Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Organ Dreams 2
Barber, S: | Adagio for Strings, Op. 11 (arr. William Strickland) | Bridge: | Adagio in E major (No 2 of Three Pieces, H63) | Dubois, T: | In Paradisum (No 9 of Douze Pièces Nouvelles) | Elgar: | Vesper Voluntaries, Op. 14 | Guilmant: | Rêve (from Organ Sonata No. 7 in F major, Op. 89) | Howells: | Siciliano for a High Ceremony | Liszt: | Évocation à la Chapelle Sixtine S658 | Schumann: | Study in Canonic Form, Op. 56 No. 4 in A flat major - Innig | Wesley, S: | Four Pieces from Twelve Short Pieces and a Full Voluntary (Nos 5, 8, 9 & 11) |
“Following eight highly acclaimed discs of 'Organ Fireworks', the winning combination of Christopher Herrick and Hyperion turn their attention towards the calmer and more reflective repertory grouped under the title 'Organ Dreams'. Volume 2 consists mostly of original organ music spanning the period 1815-1952, all of which fits the instrument in Ripon Cathedral like a well-tailored glove. Not every title reflects a dream-like state, though the disc's opening track – Dubois' Inparadisum creates an aura of calm. Frank Bridge's oft-played Adagio in E is also smoothly shaped, with its grand climax carefully controlled. Guilmant's 'Rêve' of 1902 is delicious, its impressionistic perfume wafting effortlessly. With a running time of 19 minutes, Elgar's rarely heard Vesper Voluntaries of 1889 form the centrepiece of Herrick's programme. What charmers they are: mostly mezzopiano in dynamic, with occasional fuller-bodied outbursts, none of them outstays its welcome. They are followed by Howells' rambling Siciliano (the most recent piece on the disc), which Herrick keeps moving. However, he does allow himself plenty of time for William Strickland's convincing arrangement of Barber's Adagio. The Liszt is a shameless piece of kitsch which borrows freely from Allegri's Miserere and Mozart's Ave verum corpus. More worthwhile are Schumann's Study and a quartet of miniatures by Samuel Wesley. The only fault with the whole package is that the portrait purporting to be that of Wesley senior is, in fact, that of his natural son, Samuel Sebastian. In summary, this thoroughly enjoyable disc is sensitively and affectionately played, and works well at a single hearing.” Gramophone Classical Music Guide, 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Edward Elgar at Woolsey HallMusic for Organ - orginal works and transcription
Thomas Murray (Newberry Memorial Organ of Yale University) | |
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| |  | Chanson de MatinSir Edward Elgar - Works for Organ
Thomas Trotter (organ - Father Willis Organ of Salisbury Cathedral) “Elgar's one major organ work, the Organ Sonata No. 1, Trotter [one of today’s greatest living organists] reveals as greater than the sum of its exploratory parts. …the new recording sets the gold standard with its grandeur, supple expressivity, ideally judged rubato, and imaginative 'orchestration'.” BBC Music Magazine, July 2007 ***** “It is extraordinary that no major label has got Thomas Trotter, the greatest British organist of his generation, cuffed hands and feet for life. It has been left to the small Wolverhampton-based Regent label to do the honours – and it does him proud. There are few organs better suited to Elgar than Salisbury Cathedral's Willis. It speaks with a mellifluous, unforced authority in a clear acoustic that avoids the generalised rumblings of many English cathedrals. The G major Sonata unfolds with impressive breadth and command of structure, a dramatic contrast to the intimate Cantique, a short work derived from an early (1879) piece for wind quintet, and the attractive eight Vesper Voluntaries of 1889. Three of the final four works are transcriptions by a Three Choirs triumvirate of Elgar's organist friends: the Organ Sonata No 2 arranged from the Severn Suite by Ivor Atkins (Worcester), Chanson de matin (Herbert Brewer of Gloucester) and Pomp and Circumstance No 4 by the work's dedicatee George Sinclair of Hereford – GRS