Puccini: Ore dolci e divine (from La Rondine)

This page lists all recordings of Ore dolci e divine (from La Rondine), by Giacomo Antonio Domenico Michele Secondo Maria Puccini (1858-1924) on CD & SACD.

Recommendations

Editor's Choice
Awards Issue 2009

All recordings

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Puccini ≡ Passion

Puccini ≡ Passion


Puccini:

Se come voi piccina io fossi (from Le Villi)

Addio, addio mio dolce amor! (from Edgar)

In quelle trine morbide (from Manon Lescaut)

Sola, perduta, abbandonata (from Manon Lescaut)

Si, mi chiamano Mimi (from La Bohème)

Quando me'n vo (from La Bohème)

Donde lieta usci (from La Bohème)

Vissi d'arte (from Tosca)

Un bel di vedremo (from Madama Butterfly)

Che tua madre dovrà prenderti in braccio (from Madama Butterfly)

Con onor muore (from Madama Butterfly)

Chi il bel sogno di Doretta (from La Rondine)

Ore dolci e divine (from La Rondine)

Senza mamma, o bimbo (from Suor Angelica)

Tu che di gel sei cinta (from Turandot)

E l'uccellino

Sole e Amore

O mio babbino caro (from Gianni Schicchi)

Signore, ascolta! (from Turandot)


Cheryl Barker (soprano)

State Orchestra of Victoria, Richard Bonynge

Cheryl Barker first broke the hearts of audiences worldwide as Mimì in Baz Luhrman’s imaginative production of La bohème. In Puccini ≡ Passion the radiant Australian soprano delivers beguiling performances in a panoply of Puccini’s heroines in favourite arias, accompanied by the State Orchestra of Victoria under the baton of Richard Bonynge.

Opera expert Rodney Milnes comments in the booklet: “Puccini famously liked to write about "little women", but he gave them "big" music, which is one thing that makes Cheryl Barker so ideal an interpreter of his soprano roles ... her lyric soprano, with an indefinably sweet vibrancy built in to the tone, adds immeasurably to her appeal. With that vibrancy comes a sense of vulnerability, which helps her bring the characters alive in both vocal and dramatic terms ... This most welcome disc allows her to present an overview of Puccini's women from the very beginning.”

Issued for the first time on SACD, this disc is for all lovers of Puccini, encompassing his most popular soprano arias from Manon Lescaut, Tosca, La bohème and Madama Butterfly, one of Barker’s favourite roles, as well as arias from Le Villi, Edgar, La rondine, Suor Angelica, Gianni Schicci and Turandot. Barker ends with two little known treasures, the folksong-like ‘E l’uccellino’, and ‘Sole e amore’, an 1888 song whose melody Puccini later re-used in La bohème. And in a departure from his usual repertoire Richard Bonynge brings fresh imagination and sparkle to Puccini’s masterful orchestral palette.

Cheryl Barker’s most recent CD, also for Melba and released in 2011, was Pure Diva (MR301129), a very personal tribute to her teacher and fellow Australian soprano, the great Dame Joan Hammond.

Super Audio CD

Format:

Hybrid Multi-channel

Melba Recordings - MR301110

(SACD)

$15.75

In stock - usually despatched within 1 working day.

Renée Fleming - Verismo

Renée Fleming - Verismo


Catalani:

Ne mai dunque avro pace…Ohime! from La Wally

Cilea:

O mia cuna fiorita: Gloria

Giordano, U:

Tutto tramonta from Fedora

with Arturo Chacón-Cruz and Emma Latis

Nel so amore from Siberia

Leoncavallo:

Musette svaria sulla bocca viva (from La Bohème)

Mimi Pinson la biondinetta (from La Bohème)

with Paolo Cautoruccio, Marco Calabrese, Saito Kaoru, Annalisa Dessi, Carlos Gomez, Gilles Armani and Choir

Angioletto, il tuo nome? from Zaza

with Emma Latis

Mascagni:

