young Russian pianist, Valentina Igoshina performing much of the music contained in Tony Palmer’s classic film: The Strange Case of Delfina Potocka - The Mystery of Chopin. Igoshina is an internationally acclaimed pianist who is best known for her interpretations of Chopin and Rachmaninoff. She has appeared as a soloist with many famous orchestras including the Royal Concertegebouw Orchestra, BBC Scottish Symphony Orchestra, London Philharmonic Orchestra and The Hallé. In an article in Gramophone (September, 2008) "Chopin Reprogrammed and a Vital Young Russian Relishes the Task," Bryce Morrison said “she relishes every aspect of Chopin's enchanting urbanity, his alternating exuberance and introspection, his light and shade." Her recording “Chopin: Complete Waltzes” was chosen by Classic FM magazine as its November 2008 ‘Disc of the Month’. | 
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| Brahms - Piano Concerto No. 2
Joaquín Achúcarro (piano) This recording commemorates the 50th anniversary of Joaquín Achúcarro’s debut with the London Symphony Orchestra after winning the Royal Liverpool Philharmonic International Competition in 1959. Recorded at Jerwood Hall, St Luke’s, London, with Britain’s eminent conductor Colin Davis at the helm, Achúcarro delivers a consummate performance that brilliantly expresses his delicate and passionate style. Extra features include a substantial documentary about Achúcarro’s career and performances of solo piano pieces by Brahms, Chopin, Scriabin and Albéniz filmed in the beautiful setting of the Prado museum, Madrid. “Achúcarro’s approach is unorthodox in today’s stick-to-theletter-of-the-score, mechanically perfect musical world. His rubati seem excessive to some; to others, like a throwback to a Golden Age. For all of his reverence for the great composers whose music he plays, he maintains a healthy sense of their humanity as well. “Our duty is first of all to understand what composer does and wants, and then to try to deliver it the best we can, but also to serve the music,” he says. “And maybe sometimes the composer is wrong.” He adds, “People say you must follow the text. But if you follow the text, perhaps the music is not totally served.” … And he views what he does as a performer as an act of creation in its own right.” The Washington Post Extra features: Joaquín Achúcarro: 50 years on Documentary including interviews with Plácido Domingo, Simon Rattle and Zubin Mehta. Running time 131 mins Region code All regions Video codec: AVC/MPEG-4 Disc size: BD50 Picture format 1080i High Definition / 16:9 Sound format 2.0 & 5.1 PCM Menu language EN Subtitles EN/FR/DE/ES/IT | 
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| |  | Chopin GoldChopin 200th anniversary
Chopin: | Polonaise No. 6 in A flat major, Op. 53 'Héroïque' Maurizio Pollini (piano) Prelude Op. 28 No. 15 in D flat major ‘Raindrop' Martha Argerich (piano) Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz' Maria João Pires (piano) Waltz No. 7 in C sharp minor, Op. 64 No. 2 Alice Sara Ott (piano) Étude Op. 10 No. 12 in C minor ‘Revolutionary' Vladimir Ashkenazy (piano) Étude Op. 10 No. 3 in E major 'Tristesse' Nelson Freire (piano) Prelude Op. 28 No. 4 in E minor Rafal Blechacz (piano) Prelude Op. 28 No. 7 in A major Rafal Blechacz (piano) Berceuse in D flat major, Op. 57 Hélène Grimaud (piano) Polonaise No. 3 in A major, Op. 40 No. 1 'Military' Emil Gilels (piano) Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu' Maria João Pires (piano) Nocturne No. 2 in E flat major, Op. 9 No. 2 Daniel Barenboim (piano) Ballade No. 1 in G minor, Op. 23 Maurizio Pollini (piano) Scherzo No. 2 in B flat minor, Op. 31 Arturo Benedetti Michelangeli (piano) Waltz No. 1 in E flat major 'Grande Valse Brillante', Op. 18 Zoltán Kocsis (piano) Étude Op. 25 No. 11 in A minor 'Winter Wind' Sviatoslav Richter (piano) Nocturne No. 8 in D flat major, Op. 27 No. 2 Lang Lang (piano) Étude Op. 10 No. 4 in C sharp minor Nelson Freire (piano) Prelude Op. 28 No. 3 in G major Martha Argerich (piano) Prelude Op. 28 No. 6 in B minor Martha Argerich (piano) Mazurka No. 13 in A minor, Op. 17 No. 4 Vladimir Horowitz (piano) Scherzo No. 3 in C sharp minor, Op. 39 Ivo Pogorelich (piano) Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre': 