and his bulldog Dan from the Enigma Variations. From the latter, 'Nimrod' is heard in the transcription by WH Harris (St George's, Windsor) and it is only here that one might have wished Trotter had opted for a more measured pace and emotional response. But throughout this superbly engineered recording his mastery of tonal gradation, innate stylistic sense and imaginative colouring make for a recording as rewarding as it is timely.” Gramophone Classical Music Guide, 2010 “There are few organs better suited to Elgar than Salisbury Cathedral's Willis. It speaks with a mellifluous, unforced authority (preferable, in this repertoire, to Trotter's own Symphony Hall Klais with its brazen reeds) in a clear acoustic that avoids the generalised rumblings of many English cathedrals. ...throughout this superbly engineered recording his mastery of tonal gradations, innate stylistic sense and imaginative colouring make for a recording as rewarding as it is timely.” Gramophone Magazine, August 2007 | | | Usually despatched in 4 - 5 working days. |
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| |  | Symphonic Organ Music 2Organ Music by Famous Composers
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Debussy - Elgar et l'Orgue
Benjamin Waterhouse (organ) The early lives of Debussy and Elgar contain some intersting parallels. Born within five years of each other, they were both essantially self-taught; both rose to prominence in their late twenties thanks to popular compositions that reached a wide audience; and both composers came to be considered, within their lifetimes, as the musical embodiment of the spirit of their respective countries. They also share another point in common: an involvement with the world of organ music. The existence of transcriptions of both composers' works is indicative of an interesting aspect of turn-of-the-century organ performance: surviving programmes generally contain equal numbers of transcriptions and original works. Thus, for a few brief decades--but not for the first time in history--the boundaries of organ music stretched to include other genres. Orgue Mitchell (1872) Saint-Fabien-de-Panet | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Elgar- The Collector’s Edition
anon.: | God Save The Queen (arr. Elgar) | Elgar: | Symphony No. 1 in A flat major, Op. 55 Philharmonia Orchestra, Sir John Barbirolli Introduction & Allegro for strings, Op. 47 Allegri Quartet Sinfonia of London, Sir John Barbirolli Symphony No. 2 in E flat major, Op. 63 Hallé Orchestra, Sir John Barbirolli Elegy for strings, Op. 58 New Philharmonia Orchestra, Sir John Barbirolli Sospiri, Op. 70 New Philharmonia Orchestra, Sir John Barbirolli Falstaff - Symphonic Study in C minor, Op. 68 Hallé Orchestra, Sir John Barbirolli Cockaigne Overture, Op. 40 'In London Town' Philharmonia Orchestra, Sir John Barbirolli Froissart Overture, Op. 19 New Philharmonia Orchestra, Sir John Barbirolli Enigma Variations, Op. 36 Philharmonia Orchestra, Sir John Barbirolli Pomp and Circumstance Marches Nos. 1-5, Op. 39 New Philharmonia Orchestra, Sir John Barbirolli Serenade for Strings in E minor, Op. 20 Sinfonia of London, Sir John Barbirolli Sea Pictures, Op. 37 Dame Janet Baker London Symphony Orchestra, Sir John Barbirolli Cello Concerto in E minor, Op. 85 Jacqueline du Pré (cello) London Symphony Orchestra, Sir John Barbirolli Violin Sonata in E minor, Op. 82 David Parkhouse Violin Concerto in B minor, Op. 61 Hugh Bean (violin) Royal Liverpool Philharmonic Orchestra, Sir Charles Groves Nursery Suite Royal Liverpool Philharmonic Orchestra, Vernon Handley Severn Suite, Op. 87 Royal Liverpool Philharmonic Orchestra, Vernon Handley Crown of India, Op. 66: Suite Royal Liverpool Philharmonic Orchestra, Vernon Handley Coronation March, Op. 65 Royal Liverpool Philharmonic Orchestra, Vernon Handley The Wand of Youth Suite No. 1, Op. 1a Royal Liverpool Philharmonic Orchestra, Vernon Handley The Wand of Youth Suite No. 2, Op. 1b Royal Liverpool Philharmonic Orchestra, Vernon Handley Bavarian Dances (3) London