Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Tango sinfónico
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“Fassbaender is one of the most
intelligent vocalists around...the result is
a triumph. A captivating performance." CD REVIEW “Kurt Weill composed La complainte de la Seine in 1934, while he was living in France. It was first sung and recorded by Lys Gauty. In the introduction to the first verse, Weill weaves in a quote from the marching theme at the end of Die sieben Todsünden. The two are neatly linked here, as Brigitte Fassbaender sings the chanson directly after the ballet-chanté. Of all the opera singers who have recorded The Seven DeadlySins, Fassbaender's has always been a favourite. She sings it in the original, higher key, and although some of the tempi chosen by Cord Garben seem a little slow, Fassbaender's luscious mezzo invests the work with a superb sense of world-weariness. All the other songs come from the cache of unpublished work that we first got to know in 1982 through Teresa Stratas's 'The Unknown Kurt Weill' (Nonesuch). Stratas gives the songs more urgency; Fassbaender seems relaxed by comparison, which is not to say that she doesn't extract every last ounce of irony from the lyrics, including one unique contribution from Jean Cocteau (Es regnet). The original issue had full texts and translations; here there are merely synopses. Nevertheless, at its modest price, this is highly recommended.” Gramophone Classical Music Guide, 2010 “Of all the opera singers who have recorded The Seven Deadly Sins, Fassbaender's has always been my favourite version. She sings it in the original, high key, and although some of the tempi chosen by Cord Garben seem a little slow, Fassbaender's luscious mezzo invents the work with a superb sense of world-weariness.” Gramophone Magazine, July 2006 | | | In stock - usually despatched within 1 working day. |
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| |  | Neuland: Flautando Köln
Flautando Köln: Katharina Hess, Susanne Hochscheid, Kerstin de Witt (recorders), Ursula Thelen (recorders, voice), Tilmann Schmidt (contrabass), Torsten Müller (percussion), Albrecht Maurer (violin and Gothic fiddle) For the programme on this CD, the renowned recorder group Flautando Köln explore entirely new directions, interpreting music well outside the normal repertoire for their instruments. Amongst them are pieces by Kurt Weill, Claude Debussy and the jazz great Dizzie Gillespie. For almost 20 years the four musicians of Flautando Köln have been developing new and interesting repertoire. For this they draw on a huge area of music from the middle ages to the present century, arranging melodies and compositions for their instruments or playing in an assured style works especially written for them. Usually they are joined in performance by invited musicians playing different instruments. | 
| | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Dandy
Bataclan’s latest project immerses the listener into the fin d’époque atmosphere in cities such as Paris, London and Berlin at the dawn of the 20th century. Bataclan’s unique combination of instruments; bandoneón, bassoon and harpsichord provides a wonderful combination for this music. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Tango in Blue
“José Serebrier follows various limbs and stems on 'Tango in Blue', and it's remarkable where some of these lead. The conductor's arrangement of Erik Satie's sly, slightly neurotic and oh-so French Le tango is deft and delicate. Weill is represented with a pair of dark-hued tangos sung with spirit and conviction by Carole Farley. ...an engaging programme overall.” Gramophone Magazine, April 2006 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Short Stories: A Collection of Romantic Violin Pieces.
Achron, J: | Liebeswidmung, Op. 51 | Albéniz: | Tango (No. 2 from Espana, Op. 165) trans. Kreisler | Chopin: | Waltz No. 3 in A minor 'Grande Valse Brillante', Op. 34 No. 2 trans. Sarasate Mazurka No. 45 in A minor, Op. 67 No. 4 trans. Kreisler | Glazunov: | Waltz in D major Op. 42 No. 3 trans. Barinovoi | Hubay: | 5 Morceaux, Op. 51: Bolero | Musin: | Short Story trans. Dushkin Mazurka de Concert | Rachmaninov: | Danses Tziganes, Op.6 trans. Dushkin | Ravel: | Vocalise-étude en forme de habanera | Sitt: | Bolero, Op. 95 No. 12 | Vieuxtemps: | Trois Morceaux, Op. 40 | Weill, K: | Youkali trans. Garlej | Wieniawski: | Fantasie Orientale Op. 24 | Zimbalist: | Sarasateana: Tango |
David Frühwirth (violin), Henri Sigfridsson (piano) The title, taken from the opening Gershwin track, says it all. Each of the gems presented here by Austrian violinist David Frühwirth tells its own unique and captivating Short Story. David takes the listener on a musical journey through Western and Eastern Europe with an intriguing collection of miniatures, many by virtuoso violinists of the 19th and 20th centuries who applied their personal touch to the range and idiosyncrasies of their instrument to create these small but perfectly formed masterpieces. Works by relative unknowns such as Joseph Achron, Ovid Musin and Hans Sitt mingle with popular transcriptions by Kreisler, and arrangements of works by Glazunov, Ravel and Weill, including several world-premiere recordings. David Frühwirth garnered international attention with his Gramophone Editor’s Choice Avie debut, Trails of Creativity (AV 0009). On Short Stories, he applies the same ingenuity for seeking out unknown but deserving and striking repertoire. Recorded in July 2000, Vienna Symphony Studio, Konzerthaus, Vienna | | | Usually despatched in 4 - 5 working days. |
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| |  | Cabaret Songs
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Mozart to Weill
Mendelssohn: | Der Mond, Op. 86 No. 5 Romanze, Op. 8 No. 10 Suleika (Goethe/von Willemer) Op. 34 No. 4 Das erste Veilchen, Op. 19a No. 2 Die Liebende schreibt (Goethe) Op. 86 No. 3 Frühlingslied 'Durch den Wald, den dunkeln', Op. 47 No. 3 | Mozart: | Sehnsucht nach dem Frühlinge, K596 | Schoenberg: | Gigerlette Der genügsame Lieb-haber Mahnung | Strauss, R: | Ständchen, Op. 17 No. 2 Morgen, Op. 27 No. 4 Zueignung, Op. 10 No. 1 Cäcilie, Op. 27 No. 2 Allerseelen, Op. 10 No. 8 Die Nacht, Op. 10 No. 3 | Weill, K: | Scène au Dancing Youkali Nanna's lied (Text: Bertolt Brecht) Je ne t'aime pas (text: Maurice Magre) Buddy on the Nightshift Tango Ballad | Zemlinsky: | Gib ein Lied mir wieder (from 12 Lieder, Op. 27) Eland |
Annette Celine (soprano), Felicj Blumental (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Ute Lemper Sings Kurt Weill - Volume 2
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At the invitation of Yannick Nézet-Séguin, Diane Dufresne sang some of the best-known Kurt Weill songs at an all-Weill concert that took place in March 2003 in Montreal and that is already regarded as one of the most important events of recent years on the Montreal music scene. The recording was done shortly after the concert. The CD also contains Symphony No. 2, a work Yannick Nézet-Séguin had dreamed of performing for a long time. The provocative Diane Dufresne has been the object of an enduring fascination on the part of audiences everywhere. An real artist right down to the core, La Dufresne has explored various musical styles, including symphonic concerts where even Mahler has had a place. She is accompanied in this Kurt Weill exploration by the Orchestre Métropolitain du Grand Montréal under Yannick Nézet-Séguin. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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