All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Flagstad Recitals Volume 1Schubert, Brahms, Schumann, Wolf & Strauss - Lieder
Brahms: | Vier ernste Gesänge, Op. 121 Treue Liebe, Op. 7, No. 1 Am Sonntag Morgen Op. 49 No. 1 Auf dem Kirchhofe, Op. 105 No. 4 Wie Melodien zieht es mir, Op. 105 No. 1 Alte Liebe, Op. 72 No. 1 Bei dir sind meine Gedanken (No. 2 from Sieben Lieder, Op. 95) Wir wandelten, wir zwei zusammen Op. 96/2 Dein blaues Auge, (No. 8 from Acht Lieder und Gesänge, Op. 59) | Schubert: | Dem Unendlichen, D291 (Klopstock) Erlkönig, D328 Am Grabe Anselmo's D504 Des Mädchens Klage D191b Ave Maria, D839 | Schumann: | Der Nussbaum, Op. 25 No. 3 Die Soldatenbraut Op. 64 No. 1 Meine Rose, Op. 90 No. 2 Liebeslied, Op. 51 No. 5 Die Lotosblume, Op. 25 No. 7 Widmung, Op. 25 No. 1 Lust der Sturmnacht, Op. 35 No. 1 In der Fremde (No. 1 from Liederkreis, Op. 39) Zum Schluß, Op. 25 No. 26 Previously Unpublished | Sinding: | Leit etter livet og liv det! Op. 55, No. 5 Sylvelin, Op. 55, No. 1 Der skreg en fugl, Op. 18, No. 5 Den Jomfru gik i valmu-Vang? Op. 50, No. 5 | Strauss, R: | Befreit, Op. 39 No. 4 Mit deinen blauen Augen, Op. 56 No. 4 Lob des Leidens, Op. 15 No. 3 Ich trage meine Minne, Op. 32 No. 1 Ständchen, Op. 17 No. 2 Geduld Op. 10 No. 5 | Wolf, H: | Gesang Weylas (No. 46 from Mörike-Lieder) Gebet (No. 28 from Mörike-Lieder) Über Nacht Lieder aus der Jugendzeit Der Freund (No. 1 from Eichendorff-Lieder) Heb’ auf dein blondes Haupt (No. 18 from Italienisches Liederbuch) Anakreons Grab (No. 29 from Goethe-Lieder) Morgenstimmung Zur Ruh, zur Ruh! |
The first of four 2-CD “Flagstad Recitals” features Kirsten Flagstad in Brahms and Schubert on CD1 as well as CD premieres of songs by Schumann (including her previously unpublished “Zum Schluss”), Strauss, Wolf and Sinding on CD2. Her great power and control placed her among those with the natural capacity for success in the ‘big’ songs with its special thrill, but there is no want of gentleness in the quieter ones. The American critic, Virgil Thomson, probably spoke for the whole audience when he wrote on Flagstad’s return to the United States in 1947: ‘Never in this writer’s concert-going lifetime has there been available any other vocal artistry of such sumptuous natural acoustics, such perfect technical control and such sound musicianship’. "Throughout, one is stirred by the sheer beauty of the sound." Gramophone “deeply felt … wonderfully radiant tone … very touching” [Brahms] “the operatic drama of Der Erlkönig is as memorable as the gently ravishing cantilena of Am Grabe Anselmos” The Penguin Guide to Bargain Compact Discs "…worth having for the Wolf group alone." Gramophone | | | In stock - usually despatched within 1 working day. |
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| |  | Simon Keenlyside & Malcolm Martineau
Fauré: | Aubade, Op. 6 No. 1 En sourdine, Op. 58 No. 2 (Verlaine) Green, Op. 58 No. 3 (Verlaine) Notre amour Op. 23 No. 2 Fleur jetée, Op. 39 No. 2 Spleen, Op. 51 No. 3 (Verlaine) Madrigal Op. 35 Le papillon et la fleur, Op. 1 No. 1 | Poulenc: | Hotel Encore | Ravel: | Histoires naturelles (5) | Schubert: | An Sylvia, D891 Die Einsiedlei D393 (Salis-Seewis) Verklarung D59 (Herder, after Pope) Die Sterne, D939 (Leitner) Himmelsfunken, D651 Ständchen 'Leise flehen meine Lieder', D957 No. 4 | Wolf, H: | Der Knabe und das Immlein (No. 2 from Mörike-Lieder) Gesang Weylas (No. 46 from Mörike-Lieder) An die Geliebte (No. 32 from Mörike-Lieder) Auf eine Christblume II (No. 21 from Mörike-Lieder) Lied eines Verliebten (No. 43 from Mörike-Lieder) Lied vom Winde |
He was already noted as a recitalist, and “a talent to cherish” as far back as 1989. Since appearing in La Scala in 1998 he has performed recitals all over the world, his repertoire including: Schubert, Schumann, Strauss, Brahms, Fauré, Wolf and Mahler. He has also recorded many English songs. Gramophone describe him as the finest baritone singer of Lieder this country has ever produced. In Simon's own words “I've probably got around 15 years, and think I can see the end of the tunnel. I've done most of the roles that suit me and some, like Papageno, I'll never want to drop…” “In Wagner I shan't go beyond Wolfram in Tannhauser. I know there's Beckmesser, but I'm afraid it's not a role that excites or fascinates me. I'll never get tired of the stand-and-sing roles like Germont in Traviata and Posa in Don Carlos - parts where you really have to act with your voice and pin the audience to their seats with inflexion, nuance and colour. I probably shan't sing Billy Budd again… and am moving down from Pelleas to Golaud. The two new roles I'm most excited about are Wozzeck and