Grieg: Jenta (The Girl) EG 141

This page lists all recordings of Jenta (The Girl) EG 141, by Edvard Hagerup Grieg (1843-1907) on CD & download (MP3 & FLAC).

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Grieg - The Complete Songs Volume 4

Grieg - The Complete Songs Volume 4


Grieg:

Five Poems to texts by John Paulsen, Op. 26

12 Melodies to poems by A.O. Vinje, Op. 33

Min lille Fugl (My little Bird) EG 126

Blåbæret (The Blueberry) EG 145

Til L.M. Lindemans Sølvbryllup (For L.M. Lindeman's Silver Wedding) EG 135

Til Kirken hun vandrer (She Walks to the Church) EG 123

Den hvide, røde Rose (The White and the Red Rose) EG 137

Odalisken synger (Song of the Odalisque) EG 131

På Hamars Ruiner (On Hamar's Ruins) EG 140

Jenta (The Girl) EG 141

Til Generalkonsul Chr. Tønsberg (To Consul General Chr. Tønsberg) EG 136


Monica Groop (mezzo-soprano) & Roger Vignoles (piano)

“The distinctive artistry of the Finnish mezzo-soprano is providing an irresistible new take, thrilling to both the shadows and the bright high-latitude light in this music.” (BBC Music Magazine)

“The important item here is the complete set of the Op 33 songs. Only the second song of the Op 33 set, Våren ('Last Spring'), has had many takers – Schwarzkopf and Tauber among them.
The rest are lucky to have a single recording in the catalogue, if that.
Grieg had been recovering from the deaths of his parents and was going through a bad patch in his marriage when he set 12 poems by AO Vinje for his Op 33 set, hence their preoccupation with darker themes of mortality and mankind.
Groop does well by them, making full use of her deep mezzo colouring. Her singing is beautiful, sympathetic, typically bringing a sense of calm and understanding to 'The Spring' ('Våren') and stretching to the weightier seriousness needed for a song such as 'First Things' ('Det fyrste').
Groop and accompanist Roger Vignoles are well paired, as both like to let the music flow naturally. This puts them in the opposite corner to Anne Sofie von Otter and Bengt Forsberg, whose award-winning Grieg recital (DG) comes with their personalities stamped on every bar.
Where they're in competition (only three songs here), Von Otter and Forsberg are instantly memorable, achieving lift-off with a tremendous sense of elation in 'Hope' ('Et Håb') from the Op 26 set, albeit at the expense of some pullingaround of the tempo from the pianist. There are people who are resistant to the Swedish couple's bold way with Grieg and for them the more traditional approach of Groop and Vignoles will be preferable. The recording quality is first rate.”
Gramophone Classical Music Guide, 2010

BIS - Grieg - Complete Songs - BISCD1257

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Grieg - Complete Songs

Grieg - Complete Songs


Grieg:

Four Songs, Op. 15

Three Songs from Peer Gynt, Op. 23

Six Poems by Holger Drachmann, Op. 49

Digte (5) af Vilhelm Krag, Op. 60

Hjertets melodier, Op. 5 (Texts: Hans Christian Andersen)

12 Melodies to poems by A.O. Vinje, Op. 33

Elegiske Digte af John Paulsen (Six Elegiac Songs by John Paulsen), Op. 59

The Mountain Thrall Op. 32

7 Children's Songs Op. 61

Haugtussa, Op. 67

Seks Digte, Op. 4

Fire digte af 'Fiskerjenten'. Op. 21

Reminiscences from Mountain and Fjord, Op. 44

Seks Sange, Op. 48

Five songs by John Paulsen, Op. 58

Vier Lieder für Altstimme, Op. 2

Four Romances, Op. 10

Romancer og Sange (Nine Songs), Op. 18

Seks Digte af Ibsen, Op. 25 (Texts: Henrik Ibsen)

Easter Song, EG146

The Fair-haired Maid [two versions], EG130 & EG138

The Hunter

Romancer og Ballader af Andreas Munch, Op. 9

Five Poems to texts by John Paulsen, Op. 26

Romancer (aeldre og nyerer), Op. 39

Five Songs by Otto Benzon, Op. 69

Five Songs by Otto Benzon, Op.70

The Singing Congregation, EG122

Ave Maris Stella

Til L.M. Lindemans Sølvbryllup (For L.M. Lindeman's Silver Wedding) EG 135

Blåbæret (The Blueberry) EG 145

Julens Vuggesang, EG 155 (text: Adolf Langsted)

Til Kirken hun vandrer (She Walks to the Church) EG 123

Vesle Gut, EG129

Atteglöyma, EG 142 (Text: A.O. Vinje)

Den hvide, røde Rose (The White and the Red Rose) EG 137

Soldaten, EG125

Taaren, EG128

Fædrelandssang, EG151

Odalisken synger (Song of the Odalisque) EG 131

A Simple Song, EG147

Jenta (The Girl) EG 141

Jeg elsket, EG 153 (Text: Björnstjerne Björnson, fra oratoriet Fred)

Under Juletraeet, EG 144 (text: Nordahl Rolfsen)

Min lille Fugl (My little Bird) EG 126

Election Song, EG149

På Hamars Ruiner (On Hamar's Ruins) EG 140

Gentlemen-Menige, EG156

To a Devil, EG154

Til Generalkonsul Chr. Tønsberg (To Consul General Chr. Tønsberg) EG 136

Songs from 'Haugtussa' (not included in Op. 67)

Clara’s Song, EG124

Dig elsker jeg!, EG 127 (Text: Caralis(Christian Preetzmann))

The Princess, EG133

Sighs, EG134

Morning Prayer at School, EG139


Marianne Hirsti (soprano), Kjell Magnus Sandve (tenor), Knut Skram (baritone) & Rudolf Jansen (piano)

Although famous for his evergreen Piano Concerto and the music he composed for Ibsen’s Peer Gynt, Grieg’s output is dominated by short works – exquisite miniatures for piano and song. In the pantheon of composers influenced by the traditional music of their homeland, Grieg ranks along side Dvorak, Kodály, Bartok and Vaughan Williams. All in their own way ‘saved’ for posterity the rich legacy of music passed down through generations of their countrymen. Grieg ensured that the folk tunes of Norway had a new lease of life when set to words by Ibsen, Benzon, Krag and Varen, and others.

These are not songs as Schubert or Wolf would have composed. They are simple, folk-based, honest and true, and display the true genius of the composer as a miniaturist. If ever the saying ‘small is beautiful’ applies, it is to these songs. After settling down with his wife (also his cousin) Nina Hagerup – the inspiration for many of his songs – he concentrated on establishing a Norwegian National School of music.

This 7CD set is the only complete edition of the songs

Recordings date from the early 1990s

Many songs receiving their first recording

‘The Grieg song edition continues rather as it began – with many causes for gratitude, a few occasions for quite intense pleasure…In expression she (Hirsti) is similar to Flagstad, warm in feeling, and letting the affection communicate almost of its own accord…Christa Pfeiler sings with pleasing tone and …Voice and piano are well…Rudolf Jansen is a sensitive and skilful accompanist throughout’ Gramophone

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