anon.: Assumpta est Maria 'Dominus vobiscum'

This page lists our only recording of Assumpta est Maria 'Dominus vobiscum', by on CD.

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Victoria - Missa Gaudeamus

Label:

Hyperion

Catalogue No:

CDA67748

Discs:

1

Release date:

29th June 2009

Barcode:

0034571177489

Medium:

CD

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Victoria - Missa Gaudeamus

a liturgical sequence, with organ works by Girolamo Frescobaldi


anon.:

Gaudeamus omnes

Dominus vobiscum – Famulorum tuorum, quaesumus Domine

Lectio libri Sapientiae 'In omnibus requiem quaesivi'

Propter veritatem

Alleluia. Assumpta est Maria in caelum

Dominus vobiscum – In illo tempore

Assumpta est Maria 'Dominus vobiscum'

Per omnia saecula – Dominus vobiscum – Vere dignum et iustum est

Per omnia saecula – Pater noster

Optimam partem elegit sibi Maria

Dominus vobiscum – Mensae caelestis participes effecti

Frescobaldi:

Toccata avanti la Messa

Thomas Wilson (organ)

Canzon dopo l'Epistola

Thomas Wilson (organ)

Recercar dopo il Credo

Thomas Wilson (organ)

Recercar 'Sancta Maria'

Thomas Wilson (organ)

Victoria:

Missa Gaudeamus

Vidi speciosam


Westminster Cathedral Lay Clerks, Matthew Martin

CD

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Special: $10.05

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A new recording from Westminster Cathedral features the gentlemen of their choir in a fascinating programme which brings to life the musical and liturgical traditions of this foundation.

This recording by the lay clerks of Westminster Cathedral presents a full choral, and instrumental, celebration of Mass for the Feast of the Assumption of the Blessed Virgin Mary, which falls on 15 August. It is based on music by two major composers, Tomás Luis de Victoria and Girolamo Frescobaldi. Victoria’s Missa Gaudeamus provides the central feature of an elaborate liturgical sequence in which other music—including motets by Victoria, Mass Propers and other passages of chant, and organ music by Frescobaldi in several forms—is interpolated between the movements of the Mass Ordinary. This festive celebration of Mass is intended not as a reconstruction of a known occasion in the early seventeenth century, but as a sort of musical offering that illustrates the complex liturgical structures becoming available in a period when the resources for the enrichment of the liturgy were growing steadily.

playFrescobaldi: Toccata Avanti La Messa

playAnon: Gaudeamus Omnes

playVictoria: Missa Gaudeamus - Kyrie

playVictoria: Missa Gaudeamus - Gloria

playAnon: Dominus Vobiscum. Famulorum Tuorum, Quaesumus Domine

playAnon: Lectio Libri Sapientiae

playAnon: Propter Veritatem

playAnon: Alleluia. Assumpta Est Maria In Caelum

playFrescobaldi: Canzon Dopo L'Epistola

playAnon: Dominus Vobiscum. In Illo Tempore

playVictoria: Missa Gaudeamus - Credo

playFrescobaldi: Recercar Dopo Il Credo

playAnon: Assumpta Est Maria

playVictoria: Vidi Speciosam

playAnon: Prefacio

playVictoria: Missa Gaudeamus - Sanctus

playVictoria: Missa Gaudeamus - Benedictus

playAnon: Pater Noster

playVictoria: Missa Gaudeamus - Agnus Dei

playAnon: Optimam Partem Elegit Sibi Maria

playVictoria: Vidi Speciosam; Quae Est Ista

playAnon: Dominus Vobiscum. Mensae Caelestis Participes Effecti

playFrescobaldi: Recercar "Sancta Maria"

The Guardian

26th June 2009

****

“New recordings of Tomas Luis de Victoria's intensely beautiful mass settings, the musical peak of the Spanish Renaissance, come along frequently enough. This latest, recorded in Westminster cathedral, places one of them...It makes a compelling whole, sung with rapt purity by the male voices of Westminster Cathedral choir.”

The Observer

19th July 2009

“This offers satisfying musical variety, sung with smooth elegance by the Lay Clerks of Westminster cathedral...the Gloria, Benedictus and Agnus Dei of the Mass itself do full justice to Victoria's sublime, seamlessly flowing polyphony.”

Gramophone Magazine

September 2009

“A stunning disc that will become the new benchmark in this repertoire. Westminster Cathedral's 19 Lay Clerks give a beautifully paced rendition of Victoria's rarely performed… Missa Gaudeamus. Organ and choir come together in the final Recercar: Sancta Maria by Frescobaldi. The choral blend is - as might be expected - superb and exquisitely balanced. The countertenors soar to amazing heights without the slightest hint of strain.”

Financial Times

“An elaborate musical mosaic, the appeal of which owes much to the atmospheric depths of the Westminster acoustic, beautifully captured on this recording”

International Record Review

“Close-up, full-throated and passionate”

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