Rigoletto, which are both great theatre and call on a huge palette of colours. Wozzeck in particular, is a mountain any baritone wants to climb…” “The opening Schubert group demonstrates the baritone's natural and unaffected delivery - an ability to hold words and notes together in one single gesture - and his finely tuned vocalism, founded on a lightly rounded but always expressive tone. He sounds equally at ease in the French half of the programme. ...'En sourdine' flows beautifully...and the light humour of 'Le Papillon et la Fleur', Fauré's Op. 1 No. 1, is flawlessly conveyed in Martineau's enchantingly lithe pianism.” BBC Music Magazine, December 2009 “you’re being invited to step into a more gently nuanced and delicately observed world, where the expressive weight of each phrase is being judged to perfection, with not a gram of emotional excess...this is such a successful document of the occasion that you might honestly end up feeling that you were [there]… and can be again, and again.” Andrew McGregor, bbc.co.uk, 22nd December 2009 “Hugo Wolf is at his most welcoming in "Der Knabe und das Immelein" and Keenlyside is at his most responsive in "An die Geliebte". Keenlyside is at his best in "Notre amour" - and very French. In… Malcolm Martineau: he has a collaborator in whom the life of texts as well as the music is experienced and communicated unfailingly.” Gramophone Magazine, November 2009 | | | In stock - usually despatched within 1 working day. |
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| |  | Christianne Stotijn - Debut
“a really exciting event” Gramophone Magazine “The most impressive debut disc since Bryn Terfel was a lad” Classic FM Magazine ***** “…a riveting solo debut recital from the young Dutch mezzo Christianne Stotijn… A gust of wind blows this recital in, and blows it out: Stotijn and her robustly proactive accompanist Joseph Breinl start with the raging storms of Schubert's 'Im Walde', and end with Wolf's setting of Mörike's 'Lied vom Winde'. In the Schubert, in particular, Stotijn achieves a rare fusion: she evokes simultaneously both the physical scene and the inner soul-state, which responds to it.” BBC Music Magazine, April 2006 ***** CD Review
Critics Disc of the Year - December 2006 |
BBC Music Magazine
Choral & Song Choice - April 2006 |
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| |  | Hugo Wolf: The Complete Songs Volume 2Mörike-Lieder Nos. 27-53
This is the second volume of the first complete recording of the songs of Hugo Wolf. All the works are performed by internationally renowned lieder singers and were recorded live at the Oxford Lieder Festival. Sholto Kynoch is the founder and director of the festival and is in demand as a chamber musician and song accompanist. “As the palette of voices is varied, Kynoch is able to group the Lieder thematically without risking tedium...Gilchrist alert to [the songs'] volatility and drama; Daneman capturing every elusive and sensuous breeze of emotion and tale-telling; Grevelius discovering the inner angst darkening the songs; and Loges the Sehnsucht of late-Romantic yearning.” BBC Music Magazine, December 2011 **** “[Kynoch] is among the finest accompanists around. Sophie Daneman’s bright soprano is always a pleasure to hear but here she is not always ideally steady and her vibrato is at times too prominent. Her floated pianissimos sometimes make me forgive some of the unsteadiness...Best of all, to my mind, is Anna Grevelius. Her voice is a flexible instrument, beautiful and even from top to bottom, and with a wide range of nuance and expressivity.” MusicWeb International, June 2012 “The four excellent singers...show a vivid understanding of the texts (translated in helpful CD notes by Richard Stokes). Sholto Kynoch steers the performances with secure, expressive playing, especially in dark moods – "Der Jäger" (Gilchrist) – or in the sardonic wit of the last song, "Abschied" (Loges).” The Observer, 9th October 2011 | | | (also available to download from $11.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Le Lied Romantique
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| |  | Hilde KonetznyLive Recordings 1942/43
Brahms: | An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty) Feldeinsamkeit, Op. 86 No. 2 Ständchen, Op. 106 No. 1 Von ewiger Liebe, Op. 43 No. 1 | Dvorak: | Gypsy Melodies (7), Op. 55 (B104) | Franz, R: | Es hat die Rose sich beklagt Im Herbst Auf dem Meere | Marx: | Lied eines Mädchens Der bescheidene Schäfer | Schubert: | Rastlose Liebe, D138 Mignon I (Heiß mich nicht reden) D726 Frühlingssehnsucht, D 957 No. 3 | Schumann: | Widmung, Op. 25 No. 1 Marienwürmchen Op. 79/14 | Strauss, R: | Cäcilie, Op. 27 No. 2 Heimliche Aufforderung, Op. 27 No. 3 Schlagende Herzen Op. 29 No. 2 Ich trage meine Minne, Op. 32 No. 1 Schlechtes Wetter, Op. 69 No. 5 | Wolf, H: | Gesang Weylas (No. 46 from Mörike-Lieder) Nimmersatte Liebe (No. 9 from Mörike-Lieder) In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder) Wenn du, mein Liebster steigst zum Himmel auf (No. 36 from Italienisches Liederbuch) Frühling übers Jahr (No. 28 from Goethe-Lieder) |
