All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Mozart & Petrini - Violin Sonatas
Masumi Nagasawa (harp) & Ryo Terakado (violin) In Mozart’s time, the harp became one of the more fashionable instruments and there was a great demand for repertoire. During research in a Parisian library, Nagasawa discovered a score from that period that indicated that the part of the harpsichord could also be played on the harp and decided to do just that. She performs on an authentic 18th century harp with a single action mechanism. | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart - Complete Sonatas for Keyboard & Violin, Volumes 7 & 8
Mozart: | Allegro in Bb major, KV372 Variations (6) in G minor, ‘Hélas, j’ai perdu mon amant’ K.374b Sonata in Eb major, KV26 Fantasie for piano & violin in C minor KV 396 Variations (12) in G major on 'La Bergère Célimène, K374a (K359) Sonata in B Flat Major, KV10 Sonata in G Major, KV11 Sonata in A Major, KV12 Sonata in F Major, KV13 Sonata in C Major, KV14 Sonata in B Flat Major, KV15 with Alison McGillivray (cello) |
The final two volumes in this benchmark survey of Mozart’s complete music for Keyboard and Violin, released together at a special priced 2 disc set. ‘(… ) So, my lasting impression, having dissected every note of the music, is of a cornucopia of hidden gems; hidden because history has under-rated, misunderstood and bowdlerized the collective meaning of these works by assuming that it is an uneven genre – but then so are the symphonies and even the operas! Finally, one asks why there hasn’t previously been a complete recording on historical instruments. From my ‘privileged’ position as listener-inchief, I can tell you it is because no pair can make such transparent and difficult music sound so effortless, elegant, witty, emotionally persuasive and enjoyable.’ Jonathan Freeman- Attwood, producer “Journey’s end for this award-winning series of Mozart’s keyboard-violin duos, dispatched on period instruments with kaleidoscopic élan by Cooper and Podger. A cello chips in for the sonatas of 1764; ingratiating trifles from the eight-year-old composer.” The Times, 6th June 2009 **** “Cooper and Podger perform the variations with typical verve… it’s impossible to ignore the individuality, vitality and commitment of their performances.” Gramophone Magazine, October 2009 | | | In stock - usually despatched within 1 working day. |
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