3rd movement (Funeral March) Hélène Grimaud (piano) Prelude Op. 28 No. 11 in B major Friedrich Gulda (piano) Prelude Op. 28 No. 20 in C minor Friedrich Gulda (piano) 3 Écossaises, Op. 72 No. 3 Mikhail Pletnev (piano) Étude Op. 25 No. 9 in G flat major 'Butterfly' Vladimir Ashkenazy (piano) Nocturne No. 10 in A flat major, Op. 32 No. 2 Maria João Pires (piano) Impromptu No. 1 in A flat major, Op. 29 Mikhail Pletnev (piano) Barcarolle in F sharp major, Op. 60 Maurizio Pollini (piano) Mazurka No. 19 in B minor, Op. 30 No. 2 Arturo Benedetti Michelangeli (piano) Ballade No. 3 in A flat major, Op. 47 Vladimir Ashkenazy (piano) |
The essential collection of favourite solo works for Chopin Year 2010! Over 140 minutes of pure listening pleasure 2CDs for the price of 1 Featuring Argerich, Ashkenazy, Barenboim, Blechacz, Freire, Grimaud, Gulda, Horowitz, Lang Lang, Michelangeli, Ott, Pires, Pollini and many more “Chopin was the greatest of us all, for he discovered everything through the piano alone”. So wrote Debussy about the Polish master, the 200th anniversary of whose birth is celebrated in 2010. This collection – featuring the world’s greatest pianists – bears out this remark, ranging from the dreamy to the heroic, from the passionate to the playful, with all Chopin’s favourite titles included. | 
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| |  | Friedrich Gulda plays Chopin
| | Epitaph for a Love Based on recordings of Gulda improvsations, compiled by Paul Gulda | Chopin: | 24 Preludes, Op. 28 Live, [11] from Graz, 10 May 1955; [13] from Zürich, 4 April 1955 Piano Concerto No. 1 in E minor, Op. 11 (Orchestrated by Mily Balakirev). Decca Recording, Feb 1954 London Philharmonic Orchestra, Sir Adrian Boult Ballades Nos. 1-4 Live Trieste, 14 March 1955 Nocturne No. 13 in C minor, Op. 48 No. 1 Live Buenos Aires, 5 July 1960 Barcarolle in F sharp major, Op. 60 Live Buenos Aires, 5 July 1960 Nocturne No. 5 in F sharp major, Op. 15 No. 2 Live Buenos Aires, 19 May 1956 Waltz No. 14 in E minor, Op. post., KKIVa:15, B 56 Live Reggio Emilia, 7 March 1955 Nocturne No. 17 in B major, Op. 62 No. 1 Live Munich, Klaviersommer 13 July 1986 |
Gulda's hottest Chopin phase was the mid-1950s, when he regularly played the complete Preludes and complete Ballades in concert. Captured here are recordings from a variety of sources, all released for the first time, with the exception of the Piano Concerto recording, made for Decca (with whom he also recorded the Preludes and Ballades) Performances are sometimes fiercely virtuosic, sometimes dreamily spun-out. The Ballades in particular are carried off with great panache. First ever releases of 24 Preludes, 4 Ballades and single pieces. Special compiled improvisation, in which Gulda (among other things) muses over his (broken) relationship with Chopin. All newly mastered / remastered by Paul Gulda, who writes the liner notes. “There's a freedom to Gulda's approach which brings the music vividly to life, in a manner which would doubtless be frowned upon today – but then, he was the original "terrorist pianist" with a taste for free jazz, who played with Chick Corea.” The Independent, 26th February 2010 **** | 
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| |  | Chopin - The Essentials
Chopin: | Andante spianato Alain Planès (piano) Nocturne No. 2 in E flat major, Op. 9 No. 2 Brigitte Engerer (piano) Waltz No. 9 in A flat major, Op. 69 No. 1 'Farewell Waltz' Alexandre Tharaud (piano) Waltz No. 1 in E flat major 'Grande Valse Brillante', Op. 18 Alexandre Tharaud (piano) Ballade No. 1 in G minor, Op. 23 Cédric Tiberghien (piano) Étude Op. 10 No. 3 in E major 'Tristesse' Frederic Chiu (piano) Prelude Op. 28 No. 6 in B minor Alain Planès (piano) Prelude Op. 28 No. 15 in D flat major ‘Raindrop' Alain Planès (piano) Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre' Olga Kern (piano) Mazurka No. 5 in B flat major, Op. 7 No. 1 Frederic Chiu (piano) Polonaise No. 6 in A flat major, Op. 53 'Héroïque' Jon Nakamatsu (piano) Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu' Olga Kern (piano) Étude Op. 10 No. 1 in C major Nobuyuki Tsujii (piano) Étude Op. 10 No. 12 in C minor ‘Revolutionary' Nobuyuki Tsujii (piano) Piano Concerto No. 1 in E minor, Op. 11 (Rondo:Vivace) Olga Kern (piano) Warsaw Philharmonic Orchestra, Antoni Wit |