The recording conditions could hardly have been more dramatic, made in the bleak mid-war winter of 1942-3, lirico-spinto soprano Hilde Konetzni in a Romantic song programme with Josef Krips as her accompanist and mentor. Konetzni is best known as the Sieglinde in two complete recordings of the Valkyrie under Wilhelm Furtwängler; Krips had been banned from working by the Nazis, so his coaching activities had to be carried out underground, under a constant threat to his life.These private recordings were made by Hermann May, the then sound engineer of the Vienna State Opera, and can now be released on CD thanks to their careful restoration by the Eichinger recording studio in Vienna in collaboration with Gottfried Kraus. The result will delight more than just those interested in Josef Krips's legendary talent for carefully coaching singers, on account of the warmth and immediacy of the ensemble achieved by Konetzni and Krips.This is just as evident in the songs by lesser-known composers such as Robert Franz and Joseph Marx.The Gypsy Melodies by Antonín Dvorák are both the highpoint and the culmination of this recital, not just on account of the interpretative art they display, typical of the time, nor merely as a document of two artistic personalities. But as testament to a friendship that was sustained despite adversity. | | | Usually despatched in 3 - 4 working days. |
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| |  | Edition Fischer-Dieskau Vol. 1 - Wolf's Morike-Lieder
“Wolf's songs require the finest judgement of shifting tones of voice, the closest of close focus. That's just what the 18 selected settings (out of 53) of the poetry of Eduard Mörike receive here. All but one is accompanied by the minutely sensitive Hertha Klust, Fischer-Dieskau's coach and chosen accompanist at the time.” BBC Music Magazine, September 2008 ***** | | | Usually despatched in 3 - 4 working days. |
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| |  | Hugo Wolf: Lieder
Heinrich Schlusnus (baritone), Franz Rupp (piano), Sebastian Peschko (piano) Berlin Staatsoper Orchestra, Hessen Radio Symphony Orchestra, Gerhard Steeger, Kurt Schroder | | | (also available to download from $11.00) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Glenda Maurice Live at the Wigmore Hall
Recorded live on 11th January 1988 | | | Usually despatched in 2 - 3 working days. |
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| |  | Lotte Lehmann Sings Lieder & Orchestral Songs 1941 - 1950Radio Broadcasts and Live in Concert
Beethoven: | Andenken, WoO 136 Wonne der Wehmut, Op. 83 No. 1 Die Trommel geruhret Der Kuss, Op. 128 | Brahms: | Die Mainacht, Op. 43 No. 2 Ständchen, Op. 106 No. 1 Wiegenlied, Op. 49 No. 4 (Lullaby) O liebliche Wangen, Op. 47 No. 4 | Mendelssohn: | Auf Flügeln des Gesanges, Op. 34 No. 2 Neue Liebe, Op. 19a No. 4 Venetianisches Gondellied, Op. 57 No. 5 'Wenn durch die Piazetta' | Mozart: | Abendempfindung an Laura, K523 Das Veilchen, K476 Warnung 'Männer suchen stehts zu naschen', K433 Sehnsucht nach dem Frühlinge, K596 Sei du mein Trost, K391 Dans un bois solitaire, K308 | Schubert: | An die Musik D547 Ständchen 'Leise flehen meine Lieder', D957 No. 4 Erlkönig, D328 Gute Nacht (No. 1 from Winterreise, D911) Frühlingstraum (No. 11 from Winterreise, D911) Der Leiermann (No. 24 from Winterreise, D911) Der Doppelgänger D957 No. 13 | Schumann: | In der Fremde (No. 1 from Liederkreis, Op. 39) Ich grolle nicht (No. 7 from Dichterliebe, Op. 48) Der Nussbaum, Op. 25 No. 3 Aufträge, Op. 77 No. 5 Die Lotosblume, Op. 25 No. 7 | Strauss, R: | Zueignung, Op. 10 No. 1 Morgen, Op. 27 No. 4 Traum durch die Dämmerung, Op. 29 No. 1 Allerseelen, Op. 10 No. 8 Ständchen, Op. 17 No. 2 | Wagner: | Mild und leise 'Isolde's Liebestod' (from Tristan und Isolde) Tristan und Isolde: Prelude to Act 1 Im Treibhaus (No. 3 from Wesendonck-Lieder) Träume (No. 5 from Wesendonck-Lieder) Schmerzen (No. 4 from Wesendonck-Lieder) | Wolf, H: | Gesang Weylas (No. 46 from Mörike-Lieder) Verborgenheit (No. 12 from Mörike-Lieder) Wer tat deinem Füßlein weh? (No. 30 from Spanisches Liederbuch: Weltliche Lieder) |
and traditional German Christmas carols
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