Ward, J: In Nomine a5

This page lists our only recording of In Nomine a5, by John Ward (c.1589-1638) on CD & SACD.

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John Ward - Consort music for five and six viols

Awards:

Gramophone Awards 2010

Finalist - Early Music

Label:

Linn

Catalogue No:

CKD339

Discs:

1

Release date:

24th Aug 2009

Barcode:

0691062033923

Medium:

SACD

Format:

Hybrid Multi-channel
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John Ward - Consort music for five and six viols


Ward, J:

Fantasia No. 1 a6

Fantasia No. 3 a6

Fantasia No. 6 a6

Fantasia No. 2 a6

Fantasia No. 4 a6

Fantasia No. 5 a6

Fantasia No. 7 a6

In Nomine No. 1 a6

Fantasia No. 1 a5 (Dolce Languir)

Fantasia No. 2 a5 (La Rondinella)

Fantasia No. 3 a5

Fantasia No. 4 a5

Fantasia No. 5 a5

Fantasia No. 6 a5

Fantasia No. 7 a5

Fantasia No. 8 a5

Fantasia No. 9 a5

Fantasia No. 10 a5

Fantasia No. 11 a5 (Cor Mio)

Fantasia No. 13 a5 (Non fu senze)

Fantasia No. 12 a5 (Leggiadra sei)

In Nomine a5

In Nomine No. 2 a6


Emilia Benjamin (tenor viol) & Mikko Perkola (bass viol)

Phantasm

SACD

$16.75

In stock - usually despatched within 1 working day.

“So harmonious is their mutual musical vision that it is hard to believe there are really six individual players at work here.” BBC Music Magazine

"Phantasm play with the kind of sympathetic interplay that you'd expect from a crack string quartet.” Gramophone

Phantasm’s bold and passionate style of consort playing does full justice to John Ward’s Consort music for five and six viols, recorded here complete for the very first time. Recorded in the warm acoustic of Wadham College Chapel, Oxford this recording reveals works that seduce the listener with lyrical melodies and music of great charm.

Phantasm’s rare ability to produce such a richly expressive unified sound allows the subtlety and elegance in Ward’s music to be fully realised.

John Ward (1571 - 1638) was a noted madrigalist and contemporary of Gibbons. His viol music is of further interest due to an abundance of historical references to Pavans, Italian ‘madrigalisms’ and plainsong (the latter demonstrated in Ward’s three examples of the In Nomine).

Phantasm, founded in 1994, catapulted into international prominence when its debut CD won a Gramophone Award for the Best Baroque Instrumental Recording of 1997.

Since then, Phantasm has released ten further recordings, won several awards, and become recognised as the most exciting viol consort active on the world scene today.

Critics have called their performances and recordings: 'intoxicating', 'revelatory', 'electrifying', 'interpretations pervaded by a truly burning spirit'.

In their debut recording for Linn Records, acclaimed viol consort Phantasm showcase their dazzling sonority with a charming programme of music deserving of re-discovery.

playFantasia No 1 a6 (VdGS 1)

playFantasia No 3 a6 (VdGS 3)

playFantasia No 6 a6 (VdGS 6)

playFantasia No 2 a6 (VdGS 2)

playFantasia No 4 a6 (VdGS 4)

playFantasia No 5 a6 (VdGS 5)

playFantasia No 7 a6 (VdGS 7)

playIn Nomine No 1 a6 (VdGS 1)

playFantasia No 1 a5 (VdGS 1)

playFantasia No 2 a5 La Rondinella (VdGS 2)

playFantasia No 3 a5 (VdGS 3)

playFantasia No 4 a5 (VdGS 4)

playFantasia No 5 a5 (VdGS 5)

playFantasia No 6 a5 (VdGS 6)

playFantasia No 7 a5 (VdGS 7)

playFantasia No 8 a5 (VdGS 8)

playFantasia No 9 a5 (VdGS 9)

playFantasia No 10 a5 (VdGS 10)

playFantasia No 11 a5 Cor Mio (VdGS 12)

playFantasia No 13 a5 Non Fu Senze (VdGS 14)

playFantasia No 12 a5 Leggiadra Sei (VdGS 13)

playIn Nomine a5 (VdGS 14)

playIn Nomine No 2 a6 (VdGS 2)

BBC Music Magazine

November 2009

*****

“Phantasm's playing is impeccable, alternately exposing motifs and coalescing in sonorities all the richer for being so perfectly in tune. Their performance is supported by surround-sound recording, re-creating the warm acoustic of an Oxford Chapel. Tudor viol music seldom sounds better than this.”

Gramophone Magazine

November 2009

“As an ensemble, the members of Phantasm perform with authority and exceptional musical awareness. They achieve a remarkable blend of instrumental timbres and breathe as one with their bows. The results on this disc are stunning; but, equally the recording successfully captures individual voices, so much so that the listener feels almost part of the ensemble.”

The Observer

6th September 2009

“In the warmly resonant playing of Phantasm they emerge, as director Laurence Dreyfus characterises them, as madrigals which revel in harmonic shifts, interrupted cadences and delayed resolutions. The richly sustained performances - have you ever heard so much vibrato from a viol consort? - make a fine case for a neglected composer”

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