Idealised by romantic myth, Frédéric Chopin is one of the most celebrated composers in history. This virtuoso pianist devoted his whole output to his instrument and developed a unique style which made him “an extraordinary artist” (Berlioz). Here the musicians of harmonia mundi present some of his most famous pieces, a glimpse of the inner world of this genius who “made use of art solely to fulfil his own tragic destiny” (Liszt). | 
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| |  | Chopin chez Pleyel
Alain Planès (piano Pleyel 1837coll. Anthony Sidey) A journey into Chopin's world . . . On 21 February 1842, the Polish composer gave one of his very rare concerts: he did not enjoy appearing in public, for his music was above all a chamber art. Alain Planès has striven to recreate the programme of this concert as closely as possible and recorded it on a Pleyel piano of 1836 that the composer might have played.The questions he throws up in the process are fascinating: how did Chopin play? Apart from his famous rubato, what was the role of ornamentation, and indeed improvisation? “The revelations stem from the admirable restraint of Planès's playing...The Nocturnes... combine elegance with profundity, while the selection from the Op 25 Etudes is exquisitely done.” The Guardian, 7th January 2010 **** “…Planès himself works poetic magic, with wonderfully paced phrasing and a style of rubato replete with beautifully judged elasticity and grace; and he has explored Chopin's approach to improvised ornamentation to tasteful effect. There's not a meaningless note in the whole disc.” BBC Music Magazine, January 2010 ***** “Alain Planès...is obviously at home with the instrument, and plays finely. He also makes a gallant attempt at recapturing Chopin’s famously fluid style of playing. The A flat ballade is particularly pleasing.” Sunday Times, 28th February 2010 **** | 
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| |  | Chopin - Préludes
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| |  | Nikolai Demidenko plays Chopin
Nikolai Demidenko (piano) Debut release on ONYX from the legendary virtuoso and poet of the keyboard Nikolai Demidenko. Recognised as one of the great Chopin players of our time, he recently performed these works during the Chopin Experience weekend on BBC Radio 3. This is his first recording of the Preludes. Bryce Morrison in Gramophone magazine praised his last Chopin recital disc: "Demidenko's razor-sharp articulacy and immaculate dexterity are complemented by the finest musical grace and individuality" (Editor’s Choice, 2007) Demidenko won the International Tchaikovsky Competition in 1978, recorded a highly acclaimed series of discs in the 80s and 90s (mainly on Hyperion) including a Gramophone award-winning disc of Medtner Concertos. As a young man he was widely acclaimed as a firebrand virtuoso but this was never the whole story and like a good wine his playing has matured gloriously. Now with new management. “At his best, Demidenko is a dazzling pianist… the Preludes… in his hands become a confection of enormous scope and variety… he imbues the swift numbers with a terrific urgency and excitement… and captures the individual moods… as well as Pires does in her vividly etched set.” Gramophone Magazine, February 2009 | | | In stock - usually despatched within 1 working day. |
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| |  | Chopin - Piano Works
“…her playing is now enriched immeasurably by a poetic depth and subtle expressive imagination.” BBC Music Magazine, August 2008 **** “‘Fliter is very much her own person, with essential sparks of individual imagination that show a fertile mind as well as a phenomenal technique at work … In the second half came a Chopin group that was simply spellbinding. The music seemed to flow from her with an utterly natural lyrical impulse, graced with power, luminous delicacy and a spectrum of tonal colouring that combined to mark her out as one of the most instinctive and eloquent Chopin interpreters playing today” The Telegraph | | | In stock - usually despatched within 1 working day. |
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