Un dì ero piccina (from Iris)

Ah, il suo nome… Flammen perdonami (from Lodoletta)

Puccini:

Senza mamma, o bimbo (from Suor Angelica)

Ore dolci e divine (from La Rondine)

with Saito Kaoru, Lucia Mencaroni, Barbara Vignudelli

Si, mi chiamano Mimi (from La Bohème)

Donde lieta usci (from La Bohème)

with Arturo Chacón-Cruz

Sola, perduta, abbandonata (from Manon Lescaut)

Tu che di gel sei cinta (from Turandot)

with Arturo Chacón-Cruz, Marco Calabrese, Barbara Vignudelli and Choir

Bevo al tuo fresco sorriso (from La Rondine)

with Jonas Kaufmann, Barbara Vignudelli, Paolo Cauteruccio and Choir

Zandonai:

Ier della Fabbrica from Conchita


Renée Fleming sings opera arias by Puccini and his contemporaries. Celebrating the composers of the Verismo style.

Favourite Puccini arias from La Bohème, Turandot, Manon Lescaut, Il Trittico etc.

Rarely heard arias by other Verismo composers.

World Premiere recording of the original manuscript version of the aria from Puccini’s Manon Lescaut.

Star tenor Jonas Kaufmann joins Renée Fleming for an irresistible melody from Act II of Puccini’s La Rondine.

“At its best… verismo's emotional immediacy is a gift to a performer like Renée Fleming, her voice combining luscious tone and intensity.” BBC Music Magazine, Christmas 2009 *****

“…the feeling throughout is generous and true. Characterisation… infuses the voice without being applied like make-up. And the inclusion of some unexpected charmers - the solos from Leoncavallo's Bohème have the lilt of good operetta - is most welcome.” Gramophone Magazine, Awards Issue 2009

“Fleming’s characterisation of these colourful heroines radiates off the recording; her voice often gasps and quivers in turmoil, with finely judged dynamics and tender little portamenti. The vocal delivery itself, despite all this drama, is technically perfect, simply delivered and clearly defined...With this recording, Fleming has more than justified her diva status.” Charlotte Gardner, bbc.co.uk, 24th September 2009

GGramophone Magazine

Editor's Choice - Awards Issue 2009

Decca - 4781533

(CD)

$16.75

Usually despatched in 2 - 3 working days.

Dorothy Kirsten

Dorothy Kirsten


Charpentier, G:

Depuis le jour (from Louise)

Giordano, U:

La mamma morta (from Andrea Chénier)

Gounod:

Il était un roi de Thule... Ah! je ris (from Faust)

Massenet:

Te souvient-il du lumineux voyage (from Thaïs)

Obéissons quand leur voix appelle (from Manon)

Puccini:

Si, mi chiamano Mimi (from La Bohème)

Donde lieta usci (from La Bohème)

In quelle trine morbide (from Manon Lescaut)

Un bel di vedremo (from Madama Butterfly)

Chi il bel sogno di Doretta (from La Rondine)

Sola, perduta, abbandonata (from Manon Lescaut)

Vissi d'arte (from Tosca)

Ore dolci e divine (from La Rondine)

Tu? Tu? Piccolo iddio (from Madama Butterfly)

O mio babbino caro (from Gianni Schicchi)

Tu che di gel sei cinta (from Turandot)

Verdi:

Ah, fors'è lui che l'anima (from La Traviata)

Sempre libera (from La Traviata)

Addio del passato (from La Traviata)


Dorothy Kirsten (soprano)

RCA Orchestra/Morel; Met/Cleva; Columbia SO/Cleva

recorded RCA Victor 1947, Columbia 1951-3

Preiser Lebendige Vergangenheit - PR89632

(CD)

$12.75

Usually despatched in 2 - 3 working days.

