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This recording is the first monograph devoted to the eminent composer Sebastián Durón, one of the most important musicians in Spain at the turn of the eighteenth century, who held the post of royal maestro de capilla at the Court of Charles II in Madrid. It features nineteen works for solo voice and accompaniment: sixteen secular tonadas taken from his zarzuelas and other stage works, one secular cantata in the Italian style and two solos dedicated to the Eucharist.
Sebastian Duron: Oyeme Deyanira (Hear me, Deyanira)
Oyeme Deyanira (Hear me, Deyanira)
Sebastian Duron: El picaro de Cupido (Crafty Cupid)
El picaro de Cupido (Crafty Cupid)
Sebastian Duron: La borrachita de amor (The girl inebriated by love)
La borrachita de amor (The girl inebriated by love)
Sebastian Duron: Yo, yo que soy (I, I who am)
Yo, yo que soy (I, I who am)
Sebastian Duron: Que es esto, alevoso? (What is this, traitor?)
Que es esto, alevoso? (What is this, traitor?)
Sebastian Duron: Yo te quiero, Gileta (I love you, Gileta)
Yo te quiero, Gileta (I love you, Gileta)
Sebastian Duron: Solo del fabricante (The organ-maker's solo)
Solo del fabricante (The organ-maker's solo)
Sebastian Duron: Amor, aunque quieras (Love, though you may wish)
Amor, aunque quieras (Love, though you may wish)
Sebastian Duron: Abril floreciente (Flowering April)
Abril floreciente (Flowering April)
Sebastian Duron: Pues me pierdo en lo que callo (Since I lose by not speaking)
Pues me pierdo en lo que callo (Since I lose by not speaking)
Sebastian Duron: Corazon, no suspireis (Heart, yearn not)
Corazon, no suspireis (Heart, yearn not)
Sebastian Duron: A la apacible sombra (In the peaceful shade)
A la apacible sombra (In the peaceful shade)
Sebastian Duron: Fuego, fuego, agua, agua! (Fire, fire, water, water!)