Falconieri: Passacalle à 3

This page lists all recordings of Passacalle à 3, by Andrea Falconieri (1586-1656) on CD.

Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates.

Daniel Hope - Air

Daniel Hope - Air

A baroque journey


anon.:

Greensleeves to a Ground

arr.: Olivier Fourés

Bach, J S:

Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String')

Falconieri:

Ciaccona

La suave melodia

Passacalle à 3

Geminiani:

Concerto grosso after Corelli, No. 5 in G minor

arr. of Arcangelo Corelli's Sonata for Violin and Basso continuo, op. 5 no. 5

Handel:

Sarabande from Suite in D minor, HWV437

arr.: Olivier Fourés

Leclair, J-M:

Tambourin

Marini, B:

Passacaglia à 4, Op. 22

Matteis the elder:

Diverse Bizzarie Sopra La Vecchia Sarabanda O Pur Ciaconna

Ground after the Scotch Humour

Ortiz, D:

Ricercata segunda

Pachelbel:

Canon & Gigue

Telemann:

Concerto TWV 51:a1 in A minor for violin (or oboe), strings & b.c.

Valente, A:

Gaillarda Napolitana

Westhoff:

Imitazione delle campane (from Sonate a Violino Solo, Sonata III

La guerra così nominato di sua maesta (from Sonata in A major "La Guerra")

Imitazione del liuto (from Sonate a Violino solo, Sonata II)


Daniel Hope (violin)

Air sets out to trace a baroque journey. It is the story of four unique composers, three of whom were virtuoso violinists - Falconiero, Matteis and Geminiani from Italy, and Westhoff from Germany. They wandered throughout Europe during the 17th and 18th centuries in search of musical inspiration and cross-pollination, and their music and art of performance intrigued and delighted kings, contemporaries and audiences alike

This album shows how diverse the music of the baroque era was. Air blends the simplest and at times most primitive forms of dance music with the most sophisticated and revolutionary compositions of the day, culminating in a work by Bach - the great master, whose title is Hope’s inspiration for this collection, that also includes hits like Pachelbel’s Canon or Handel’s Sarabande

Daniel Hope, who developed the concept of this album throughout the last months, will be an excellent and charismatic spokesperson for this exciting project.

“In all, here's a striking demonstration of the sheer variety and invention of Baroque violin composers… Although by no means 'period' performances… they are admirably stylish. Hope uses vibrato as a colour and there are some delightful hues in the five continuo options, plucked and keyed.” BBC Music Magazine, Christmas 2009 ****

“…this is an exciting disc with a heady, pied-piper power over the listener that comes from realising that the bright sense of discovery once felt by these composers is being experienced just as much by their modern-day interpreters.” Gramophone Magazine, November 2009

DG - 4778094

(CD)

$16.75

In stock - usually despatched within 1 working day.

Ferveur & Extase

Ferveur & Extase


Cavalli:

Canzon

Lamento di Didone

Faggioli:

Cantata a voce sola

Falconieri:

Passacalle à 3

Marini, B:

Sinfonia Primo Tuono

Sinfonia Sesto Tuono

Monteverdi:

Pianto della Madonna 'Iam moriar, mi fili' (sopra il Lamento dell'Arianna), SV 288

Purcell:

When I am laid in earth (from Dido and Aeneas)

Rossi, Luigi:

Fantasia "Les pleurs d'Orphée"

Scarlatti, A:

Didone delirante: excerpts

Concerto VII in D major

Strozzi:

O Maria


Stéphanie d'Oustrac (mezzo) & Violaine Cochard (harpsichord, direction)

Amarillis

From Dido's desperate love to Mary's poignant fervour...

This sumptuous album, combines the sacred and profane, the cult of the Virgin Mary as opposed to Dido, Queen of Carthage, almost exclusively by 17th century Venetian Baroque composers.

It includes the iconic aria [Dido's Lament], Cavalli's Lamento di Didone and Scarlatti's Didone delirante, long thought lost, and a previously unrecorded cantata by Faggioli.

The vocally distinctive, theatrically brilliant French mezzo Stephanie d'Oustrac is accompanied by Ens Amarillis and Violaine Cochard.

“the sequence never feels like a series of bleeding chunks - indeed, among recordings of 17th-century Italian music, this programme stands out for its musical integrity and cohesiveness...d'Oustrac responds to the music's vacillating moods with a gorgeous variety of vocal effects and colours.” BBC Music Magazine, December 2011 *****

“[d'Oustrac] demonstrates arresting dramatic personality and intelligence with text to go with a mezzo voice with enough flexibility, lyrical composure and fragility enough to prevent her from sounding like an identikit raving lady.” Gramophone Magazine, February 2012

Ambronay - AMY027

(CD)

$18.25

Usually despatched in 3 - 4 working days.

Copyright © 2002-13 Presto Classical Limited, all rights reserved.