Philharmonic Orchestra, Sir Adrian Boult Chanson de Nuit, Op. 15 No. 1 London Philharmonic Orchestra, Sir Adrian Boult Chanson de Matin, Op. 15 No. 2 London Philharmonic Orchestra, Sir Adrian Boult Fantasia & Fugue in C minor, Op. 86 (after Bach, BWV 537) London Philharmonic Orchestra, Sir Adrian Boult Overture in D minor (after Handel, HWV247) London Philharmonic Orchestra, Sir Adrian Boult In the South (Alassio), Op. 50 London Philharmonic Orchestra, Sir Adrian Boult Carillon, Op. 75 London Philharmonic Orchestra, Sir Adrian Boult Grania and Diarmid, Op. 42 - Incidental Music London Philharmonic Orchestra, Sir Adrian Boult Polonia London Philharmonic Orchestra, Sir Adrian Boult Imperial March, Op. 32 London Philharmonic Orchestra, Sir Adrian Boult Empire March David Bell London Philharmonic Orchestra, Sir Adrian Boult Beau Brummel Royal Philharmonic Orchestra, Lawrence Collingwood Dream Children, Op. 43 Royal Philharmonic Orchestra, Lawrence Collingwood Salut d'amour, Op. 12 Royal Philharmonic Orchestra, Lawrence Collingwood Minuet Northern Sinfonia of England, Sir Neville Marriner May Song Northern Sinfonia of England, Sir Neville Marriner Rosemary Northern Sinfonia of England, Sir Neville Marriner Romance, Op. 62 Northern Sinfonia of England, Sir Neville Marriner Sevillana Northern Sinfonia of England, Sir Neville Marriner Sérénade lyrique Northern Sinfonia of England, Sir Neville Marriner Mazurka, Op. 10 No. 1 Northern Sinfonia of England, Sir Neville Marriner Sérénade mauresque, Op. 10 No. 2 Northern Sinfonia of England, Sir Neville Marriner Contrasts, Op. 10 No. 3 Northern Sinfonia of England, Sir Neville Marriner Carissima Northern Sinfonia of England, Sir Neville Marriner Mina Northern Sinfonia of England, Sir Neville Marriner Piano Quintet in A minor, Op. 84 John Ogdon (piano) Allegri Quartet String Quartet in E minor, Op. 83 Allegri Quartet Serenade for piano John Ogdon (piano) Concert Allegro, Op. 46 Allegri Quartet The Dream of Gerontius, Op. 38 Dame Janet Baker (Mezzo Soprano), Richard Lewis (Tenor) & Kim Borg (Bass) Hallé Choir, Sheffield Philharmonic Chorus, Ambrosian Singers & Hallé Orchestra, Sir John Barbirolli The Apostles, Op. 49 Sheila Armstrong (Soprano), Helen Watts (Contralto), Robert Tear (Tenor), Benjamin Luxon (Baritone), Clifford Grant (Bass) & John Carol Case (Baritone) Downe House School Choir, London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult The Kingdom, Op. 51 Dame Margaret Price (Soprano), Yvonne Minton (Contralto), Alexander Young (Tenor) & John Shirley-Quirk (Baritone) London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult Coronation Ode, Op. 44 Dame Felicity Lott (Soprano), Alfreda Hodgson (Contralto), Richard Morton (Tenor) & Stephen Roberts (Baritone) Cambridge University Musical Society Chorus, Choir of King's College, Cambridge, Band of the Royal Military School of Music & New Philharmonia Orchestra, Sir Philip Ledger The Light of Life, Op. 29 'Lux Christi' Margaret Marshall (Soprano), Helen Watts (Contralto), Robin Leggate (Tenor) & John Shirley-Quirk (Baritone) Liverpool Philharmonic Choir & Royal Liverpool Philharmonic Orchestra, Sir Charles Groves The Black Knight, Op. 25 Liverpool Philharmonic Choir & Royal Liverpool Philharmonic Orchestra, Sir Charles Groves Scenes from the Saga of King Olaf Teresa Cahill (Soprano), Philip Langridge (Tenor) & Brian Rayner Cook (Baritone) London Philharmonic Choir & London Philharmonic Orchestra, Vernon Handley Spanish Serenade 'Stars of the Summer Night' Liverpool Philharmonic Choir & Royal Liverpool Philharmonic Orchestra, Sir Charles Groves The Snow Liverpool Philharmonic Choir & Royal Liverpool Philharmonic Orchestra, Sir Charles Groves Fly singing bird Liverpool Philharmonic Choir & Royal Liverpool Philharmonic Orchestra, Sir Charles Groves Caractacus, Op. 35 Peter Glossop (Baritone), Sheila Armstrong (Soprano), Robert Tear (Tenor), Brian Rayner Cook (Baritone), Malcolm King (Bass) & Richard Suart (Bass) Liverpool Philharmonic Choir & Royal Liverpool Philharmonic Orchestra, Sir Charles