Mozart: Kleiner Trauermarsch in c-moll: 'Marche funebre del Sig.r Maestro Contrapunto', K453a

"2006 will surely be full of celebratory concerts and recordings dedicated to a man born 250 years ago… The recital on this disc includes Mozart's structurally more 'free' music for piano: Rondos, Fantasies, and Preludes. He inherited these forms from Johann Sebastian Bach and, perhaps more importantly, through his sons Carl Philipp and Johann Christian.

The brooding opening of the great Fantasie in D minor, K397, gives way to a more light-hearted air. This piece has acquired a nineteenth-century editorial ending with no Mozartian provenance - the manuscript is incomplete. I offer an

'egarrtorial' option for the close of this little gem. Mozart originally intended the Fantasie in C minor, K396, to include a part for violin. Too little of this survives to make an adequate reconstruction. However, Abbé Maximilian Stadler (a close friend of Mozart, and a fine and interesting musician in his own right) made an admirable completion of this work for piano solo.

Although the second part gives way to fantasy of perhaps a more Schubertian nature, it is an extremely fine working of Mozart's material. The more structured pieces on the disc - the Rondos, Adagios, Marches, Minuett, and Gigue - demonstrate no less imagination and depth of character.

I end the programme with the Adagio in C major, K356, originally written for the Glass harmonika. I believe that using a fine original early piano can help us discover a multitude of colours in his music and bring us into Mozart's sound-world. I am very thankful he is still in our world at 250. Happy birthday!" Richard Egarr

Mozart Sonata recording made in the early 1980s by Karl Engel. Release to follow soon: Complete Mozart Piano Concertos.

Swiss pianist Karl Engel was a student of Paul Baumgartner at the Basel Conservatory from 1942 to 1945. After World War II he studied with Alfred Cortot at the École Normale de Musique in Paris in 1947-1948. He toured internationally as a soloist with orchestras, a recitalist and as a chamber music performer. He became particularly known for his complete cycles of Mozart piano sonatas and concertos, and Beethoven piano sonatas. He also distinguished himself as an accompanist, often appearing in Lieder recitals with Dietrich Fischer-Dieskau, Hermann Prey, Peter Schreier and Brigitte Fassbaender.

Among his chamber music partners were Pablo Casals, Yehudi Menuhin as well as the Melos Quartet.

From 1958 to 1986 Karl Engel was Professor of piano at the Hochschule für Musik und Theater in Hannover, Germany. He gave famous master-classes in France, Canada and Portugal.