Rameau: Triste séjour – Argie

This page lists all recordings of Triste séjour – Argie, by Jean Philippe Rameau (1683-1764) on CD.

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Editor's Choice
October 2009

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Véronique Gens : Tragediennes 2 (from Gluck to Berlioz)

Véronique Gens : Tragediennes 2 (from Gluck to Berlioz)


Arriaga:

Herminie Mais sur cette arène guerrière… Il n’est plus… Dieux cruels ! – Herminie

Berlioz:

Les Grecs ont disparu…Malheureux Roi (from Les Troyens)

Cherubini:

Ah! Nos peines seront communes (from Médée)

Gluck:

Grands dieux soutenez mon courage… Ah ! Divinités implacables (from Alceste)

Orphée et Eurydice: Ballet des ombres heureuses

Air de Furies

Gretry:

Andromaque C’est le seul espoir qui me reste… Si fidèle au nœud qui l’engage – Hermione

Piccinini:

Didon Non, ce n’est plus pour moi – Didon

Rameau:

Les Paladins Entrée très gaye de Troubadours

Triste séjour – Argie

Sarabande

Les Paladins Menuets I & II

Sacchini:

Dardanus Il me fuit… Rien ne peut émouvoir – Iphise

Cesse cruel amour de régner sur mon âme – Iphise

Œdipe à Colone Dieux, ce n’est pas pour moi que ma voix vous implore – Antigone

Renaud Hélas vous le dirais-je… Ah ! Que dis-tu ? – Armide


Soprano Véronique Gens, one of the leading French singers of today, presents an imaginatively programmed sequel to her award-winning 2006 recital of tragic operatic heroines.

This second album of Tragédiennes features arias and ballet music from the 18th and 19th centuries, from the Baroque (Rameau) to the Romantic (Berlioz) by way of such important transitional figures as Gluck – a composer whose heroine figure prominently in Gens’ schedule in 2010, with Alceste in Aix-en-Provence, Iphigénie en Aulide in Brussels and Iphigénie en Tauride in Vienna – Cherubini, and lesser-known figures such as Piccini, Sacchini and Arriaga, the ‘Spanish Mozart’, who died at the age of just 19.

Reviewing the first Tragédiennes, Opera magazine described Gens as “a soprano moulded by the best performance traditions of the French Baroque rediscovery of recent decades, but also one capable — as she has proved live and on record — of compassing Mozart and Berlioz in her repertory. Gens’s liquid-toned soprano … [with its] evenness of vocal production and command of line and tone ... is the programme’s binding and focal point, and always balm to the ears.”

Opera went on to say that “[the programme] shows off Gens’s sophisticated mastery of recitative declamation and aria-shaping and her considerable command of the various necessary vocal styles and manners, while at the same time blending historical nous, musical novelty, vocal attraction and dramatic liveliness in a manner rarely encountered today. The project was obviously carefully conceived and prepared; hard indeed to imagine it without Rousset and his splendid orchestra, who interleave the vocal items with some well-chosen instrumental items from the works in question … it’s a CD worth acquiring by anyone with the smallest interest in the singer, the period and the genres on display.”

As Gramophone said of the first album: “Gens's great gift is in differentiating between the various tragic heroines and bringing total dramatic commitment to each. There's anger spat out at white heat but there's also quiet, brooding hysteria – all characterised to perfection. And in Christophe Rousset and his Talens Lyriques she has partners on a truly exalted plane of imagination, musicality and sheer theatrical flair.”

“Gens's singing is razor-sharp and powerfully direct, matching the period instruments well.” The Observer, 21st June 2009

“The much-admired French soprano Véronique Gens presents an interesting selection of music drawn from the relatively little-known repertoire of French classical opera...it’s good to hear this music attacked with such gusto.” The Telegraph, 10th June 2009 ***

“…a wonderful odyssey through late Baroque to early Romantic French opera. Gens's agile voice is the perfect vehicle to cope with these emotional extremes, from the enchanting to the chilling. She is never afraid to sacrifice pure beauty of sound in favour of rhetorical and dramatic effect, giving due weight to the plights, laments and plangent outpourings of these timeless, tragic heroines. Rousset coaxes some crack playing from Les Talens Lyriques, combining the immediacy and intimacy of chamber music with all the colours and intensity of a large-scale symphony orchestra.” BBC Music Magazine, August 2009 *****

“Gens's immaculate way with a text is often as mesmerising as her ability to sustain the long sculpted lines that are a common stylistic feature among her chosen composers. There are some surprises: she sings Cassandra's music from Berlioz's Les Troyens, where we might expect to hear her as Dido; when she turns to Cherubini's Medea, for what is probably the greatest track on the disc, it is to play the sorrowing maid Neris, rather than the pathological heroine.” The Guardian, 17th July 2009 ****

“This second Tragédiennes volume is easily equal to the first and that must be praise enough. I would not immediately have thought of Gens as an ideal interpreter of Néris, Medea's confidante in Cherubini's opera, but she sings the aria, with its lovely oboe obbligato, with quiet dignity.” Gramophone Magazine, October 2009

GGramophone Magazine

Editor's Choice - October 2009

Virgin - 2165742

(CD)

$12.25

In stock - usually despatched within 1 working day.