Groves Caractacus, Op. 35 Peter Glossop (Baritone), Sheila Armstrong (Soprano), Robert Tear (Tenor), Brian Rayner Cook (Baritone), Malcolm King (Bass) & Richard Suart (Bass) London Philharmonic Orchestra, Sir Adrian Boult The Banner of St George London Symphony Chorus & Northern Sinfonia of England, Richard Hickox Benedictus, Op. 34 No. 2 London Symphony Chorus & Northern Sinfonia of England, Richard Hickox Te Deum laudamus, Op. 34, No. 1 London Symphony Chorus & Northern Sinfonia of England, Richard Hickox Great is the Lord (Psalm XLVIII), Op. 67 Stephen Roberts (Baritone) London Symphony Chorus & Northern Sinfonia of England, Richard Hickox The Spirit of England, Op. 80 Dame Felicity Lott (Soprano) London Symphony Chorus & Northern Sinfonia of England, Richard Hickox Give unto the Lord (Psalm XXIX), Op. 74 London Symphony Chorus & Northern Sinfonia of England, Richard Hickox O hearken Thou, Op. 64 London Symphony Chorus & Northern Sinfonia of England, Richard Hickox Land of Hope and Glory (arr. Arthur Fagge) London Symphony Chorus & Northern Sinfonia of England, Richard Hickox Ave verum corpus, Op. 2 No. 1 Worcester Cathedral Choir, Harry Bramma & Christopher Robinson Ave Maria, Op. 2 No. 2 Worcester Cathedral Choir, Harry Bramma & Christopher Robinson Ave maris stella, Op. 2 No. 3 Worcester Cathedral Choir, Harry Bramma & Christopher Robinson Vesper Voluntaries, Op. 14 Worcester Cathedral Choir, Harry Bramma & Christopher Robinson Angelus Worcester Cathedral Choir, Harry Bramma & Christopher Robinson Organ Sonata No. 1 in G major, Op. 28 Herbert Sumsion (organ) The Music Makers, Op. 69 Dame Janet Baker London Philharmonic Choir & London Philharmonic Orchestra, Sir Adrian Boult The Sanguine Fan, Op. 81 London Philharmonic Orchestra, Sir Adrian Boult Starlight Express, Op. 78 Valerie Masterson (Soprano) & Derek Hammond-Stroud (Baritone) London Philharmonic Orchestra, Vernon Handley Scenes (6) from the Bavarian Highlands, Op. 27 Pleading, Op. 48 No. 1 Three Songs, Op. 59 Two Songs Op. 60 (The Torch; The River) Two Part-songs Op. 71 My Love Dwelt in a Northern Land Op. 18 No. 3 Five Part-songs from The Greek Anthology, Op. 45 The Wanderer The Reveille Op. 54 Four Part-songs Op. 53 Jerusalem Pomp and Circumstance March No. 1 in D major, Op. 39 No. 1 BBC Symphony Orchestra, Sir Edward Elgar Pomp and Circumstance March No. 2 in A minor, Op. 39 No. 2 BBC Symphony Orchestra, Sir Edward Elgar Pomp and Circumstance March No. 3 in C minor, Op. 39 No. 3 London Symphony Orchestra, Sir Edward Elgar Pomp and Circumstance March No. 4 in G major, Op. 39 No. 4 BBC Symphony Orchestra, Sir Edward Elgar Pomp and Circumstance March No. 5 in C major, Op. 39 No. 5 BBC Symphony Orchestra, Sir Edward Elgar The Dream of Gerontius, Op. 38 - Prelude Royal Albert Hall Orchestra, Sir Edward Elgar Serenade for Strings in E minor, Op. 20 London Philharmonic Orchestra, Sir Edward Elgar Five Piano Improvisations Sir Edward Elgar Salut d'amour, Op. 12 New Symphony Orchestra, Sir Edward Elgar Chanson de Nuit, Op. 15 No. 1 Royal Albert Hall Orchestra, Sir Edward Elgar Chanson de Matin, Op. 15 No. 2 London Symphony Orchestra, Sir Edward Elgar Pomp and Circumstance March No. 1 in D major, Op. 39 No. 1 (Trio) London Symphony Orchestra, Sir Edward Elgar Cockaigne Overture, Op. 40 'In London Town'
BBC Symphony Orchestra, Sir Edward Elgar |
Also includes 'The Apostles and the Kingdom - An Illustrated Introduction by Sir Adrian Boult' (2006 remaster)
Elgar is the quintessential English composer. He is loved as our Shakespeare of music, and we turn to him at times of solemn remembrance and national rejoicing. This edition, released to celebrate the 150th anniversary of the composer’s birth, presents all the major orchestral, choral, chamber and stage works, as well as many lesser pieces and rarities, in interpretations by the 20th century’s finest Elgarians. All your favourite Elgar is here, in over 32 hours of music on 30 CDs. | | | In stock - usually despatched within 1 working day. |
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