Leontyne Price: The Complete Collection of Operatic Recital Albums

Leontyne Price: The Complete Collection of Operatic Recital Albums


Barber, S:

He has come, he has come! (from Vanessa)

Do not utter a word (from Vanessa)

Give Me Some Music (from Antony and Cleopatra, Op. 40)

Give me my robe (from Antony and Cleopatra)

Knoxville: Summer of 1915, Op. 24

Beethoven:

Abscheulicher! Wo eilst du hin? (from Fidelio)

Bellini:

Sediziose voci (from Norma)

Casta Diva (from Norma)

Mira, o Norma (from Norma)

with Marilyn Horne (mezzo)

Berlioz:

La Damnation de Faust: D'amour l'ardente flamme

Bizet:

Je dis que rien ne m'épouvante (from Carmen)

Boito:

L'altra notte in fondo al mare (from Mefistofele)

Britten:

On rivalries 'tis safe for kings...O God, my King (from Gloriana)

Charpentier, G:

Depuis le jour (from Louise)

Cilea:

Ecco: respiro appena. Io son l'umile ancella (from Adriana Lecouvreur)

Poveri fiori (from Adriana Lecouvreur)

Debussy:

L'annee en vain...Cependent les soirs (from L'enfant Prodigue)

Dvorak:

Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka)

Flotow:

The Last Rose of Summer (Martha)

Gershwin:

Porgy and Bess (highlights)

Giordano, U:

La mamma morta (from Andrea Chénier)

Gluck:

Divinités du Styx (from Alceste)

Handel:

Care selve (from Atalanta)

Semele: Where'er you walk

Vivi, tiranno, io t'ho scampato (from Rodelinda)

Marilyn Horne (mezzo)

Fermati! No, crudel! (from Rinaldo)

Korngold:

Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt)

Leoncavallo:

Qual fiamma avea nel guardo!.... Hui! Stridono lassù (from I Pagliacci)

Mascagni:

Voi lo sapete o mamma (from Cavalleria rusticana)

Massenet:

Allons! Il le faut pour lui-même!... Adieu, notre petite table (from Manon)

Dis-moi que je suis belle (from Thaïs)

Menotti:

While I waste these precious hours (from Amelia Goes to the Ball)

Meyerbeer:

In grembo a me [Sur mes genoux] (from L'Africaine)

Sung in French

Non, non, non, vous n'avais jamais, je gage (from Les Huguenots)

Marilyn Horne (mezzo)

Mozart:

E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro)

Don Ottavio, son morta!...Or sai chi l'onore (from Don Giovanni)

Ch'io mi scordi di te?... Non temer, amato bene, K505

Porgi amor (from Le nozze di Figaro)

Se il padre perdei (from Idomeneo)

Ach, ich fühl's (from Die Zauberflöte, K620)

Giunse alfin il momento... Deh, vieni, non tardar… (from Le nozze di Figaro)

L'amerò, sarò costante (from Il re pastore)

Bella mia fiamma, addio... Resta, oh cara, K528

Crudele? Ah no, mio bene! ... Non mi dir, bell'idol mio (from Don Giovanni)

Oh smania! oh furie!...D'Oreste, d'Aiace (from Idomeneo)

Ah, guarda, sorella (from Così fan tutte)

with Marilyn Horne (mezzo)

Dove sono i bei momenti (from Le nozze di Figaro)

Offenbach:

Tu n'es pas beau, tu n'es pas riche (from La Périchole)

Poulenc:

Mes filles, voilà que s'achève (from Dialogues des Carmelites)

Puccini:

Un bel di vedremo (from Madama Butterfly)

Tu? Tu? Piccolo iddio (from Madama Butterfly)

Chi il bel sogno di Doretta (from La Rondine)

Vissi d'arte (from Tosca)

Signore, ascolta! (from Turandot)

Tu che di gel sei cinta (from Turandot)

Senza mamma, o bimbo (from Suor Angelica)

O mio babbino caro (from Gianni Schicchi)

Si, mi chiamano Mimi (from La Bohème)

Donde lieta usci (from La Bohème)

Quando me'n vo (from La Bohème)

Addio, addio mio dolce amor! (from Edgar)