Opera 2010

Opera 2010


Bellini:

Casta Diva (from Norma)

Maria Callas (soprano)

Coro e Orchestra del Teatro alla Scala, Milano

Care compagne, et voi, teneri amici ... Come per me sereno (from La Sonnambula)

Evelino Pidò

Cilea:

Ecco: respiro appena. Io son l'umile ancella (from Adriana Lecouvreur)

Myung-Whun Chung

Donizetti:

Il segreto per esser felici (from Lucrezia Borgia)

Vivica Genaux (mezzo)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Münchner Rundfunkorchester

Gershwin:

Bess, you is my woman now (from Porgy and Bess)

Giordano, U:

La mamma morta (from Andrea Chénier)

Maria Callas (soprano)

Gluck:

Che faro' senza Euridice? (from Orfeo ed Euridice)

David Daniels (countertenor)

Harry Bicket

Gounod:

Ah! Je veux vivre dans ce rêve (from Roméo et Juliette)

Diana Damrau (soprano)

L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette)

Rolando Villazón (tenor)

Orchestre Philharmonique de Radio France

Handel:

Rival ti sono (from Faramondo)

Caro amico amplesso! (from Poro)

Precipitoso nel mar che freme (from Aci, Galatea e Polifemo)

Laurent Naouri (baritone)

Crude furie degli orridi abissi (from Serse)

Ove son...Qui ti sfido (from Arianna)

Philippe Jaroussky (countertenor)

Frondi tenere e belle ... Ombra mai fù (from Serse)

David Daniels (countertenor)

Mascagni:

Attesa (from the Intermezzo from Cavalleria Rusticana)

Sarah Brightman (soprano)

Ed anchè Beppe amò (from L'amico Fritz)

Gianandrea Gavazzeni

Suzel, buon di 'Cherry Duet' (from L'amico Fritz)

Gianandrea Gavazzeni

Mamma, quel vino (from Cavalleria Rusticana)

Massenet:

Instant charmant … En fermant les yeux (from Manon)

Mozart:

Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte)

Natalie Dessay (soprano)

Louis Langree

Và pure ad altri in braccio (from La finta giardiniera)

Elina Garanca (mezzo)

Camerata Salzburg, Louis Langree

In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni)

Véronique Gens (soprano)

Non so più cosa son, cosa faccio (from Le nozze di Figaro)

Teresa Berganza (mezzo)

E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro)

Jeffrey Tate

O zittre nicht (from Die Zauberflöte)

Le Cercle De L'Harmonie

Offenbach:

Barcarolle (from Les Contes d'Hoffmann )

Jessye Norman (soprano)

Puccini:

Vissi d'arte (from Tosca)

Angela Gheorghiu (soprano)

Vogliatemi bene, un bene piccolini (from Madama Butterfly)

Angela Gheorghiu (soprano), Jonas Kaufmann (tenor)

O mio babbino caro (from Gianni Schicchi)

E lucevan le stelle (from Tosca)

James Levine

Nessun dorma (from Turandot)

Orchestre Philharmonique de Strasbourg

Rameau:

Triste séjour – Argie

Les Talens Lyriques

Rossini:

La donna del lago: Fra il padre, e fra l'amante

Joyce DiDonato (mezzo)

Edoardo Muller

Verdi:

Celeste Aida (from Aida)

Plácido Domingo (tenor)

La donna è mobile (from Rigoletto)

Münchner Rundfunkorchester

Libiamo, ne' lieti calici (from La Traviata)

Terry Edwards

Vivaldi:

Griselda: Agitata da due venti

Vivica Genaux (mezzo)

Se in ogni guardo from Orlando finto pazzo

Philippe Jaroussky (countertenor)

Jean-Christophe Spinosi


Following the enormous success of the album OPERA 2009, EMI Classics is releasing OPERA 2010. Great voices of today and legendary singers of the past, from the EMI and Virgin Classics catalogue: the home of opera.

With 40 tracks, and over 2½ hours of operatic arias and duets, this double album features the best and most popular names in opera from the catalogues of both Virgin Classics and EMI Classics, ranging from the newest arrivals on the operatic scene, as well as many present day superstars, to iconic legends. This is an unmissable collection of the best in opera that will have a wide appeal.

Present day superstars include Angela Gheorghiu, Natalie Dessay, Sarah Brightman, Barbara Hendricks, Dame Kiri Te Kanawa, Jessye Norman, Placido Domingo, José Carreras, Rolando Villazón, Roberto Alagna and Bryn Terfel.

Rising new artists are strongly represented by Joyce DiDonato, Diana Damrau, Elina Garanca, Vivica Genaux, Véronique Gens, Patrizia Ciofi, Philippe Jaroussky, Jonas Kaufmann, David Daniels, Max Emanuel Cencic and Laurent Naouri.

The programme also contains tracks by some of the world’s greatest singers of the past such as Victoria de los Angeles, Teresa Berganza, Mirella Freni, Lucia Popp and Franco Corelli as well as the legendary Luciano Pavarotti and the unique Maria Callas.

All the most popular operatic composers are represented, from Baroque masters like Vivaldi, Rameau and Handel, through Gluck and Mozart to Bellini, Donizetti, Verdi, Puccini, Mascagni, Cilea and Gershwin, as well as French favourites Gounod, Massenet and Offenbach.

Virgin - 6085282

(CD - 2 discs)

$16.75

Usually despatched in 4 - 5 working days.

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