Ore dolci e divine (from La Rondine)

Vissi d'arte (from Tosca)

In quelle trine morbide (from Manon Lescaut)

Sola, perduta, abbandonata (from Manon Lescaut)

Se come voi piccina io fossi (from Le Villi)

Un bel di vedremo (from Madama Butterfly)

L'amore e un altra cosa (from La Fanciulla del West)

Laggiù nel Soledad (from La Fanciulla del West)

Oh, sarò la più bella...Tu, tu, amore? (from Manon Lescaut)

with Placido Domingo (tenor)

Bimba, bimba, non piangere (from Madama Butterfly)

with Placido Domingo (tenor)

In questa reggia (from Turandot)

Chi il bel sogno di Doretta (from La Rondine)

Una nave da guerra...Scuoti quelle fronda (from Madama Butterfly)

with Marilyn Horne (mezzo)

Purcell:

Thy hand, Belinda … When I am laid in earth (from Dido & Aeneas)

Rossini:

Non temer, d' un basso affetto (from Maometto II)

Marilyn Horne (mezzo)

Strauss, J, II:

Klänge der Heimat (from Die Fledermaus)

Strauss, R:

Zweite Brautnacht! (from Die Ägyptische Helena)

Salome: Dance of the Seven Veils

Salome: Zwischenspiel

Ah! Du wolltest mich nicht deinen Mund küssen lassen (from Salome)

Es gibt ein Reich (from Ariadne auf Naxos)

Tchaikovsky:

Puskay pogibnu ya 'Tatiana's Letter Scene' (from Eugene Onegin)

Verdi:

Ritorna vincitor! (from Aida)

Qui Radamès verrà!... O patria mia (from Aida)

Tacea la notte (from Il Trovatore)

D'amor sull'ali rosee (from Il Trovatore)

Teneste la promessa...Addio, del passato (from La Traviata)

Era più calmo? (from Otello)

Mia madre aveva...Piangea cantando...Ave Maria (from Otello)

Vegliammo invan due notti (from Macbeth)

Una macchia è qui tutt'ora (from Macbeth)

O madre, dal cielo …Se vano, se vano è il pregare (from I Lombardi)

Come in quest'ora bruna (from Simon Boccanegra)

È strano! è strano!...Ah! fors è lui (from La traviata)

Sempre libera (from La Traviata)

Tu che la vanità (from Don Carlo)

Giá nella notte densa (from Otello)

with Placido Domingo (tenor)

Teco io sto (from Un ballo in maschera)

with Placido Domingo (tenor)

La luce langue (from Macbeth)

Caro nome (from Rigoletto)

Silenzio! Aida verso noi s'avanza (from Aida)

with Marilyn Horne (mezzo)

Pace, pace mio Dio! (from La forza del destino)

Wagner:

Du bist der Lenz (from Die Walküre)

Dich, teure Halle (from Tannhauser)

Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde)

Weber:

Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz)

Ozean, du Ungeheuer (from Oberon)

Zandonai:

Paolo, datemi pace! (from Francesca Da Rimini)


Leontyne Price (soprano)

Leontyne Price is simply one of the best sopranos of all time. Hailed as the “Stradivarius of singers” she had a unique, unmistakable and unforgettable voice which graced the stage of the Met an astonishing 164 times throughout her career.

The Leontyne Price catalogue is divided into two “Complete Collections”; Song and Spiritual Albums and Operatic Recital Albums. These collections are housed in original LP design cardboard slipcases and presented in a hardback boxset.

“her core stage repertoire was restricted to a dozen or so roles...These 14 recital albums extend her range from Purcell’s Dido to Menotti’s Amelia: her Handel and Mozart may have dated stylistically, but few Countess Almavivas or Donna Annas have sounded more temperamental and voluptuous...All in all, a banquet for opera-lovers.” Sunday Times, 8th January 2012

Sony - 88697940512

(CD - 14 discs)

$44.50

In stock - usually despatched within 1 working day.

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